Lorca’s Mission
At heart Lorca was a Surrealist.
Literally translated the term means ‘over-reality’ and Surrealists tried to go
beyond boring everyday depictions of the world and capture something deeper,
truer and more real about life. They did this by releasing the power of their
imaginations and their unconscious minds. As a result Surrealist art, for
example the paintings of Salvador Dali, can seem bizarre and incomprehensible
but there is meant to be a deeper message in these works that reveal truths about
human nature and life; truths that could not be adequately caught by
straight-forward paintings or plays.
However, more importantly, Lorca
was a man of the people. Coming from a poor Spanish village himself, what he
wanted most of all was to be understood by the everyday Spaniard: the people
sitting in the cheapest wooden seats or living in the smallest Andalusian villages. As such he sacrificed the Surrealism
of his earlier plays because it was something that the masses would never
understand and instead he made everyday people his protagonists. He brought
them on to the stage and talked about their problems, their hopes and their
struggles with the powerful. In a sense he was developing a political
consciousness.
‘The House of Bernard Alba’ premiered in
Lorca wanted to write about a
recognizable society, about the overwhelming power of money, about sacrifice of
the inner self to outward appearances, and about the imprisonment of living
beings within the most wretched aspects of Catholic morality. He wanted to
reveal the differences between the world as it is presented by those in power
and this same world as it is suffered by Bernarda’s
daughters. Audiences of all times find references in The House of Bernarda Alba and the issues
of the conflict between order and liberty, between rules and personal freedom
or the relationship between the individual and their society are as relevant
today as they ever were.
In short, Lorca wanted to portray
the pursuit of a utopia where the social being and the individual being are in harmony; a world in which, not only would Adela not die, but
in which her very existence would be incomprehensible. Lorca was speaking of
these things very shortly before fascism – Bernarda –
murdered him under the olive trees at Fuente Grande.
Adapted from an article by Jose Monleon