Hamlet:
Character Profile - Hamlet
Quotations
& Analysis:
Page |
Quotation |
Analysis |
36 |
“[Aside.] A little more than
kin, and less than kind.” (pg. 36, line 65) “Not so, my lord I am too much
in the sun.” (pg. 36, line 67) |
In this quotation, we can see
that Hamlet is portrayed as an outsider because the stage direction of
“aside” suggests that his opinion has no place in court. It also highlights
the tension created between Hamlet and Claudius. Shakespeare might have also
provided the “aside” to allow the audience to empathize with Hamlet, and not
Claudius. The fact that Hamlet is openly disagreeing with the King in the
second quotation serves to show his disapproval of Claudius as King.
Furthermore, the play on words (as Claudius had claimed that the clouds still
hang on Hamlet) exemplifies Hamlet’s wit and portrays a cleverness to
Hamlet’s character. |
36 |
“Seems, madam? Nay, it is, I
know not “seems.”” (line 76-77) “For they are actions that a
man might play.” (line 84) |
This quotation explores the
notion of appearance versus reality, and reflects the idea that the audience
cannot be certain that he is feeling this way solely because of his father’s
death. Thus the quotation illustrates Hamlet to be a closed off, mysterious
character as his intentions remain ambiguous throughout the play. |
37 |
“I shall in all my best obey
you, madam.” (line 120) |
This quotation emphasizes
Hamlet’s close relationship with his mother, as he clearly states he will
obey her, but does not say the same to Claudius. Nonetheless, despite his
closeness to her here, Shakespeare also suggests that Hamlet’s relationship
with his mother is fragile, as he is seen later on in this act to be
condemning his mother for her choices. It is also interesting that he
decides to follow his mother’s wishes, even if he does not agree with them.
Laertes predicts (or says from experience) that Hamlet is not free to do what
he wants, and Hamlet’s agreement with his mother is one example of this. |
38 |
“O that this too, too sallied
flesh would melt, thaw, and resolve itself into a dew!” (line 129-130) |
This quotation is used to
depict Hamlet’s disdain for the world, and the word “too” is repeated to
highlight the extent of his contempt. Furthermore, the words “melt” and
“thaw” connote freedom because it alludes to an object being released from
its rigidity and form. Thus the quotation might be suggesting that Hamlet
wants to be free of the world’s burdens and expectations. Hamlet’s lack of
concern for his life is again reinforced when he sees his father’s ghost, and
upon Horatio’s pleas to not follow the ghost, he insists that he doesn’t care
much about what happens to him. This characterization suggests that Hamlet
could, if he wanted to, carry out some atrocious deeds (such as avenging his
father), as his life is of minimal importance to him. Instead, avenging his
deceased father’s life is of more importance. |
38 |
“How [weary], stale, flat and
unprofitable seem to me all the uses of this world!” (line 133-134) |
Asyndeton is used in this
quotation to emphasize Hamlet’s disgust with the world, and monosyllabic
words such as “stale” and “flat” sound mundane, which illuminates the notion
that Hamlet sees nothing special about the world. This quotation brings to
light the immense feelings of desolation and depression that Hamlet is
experiencing, but again, the source of this sadness is not truly explained. |
38 |
“Heaven and earth, must I
remember?” (line 142-143) |
This quotation hints at the
internal struggle within Hamlet, as he is torn by his obligations to his
family and country versus what he truly desires. The word “must” and “heaven
and earth” highlights Hamlet’s powerful desire to not think about Old
Hamlet’s death because he realizes that his mother and Claudius want him to
forget. The quotation is formatted in a rhetorical question to highlight
Hamlet’s conflicted mind because what he feels appears to be contradictory to
what he should be experiencing. |
39 |
“But break my heart, for I must
hold my tongue.” (line 158) |
This quotation reinforces the
sense of Hamlet’s internal struggle as it alludes to Hamlet’s obligations to
“hold [his] tongue” and hide how he truly feels from his mother and Claudius
and this might be because he knows it is wrong to feel this way about them.
The word “must” reflects the expectations that have been placed upon him -
ones that he cannot rid himself of. |
39 |
“I prithee do not mock me,
fellow studient, / I think it was to [see] my mother’s wedding.” (line
177-178) |
Apart from Hamlet’s affirmation
that there was only a short period between his father’s death and his
mother’s wedding, Hamlet’s response of “do not mock me” reflects his bitterness
about his mother’s wedding, and the way in which it followed soon after the
death of his father. The phrase “do not mock me” itself suggests that Horatio
has said something offensive to Hamlet, while Horatio actually hasn’t
suggesting that even the slightest mention of that shames him. |
40 |
“The King my father?” (line
192) “But where was this?” (line
213) |
The short sentence structure of
these two quotations as well as the fact they are questions serves to
illuminate Hamlet’s curiosity and hints at his desperation to see his father.
