The
House of Bernarda Alba: Chapter Notes – Act 1
Summary
In this act, we first learn about the funeral of Bernada’s husband, followed by the introduction of the
different female characters and our impression of them based on their
conversations. Also, we learn about Pepe el Romano, Angustias’ fiancé. There is a conflict between Bernada’s mother and Bernada at
the end of Act One.
Motifs and Connotations
Cleaning
“This crystal has some spots on it.” Pg 121
Bernada feels that that cleanliness of the
house speaks for who she is. Everything has to be clean and orderly as she is
afraid of anything that could tarnish her reputation or image, and this is
metaphorically shown as the symbol of cleanliness.
Water- wells, sea, rivers
“…this damn town without a river, this town of wells!” Pg 125
“To get married at the edge of the
sea, at the edge of the sea!” Pg
136
Water is one of the major symbols representing freedom
within this play. The quote on page 125 refers to a well. In that context, the
water doesn’t flow, indicating the lack of freedom as well as the confinement
and restrictions that Bernada places upon her
daughters and similarly, the hold that society has on individuals. This is
contrasted with the quote on page 136 where the flowing water in the sea
represents freedom.
Doors and windows
“…the neighbors can see her from their window.” Pg 127
“…peering through a crack in the
front door.” Pg 127
Another motif that represents
freedom, one of the key themes to this play. The two quotes above reveals different
scenarios. The first one on page 127 speaks of how Bernada
is worried that “neighbors can see her…”. This draws the importance
towards fulfilling social expectations and how significant public appearances
are to Bernada. She refused to release her mother as
she feel that she will tarnish her reputation and image. On the contrary, the
second quote on page 127 represents the freedom that the daughters were denied.
Angustias was spying on the men through the crack in
the door. In a sense, this gave her a yearning to be free outside.
Strangers
“…the men who went with her are the sons of strangers, too.”
Pg 128
There is a sense of detest for strangers when Bernada described the men who “kidnapped” Paca la Roseta. It would seem
like anyone outside the circle that society has drawn is seen as immoral. This
shows how important conforming to society is, as if not, then that individual
will be judged by the rest of the community.
Marriage/ Love
“Then he married someone with more money than me.” Pg 131
“I want a man so I can get married and be happy!” Pg 136
The quote on page 131 shows the priorities in those times
where the idealistic ideas of marriage based on love is not in practice. Like Martirio, Pepe el Romano is
marrying Angustias for her wealth and land. This is
contrasting to Maria Josefa’s intention of marrying
for love and be happy. She links this to the sea, feeling that marriage will
grant her freedom. However, this is ironic as given an example from previous pages;
marriage is simply another form of imprisonment.
Gaps and uncertainties
“[They sit. There is a pause.” Pg 123
There are pauses and gaps through this novel to show
tension, uncertainty or even to hide secrets. The quote on page 123 shows the
power that Bernada holds over her daughters. There is
a traditionalist mentality of following rules when set and told. This
emphasises how restricted the freedom within the house is and how confined the
daughters feel.
Characters
There is a system of ranking within the household on the
power that each has. Even though Poncia is also a
maid, she has been given a name, indicating her as a higher rank compared to
the other servant, simply referred to as maid. Below the maid is the beggar
woman who begged for scraps.
The head of the house hold is Bernada,
mother of five daughters. From the conversation between them, it allows the
readers the opportunity to evaluate each character. Of the five daughters, Angustias,
is to be married of to Pepe el Romano. This has
caused a rift between the sisters as Adela has fallen for him as well and also
because of marrying for her money. Despite Angustias
stubborn nature, it causes the readers to sympatise
with her, whether or not she is oblivious to the situation.
There are also the First, Second, and Third woman.
Setting
“A very white inner room in Bernada’s house. Thick walls.
Arched doorways with jute curtains trimmed with black beads and ruffles. Rush
bottomed chairs. Pictures of nymphs or legendary kings in
improbable landscapes. It is summer. A great shady silence envelops the
stage…Church bells are tolling.”
At the beginning of the play, the setting was described as
the paragraph above. Already from the description of the house- thick walls,
there is a sense of confinement and secrecy. “A great shady silence” describes
the tension in the air. It also represents how Bernada
feels constantly pressured to conform to society. The “pictures of nymphs”
depict a highly romanticised and wealthy family.
Finally, the last line describing the church bells highlights the importance of
religion, as not only to live but also as a source of confinement.