The House of Bernarda Alba: Motif Tracking – Clothing and Nudity
Summary
Clothes are significant because it
represents the boundary between men and women as well as religion. Bernarda illustrates her power through clothes, by restricting
what her daughters can wear. Forcing her daughters to wear black for 8 years
represents her grief. Clothing symbolizes people from the outside; it affects
how they are viewed by society. Perhaps Bernarda’s is
obsessed with her image and how society perceives her and her family.
Quotations:
Page |
Quotation |
Explanation |
122 |
‘ |
There
is something animalistic about the way that they had sex in the corral and
also the way in which they did not even undress properly. The sequestered
location suggests that this was the kind of secret that needs to be kept away
from the prying eyes of the people in town and it also suggests that this
kind of freedom can only exist in natural places (the corral) rather than in
the house. This
quotation also reveals the exploitative nature of the upper classes. Antonio
is dressed nicely in ‘woven suit’ and ‘high boots’ and it is because of the
social status indicated by these clothes that he is able to treat the maid in
this manner. Possibly we see how corrupt the upper classes are and thus they
hypocrisy of the strict social rules which are enforced upon everyone else. |
124 |
‘In
church, women should look at no man but the priest, and at him only because
he’s wearing skirts.’ |
Firstly this suggests how
respectful and modest women are expected to be and how strict the rules are
for them: Bernarda and says that the only man a woman should look at is the
priest because ‘he is wearing skirts’, i.e. someone who is not ‘really’ a man
at all. Otherwise the girls are forbidden to look at any other man. |
125 |
‘Yes
– to fill my house with their sweaty underclothes and poisoned tongue!’ |
The
image of disgusting underclothes suggests how underneath the outward
appearances the town is corrupt and dirty. There is also something sordid
about possibly echoing the sordid pleasure that Bernarda
gets when she gossips about others or when they gossip about her. The poison
tongues suggest the deadly potency of this gossip and reinforces the idea of
something squalid and corrupt. |
126 |
‘Is
this the fan you give to a widow? Give me a black one, and learn to respect
your father’s memory’ |
This
reveals how strictly Bernarda will follow the rules
of mourning – even the fans must be black – we get the impression that she wants
everything to be perfectly black so that no one can judge her. The fact that Bernarda doesn’t want the fan to be green signifies that
she does not want to give anyone in the house any chance of freedom. In
contrast all that is allowed is the stifling and deathly colour
of black. |
127 |
‘Don’t
take the kerchief off your head.’ |
The fact that Bernarda commands the daughters immediately suggests a
dictatorship and the fact that Bernarda is going to
try to make sure that she is the only one that remains in power. Furthermore,
the fact that she wants the daughters to be seen with kerchiefs on their
heads when outdoors adds to the idea of Bernarda
trying to ‘keep up appearances’ because she wants people to know that she is
following social expectations, and is mourning for her recent loss. |
128 |
‘They
say she rode with her breast hanging out.’ |
The
lack of clothes represents freedom although Bernarda
views this as evidence that Paca is a loose and
shameful woman. Although it is also clear that Bernarda
loves gossiping about sexual things – possibly partly because of the power
that this knowledge will afford her over others but it seems more that there
is a vicarious pleasure she gets out of hearing of the exploits of other
suggesting her own desires to be free. |
128 |
‘...
Paca la Roseta had her
hair undone and was wearing a crown of flowers on her hand.’ |
Here
Paca’s clothes, or lack of the
suggest that she is not following the social codes of the pueblo. The
crown of flowers suggests freedom and the image of her riding wit her hair
undone, further shows that she is challenging social expectations and does
not care for what she looks like in public. This perhaps foreshadows Adela’s
later rebellions and is representative of the freedom that Lorca wishes were
enjoyed in |
|
“In the mean time
you can begin to embroider your trousseaus” |
‘Trousseaus’ are supposed to ‘the new clothes a woman brings to her marriage’ suggesting
the importance of external appearances and also the need to have trousseaus
for her daughters’ weddings because this is what society would expect to
happen. There is also a
sense of futility and pathos about this as it is clear that none of the other
sisters is ever going to marry. |
131 |
‘Today
there’s more finesse, bridges wear white veils like in the big cities...’ |
This suggests
the idea of keeping up appearances as the ‘white veils like in the big
cities’ clearly shows the wish to appear of a higher economic and social
status. The idea of white also portrays innocence and the fact that she has
no hidden secrets, which we as readers know is not true. |
131 |
“She put on the
green dress she made to wear on her birthday; she went out to the corral and
began to shout” “I had such dreams
about this dress. I planned to wear it the day we were going out to eat
watermelons down by the waterwheel.” |
The green dress is an important motif.
