The House of Bernarda Alba : Motif Tracking – Cleaning & Household
Activities
Summary:
Cleaning in Bernarda’s house is linked with the idea that everything has
to be pure and spotless so that they can maintain the appearance of conforming
to the rules of their society. At the start of the play Bernarda is especially
conscious of this as the community will be visiting her house after the funeral
of her husband. Ordering people to clean is additionally one way in which Lorca
demonstrates the power and control that Bernarda has over the members of her
household, both as mother and a master.
Quotations:
Page |
Quotation |
Analysis |
119 |
“A very white inner room” |
This stage direction implies cleanliness and the
spotlessness makes the reader feel a bit uncomfortable possibly suggesting
how uncomfortable the daughters feel in this house. The whiteness of the room is
significant because it is very difficult to keep something purely white,
unless it is being cleaned repeatedly and very regularly. Thus, the fact that
an inner room in Bernarda’s house is “very white” suggests that either they
are very rich or find it important to keep the image of being rich by making
sure that the walls continue to remain white, through cleaning. The fact that
this is the first thing that is seen by the audience sets up one of the major
themes of the book which is: to constantly keep up the image of being well
off. It can also be said that the significance of the colour white to Bernarda
is that it represents that there is no secrets hidden within the household
and that there are no “blemishes” on the family name. |
119 |
Poncia:
The old lady. Is she locked up tight? Maid:
With two turns of the key. Poncia:
You should fasten the bolt, too. She has fingers like five skeleton keys! |
This
quotation represents yet another household activity which is present
throughout the play. This is the activity of making sure that Bernarda’s
mother is constantly being controlled by someone to ensure that she is not
seen by the other members of society and embarrass the family. This is an
example of how the truth is being “cleaned up” and hidden from society. |
120 |
“Scrub everything clean. If Bernarda doesn’t see things
shine, she’ll pull out the few hairs I have left!” |
This shows how Bernarda is very conscious about how her
house looks. It also demonstrates how Bernarda
exerts her power over the maids by creating a sense of fear within them. This
shows how everyday activities such as cleaning can be manipulated into
providing a demonstration of Bernarda’s control. |
120 |
“Scrub! Scrub those tiles!” |
The exclamation marks stress the importance of cleanliness
in Bernarda’s house. The repetition of the word ‘scrub’ highlights this
further. The fact that Poncia is telling
the Maid to scrub the tiles helps to demonstrate the different levels of power
hierarchy in society and sheds light on the ambiguous relationship between
Poncia and the family. Poncia telling the maid to scrub the tiles suggests
that she has more authority of the two. Authority which ultimately comes from
her ability / willingness to provide Bernarda with gossip. |
120 |
“My hands are bleeding from all the scouring” |
Hyperbole is used here to show the arduous amount of
cleaning the maids have to do. The word ‘scouring’ has a harsh effect, which represents
the extent to which Bernarda exploits the people who work for her. It shows
Bernarda as a person who wants to ensure that an image of immaculacy is
constantly shown to the outsiders in order to improve/uphold her image in
society, even if it leads to physical pain for the maid. |
120 |
“Thirty years, washing her sheets.” |
Shows the lengthy time span than Poncia has served
Bernarda and a sense of annoyance as Poncia may feel that she isn't given
more respect for the long time service. |
121 |
Poncia:
The crystal has some spots on it. Maid:
Neither soap nor flannel will get them off. |
The characters of the Maid and
Poncia in the play present stereotypical views of the role of women in
society. It also represents what society allowed women to be during the time.