Firstly the fact that it is ‘green’ suggests nature and in turn freedom. The
further mention of watermelons and waterwheels reinforce this. This quote
sums up the freedom that the girls do not have Green is also a bright colour
which suggests the happiness and vibrancy which the house lacks but which
Adela possess. The green dress foreshadows Adela’s later rebellions against Bernarda |
133 |
‘What
you could do is dye it black’ |
This quote occurs right after Adela expresses
her emotions and her dreams of the cheerful times she would wear this dress,
and this is being crushed by the greater forces who believe that oppression
is the best way for these daughters. Black is a dull colour
and dying a cheerful dress which represents freedom black, is a metaphor for
the idea of oppression taking over the freedom. |
134 |
‘I’ll
put on my green dress and go walking down the street’ |
Again
we see Adela rebelling against social expectations and desiring to be free |
141 |
‘Why
were you standing at the open window, half naked, with the light burning’ |
The lack of clothes suggests she wants to
give herself away This quote can be interpreted in two ways. Firstly, it
could easily suggest freedom, and the idea that the daughters are living in
two worlds which has freedom and oppression. They long for freedom which is
shown by the ‘open window’ and the fact that she is ‘half naked’ however they
are caught up in a dictatorship as we know the windows are barred and she is
only ‘half naked’ which is suggests she longs for freedom, but a greater
force holds her back from going all the way. This is also the moment when
Adela is tempting Pepe to come to meet her after he
has been talking at Angustias’ window. |
|
“It’s for me. For a
shift” |
‘Shift’ is a type of underclothing, and it represents
several ideas. Firstly the ‘shift’ may represent their desire for sexual
pleasure. The daughters have experienced nothing throughout their lives and
the ‘shift’ is one of the forms they can bring pleasure into their unvarying
lives. The underclothing also represents freedom but the oppressed
environment around Martirio forces her to keep her
show of freedom hidden under her clothing defying the entire point of
freedom. The idea of having the shift hidden also enforces the idea of
‘appearances’ as Bernarda, who represents the
oppressive environment, is unable to see it and therefore the appearance on
the outer layer still looks fine and a good appearance is upheld which is the
only thing which Bernarda desires in the town they
reside. |
|
“Lizards between
her breasts” |
The reader has been given an impression that Adela
is restless and is hiding something from the rest of her family. This
signifies the idea of censorship and the fact that the whole family has to
carry out any tasks which could possibly be a threat to their reputation in
complete secrecy. This portrays the oppression which is imposed by Bernarda Alba. |
|
“Until they strip
themselves naked, let the river sweep them away” |
The idea that they strip themselves naked suggests
freedom once again and the motif of water is once again added to reinforce
this. It suggests that Adela has been pushed so far that she will do anything
she feels like. |
|
“Dress her in
white” |
The idea of dressing Adela in white after she
has committed suicide suggests the idea of appearances once again. We know
that Bernarda has a longing to appear socially and
economically superior in the town they are in even though they are not
exactly what they seem. The fact that she is being dressed in white reveals
the hypocrisy of
Bernarda and the conservative system she represents
as we know that Adela was not a ‘virgin’. |
Key moment
‘She put on the green dress she made
to wear on her birthday’
‘I’ll put on my green dress and go
walking down the street’
The green dress can be seen as a
symbol of rebellion. She's not wearing black, the colour
her mother ordered her to wear for 8 years to mourn for the death of her father
and so she is rebelling against her mother's expectations and the expectations
of a society. In contrast, green is a color that presents liveliness and vibrancy.
This shows Adela's liveliness and vitality and the fact that the society
she lives in is too restrictive for her. Her desire to walk out in the street
is symbolic of her rebelliousness and desire for freedom because the whole play
is set inside the house, the girls are always
restricted and confined.
“Standing at the open window, half naked, with
the light burning”.
This is a
key moment because this line optimizes the entire story by the way the daughters
are trapped and the feelings they are experiencing. The idea that the daughters
are ‘half naked’ and the ‘open windows’ are barred shows that the freedom they
experience is not complete and there will always be a stronger force that
controls them. This reflects the power of the conservative rules that governed
Spanish society at the time.