The fact that the spots or marks
of dirt cannot be removed suggests or foreshadows that all is not as it
appears in the house and that underneath the image of purity, something is
amiss. |
122 |
“Floors polished with oil, cupboards, pedestal steel beds.” |
Listing is used here to emphasis the workload of the maid
has done to keep the house clean to Bernarda’s high standards and the
quotation further emphasizes the roles played by women with no
economic power in society and the stereotypical role of women in society at
the time. |
122 |
Bernarda:
Less screaming and more work! You should have seen to it everything was
cleaner to receive the mourners. |
This
further demonstrates how Bernarda exerts control over the maids by telling
them how to clean the house and what is expected of them. It also suggests
Bernarda’s aggressive and dismissive attitude towards those of a lower
socio-economic status and, finally, it reinforces the importance of keeping
up appearances. |
123 |
Second
Woman: Have you begun to thresh your wheat? |
This
quotation not only reveals the type of household activities that occur in Bernarda’s
house, but also shows the economic situation of the Alba family. The fact
that they have wheat to thresh suggests that they are relatively wealthy
landowners, even though Bernarda’s husband has just died. |
126 |
Poncia:
Look what they’ve done to the floor! Bernarda:
You would think a herd of goats had walked on it! [PONCIA
scrubs the floor.] |
Poncia’s dialogue suggests that she is attempting to
ingratiate herself with Bernarda, as she well knows that Bernarda will notice
the floor. The stage directions show this further as Poncia cleans in front
of Bernarda, thus making her pleased. This quotation also represents the
attitude that Bernarda has towards people in society, as well as further
demonstrating Bernarda’s need to ensure that her house remains immaculate and
clean to any outsider who looks in, as the guests have just left, but the
house is already being cleaned. |
126 |
Bernarda:
…In the meantime you can begin to embroider your trousseaus. I have twenty
bolts of linen in the chest from which you can cut sheets. |
The
fact that Bernarda’s daughters have to embroider their own trousseaus
suggests that though the family does have money, they do not have enough to
be able to hire the help necessary to embroider trousseaus for the daughters.
A trousseau is the outfit a bride wears, including her wedding dress or the
things that she takes with her to her new home (bed sheets, towels, etc) the
fact the girls have begun to work on these clothes even though none of them
are engaged shows how marriage was such a vital aspect of women’s lives at
the time. Women are constantly looking forward to and preparing for their
wedding day – hence the frustration in the house when it seems that none of
them is very close to getting married and the jealousy when, eventually,
Angustias does become engaged. |
126 |
Bernarda:
A needle and a thread for females: a mule and a whip for males. That’s how it
is for people born with means. |
This
quotation further emphasizes the expectations of society at the time in which
the play was set. It is seen that the men and women are expected to fulfill
stereotypical roles: women should be able to embroider while the men are to
be the providers for the family. |
128 |
Bernarda:
What were they talking about? |
In
this play, gossip plays a significant role in the lives of all the
characters. The entire book consists of characters talking about what is
learned through gossip. It is seen that all members of the Alba house,
ranging from Bernarda herself, down to the maids spend the day gossiping and
spying on either other members of the house, or the neighbors. It is because
of this significant role of gossip in the everyday lives of the members of
this play, that it can be said that gossip is in fact a regular household
activity. |
129 |
“You start scrubbing the patio” |
This is said after Poncia gossips to Bernarda about the
men’s conversations in the patio. Bernarda is repulsed by it and thus uses an
imperative, to order Poncia to symbolically get rid of the inappropriate
conversation. |
129 |
“And you start putting away all the clothes of the
deceased in the big chest” |
This is showing that apart from Bernarda being consciously
aware of how presentable her house is, she is also trying to eliminate the
thoughts of her late husband. Her unwillingness to give any of this away
further reinforces the sense we have of Bernarda as bitter and ungenerous. |
135 |
Bernarda:
Have you dared to powder your face? Have you even dared to wash your face, on the day of your
father’s death? |
This
quotation demonstrates the absurdity of society’s expectation and the
traditions at the time. That the daughters cannot wash their face let alone
powder it, represents ridiculously extreme nature of these rules. Also, Bernarda’s
insistence on sticking to these rules even though no one will be seeing the
daughters anymore as all the guests have left, represents how important these
rules are in the everyday lives of the members of the society, as well as the
important of keeping up appearances. It is also ironic that the house must
appear clean and cared for, yet the people themselves are not allowed to wash
their faces, representing the absurdity of society’s expectations. |
135 |
[Furiously, she (Bernarda) removes the powder from ANGUSTIAS’ face
with a handkerchief.] |
This
demonstrates Bernarda’s fear of being seen as transgressing society’s
expectations. She is so angry at Angustias for powdering her face that she
herself removes it. The word “furiously” suggests that she does it roughly,
thus emphasizing Bernarda’s uncaring and unmotherly qualities. |
137 |
“A white inner room” |
This is used in the beginning of the Act 2 stage
directions. Now we notice that from Act 1 the ‘very’ has gone. This shows
that the strictness, freedom and purity may be disappearing from the Bernard
household. The effect of supreme cleanliness has also vanished, and we are
left with something more normal, perhaps tarnished. |
137 |
BERNARDA’S DAUGHTERS
except for ADELA are seated in low
chairs, sewing, |
The
image created by the stage directions represents the characters carrying out
the stereotypical roles of women in society. The fact that Adela is not
taking part in the activity suggests that she does not care for the
expectations of society, thus setting her apart from the other characters and
making her seem more rebellious. |
141 |
Poncia:
I have eyes in my head and in my hands when it comes to things like this. No
matter how much I think about it, I can’t figure out what you’re up to. Why
were you standing at the open window, half naked, with the light burning –
the second time Pepe came to talk with your sister? |
This
quote demonstrates more than one household activity which is carried out
daily by the members of Bernarda Alba’s house. Not only is gossiping about
other members of society a regular occurrence, but keeping an eye out on
members of the household and gossiping about members of your own family is
also seen as a household activity. |
142 |
“Instead of cleaning the house… you stick your nose into
the affairs of men and women like an old sow” |
Adela becomes furious with Poncia’s accusations. In her
dialogue we can see that individuals of inferior class are expected to do all
the menial chores like cleaning. Cleaning symbolises lower status. Adela
reminds Poncia of her position in the household through the activities that
she should be doing. |
151 |
“Work and keep your mouth shut” |
Bernarda says this to Poncia. As before it is now
Bernarda’s turn to make sure Poncia doesn’t over step the bounds of expected
behaviour for a servant. However, Poncia’s position is ambiguous and she
frequently is allowed more say and influence than would be expected of a mere
servant. |
154 |
“Four white walls lightly bathed in blue.” |
From ‘very white’, to ‘white’ and now ‘lightly blue’. This
is stage direction in the beginning of Act 3 gives the readers a feeling of
hope as the oppressive whiteness has gone. The cleanliness has also
disappeared, as the walls are no longer white. The blue also suggests it is
night time and the freedom that this brings. |
157 |
“Augustias is clearing the table” |
This quotation further emphasizes
the stereotypical role of women at the time in which this play is set. The
fact that Angustias is clearing the table even though the family has maid’s,
suggests that she is practising the role of the woman that society expects
her to be. |
168 |
Bernarda:
…Cut her down. My daughter has died a virgin. Carry her to her room and dress
her in white. No one is to say a thing. She died a virgin. |
The
quotation demonstrates an activity which, though not a regular household
activity, is still an activity which is carried out by members of the house.
It can be argued that the quote not only shows how the mess created by
Adela’s suicide has caused is cleaned, in terms of changing her clothes, but
shows how the truth of Adela’s is being hidden. Adela kills herself when she
thinks that her lover (and her sister’s fiancé), Pepe el Romano has been killed.
The audience is also aware of the fact that Adela is no longer a virgin and
Pepe el Romano is the cause of this. The fact that Bernarda tries to hide the
truth by cleaning up the “mess” by dressing Adela in white after she has died
demonstrates her need to keep up appearances in society by cleaning up the
truth of Adela’s death. |
Key moment:
The key
moment for this motif in the play ‘The House of Bernarda Alba’ is the final
scene when the members of the house have just learned that Adela has committed
suicide as she thinks that her lover - her sister’s fiancé, and possibly the
father of her unborn child - Pepe el Romano has been shot. Bernarda tells the
maids in the house to dress Adela in white, the symbol of purity and virginity
in order to hide the truth, that Adela was in fact, going to be the mother of
Pepe el Romano’s child. It is seen that Bernarda tries to “clean up” the facts
and hide the truth about Adela’s death in order to ensure that society does not
look down upon her because of Adela’s actions. It is in this scene that the
importance of cleaning up the surface is most evident as it is seen that: to Bernarda,
it is important to constantly maintain an image which will ensure that society
does not look down upon them.
Another key moment is when Adela argues
with Poncia and says, “Instead of cleaning the house… you stick your nose into
the affairs of men and women like an old sow”. (Act 2, pg 142) Adela says this
longer sentence after a battle of short sentences, as if to end this quarrel and
get the last word. Adela tries to show Poncia her position in the house by
reminding her of her duties which are cleaning and not gossiping. This is the
first time that we see the quarrels between Poncia and one of the girls. The
exclamation marks at the end of their dialogues suggest that a heated
conversation is taking place. It shows the tensions building up in their
household and it also shows how Adela is obstinate about her feelings towards
Pepe being genuine and how Poncia is also persistent in her attempts to prevent
Adela from doing anything scandalous that would besmirch the good name of the
house.