In the whole section on pg. 40, featuring the conversation between Hamlet and
Horatio regarding Old Hamlet’s ghost, Hamlet is asking short questions such
as these ones. This creates an effect of urgency because it almost seems like
Hamlet cannot wait to learn more about Old Hamlet’s ghost. |
47 |
“The King doth wake to-night
and takes his rouse” (line 8) |
In the Zefferelli version of
the play, this line is said while Hamlet is looking down on the party, which
is filled with lights, laughter, warmth and food. This image is juxtaposed
with Hamlet’s locations which is dark, cold and eerie. Ultimately, this
contrast serves to show that not only is Hamlet physically separated from his
family and their celebrations, but he is also emotionally detached in that
what he feels is the opposite of what they are experiencing. |
47 |
“though I am native here and to
the manner born, it is a custom more honor’d in the breach than the
observance.” (line 14-15) |
This quotation portrays Hamlet
to be an outsider, as he dissociates himself from the traditions that his
country and family follow through the word “native” which is juxtaposed with
Hamlet’s disapproval of Denmark’s culture of drinking and celebrating. |
48 |
“be they as pure as grace, as
infinite as man may undergo, shall in the general censure take corruption
from that particular fault” (line 32-35) |
This quotation illustrates
Hamlet’s hypocrisy, in as he comments on society’s tendency to judge and
condemn an individual or a group of people based on one flaw in their
personality or character while he seems to be doing exactly this to his
mother, although it is important to note that what his mother did could
arguably be worthy of condemnation. This may also be read as a
reference from Hamlet to himself, and how he is judged by his parents based
on his unwillingness to get forget his father’s death as, especially in King
Claudius’ eyes, it is a weakness. |
48 |
“I’ll call thee Hamlet, / King,
father, royal Dane.” (pg. 48, like 44-45) |
This quotation exemplifies
Hamlet’s desperation to call the ghost his father. Interestingly the
assertion ‘I’ll call you …’ suggests that it is Hamlet’s determination to
call the ghost his father that is paramount here rather than something about
the ghost that compels him to give it this name. In addition, the list-like
structure of the different names Hamlet wishes to call his father (Hamlet,
King, father, royal Dane) represents how much he thinks of his father, as Old
King Hamlet seems to be a more significant role than father which could
suggest that Hamlet’s principal concern is with the inheritance of power
rather than the loss of his father. The ordering here creates the impression
that Young Hamlet is desperate to call someone else his king. |
49 |
“It will not speak, then I will
follow it.” (line 2) “It waves me still. - Go on,
I’ll follow thee.” (line 77-78) |
These quotations reiterate how
desperate and curious Hamlet is, as he seems determined to talk with the
ghost. The short sentence structure suggests an urgency and certainty which
is emphasised by the use of definite modal verbs like “will”. |
50 |
Mark me. “I will.” (line 3) |
When responding to his father,
Hamlet speaks in very short sentences. This could show respect towards his
father as he gives his father more time to speak alternatively it might also
reflect his loss for words at the situation. Furthermore, the stichomythia
that is displayed in these quotations represents the immediate rapport formed
with his father, and instantly forms a bond that Young Hamlet has never
seemed to have with Claudius. |
51 |
“O God!” (line 24) “Murther!” (line 26) “O my prophetic soul! My uncle?”
(line 40-41) |
The “O God!” Hamlet says
parallels the “O God” said in Hamlet’s soliloquy, and serves the same
purpose. Both of these “O God”’s replace a more detailed exploration of ideas
as if to suggest that Hamlet does not want to think the thought to which his
mind has been drawn. In this case, is exclamation is in reference to his
father’s statement: “If thou didst ever thy dear father love” and so his
response suggests that not loving his father is a thought too preposterous to
even answer properly. It shows Hamlet’s undying love and devotion to his
father. “Murther!”, which is equally
short accentuates the sense that Hamlet is shocked and both of these quotations show Hamlet trying
to digest information that seems too much to bare. “O my prophetic soul! My
uncle?” is one of the most interesting lines in the text as it suggests that
the accusation that the Ghost makes against Claudius is one that Hamlet has
already thought of and thus this raises the possibility that the Ghost is really
just confirming something that Hamlet already wants to believe. As such this
line introduces a key element of uncertainty about the trustworthiness of
Hamlet’s interactions with the ghost that continues throughout the play. |
53 |
“[He writes] So, uncle, there
you are. Now to my word: It is “Adieu, adieu! remember me.” I have sworn’t.”
(pg. 53, line 110-111) |
These lines shows Hamlet’s
determination to kill Claudius in revenge for the murder of his father, which
is a stark contrast to before, when he is shown to be undecided about what to
do. This determination suggests his hate for Claudius and, at the same time,
it also shows the relationship between Old Hamlet and Hamlet, where Hamlet
trusts every word Old Hamlet says and does not hesitate to act on his orders. |
53 |
“Heavens secure him!” (Horatio)
(line 116) |
This quotation serves to
reiterate how determined Hamlet is to seek revenge and follow through with
Old Hamlet’s wishes. The referral to “heavens” suggests that nothing but the
heavens can stop Hamlet, and the notion that he has to be “secure[d]” makes
it seem as though Hamlet’s anger and violence has now been unleashed, and is
uncontrollable. This quotation portrays Hamlet to be an extremely loyal yet
impulsive person. |
56 |
“O cursed spite, / That ever I
was born to set it right!” (line 188) |
This quotation suggests that
Hamlet feels that he has inherited a burden, or an obligation that is too
large or too demanding for him. Thus Laertes’ claim that Hamlet is not free
to make his own choices is once again proven to be true and this sense of
helplessness reinforces the impression created of Hamlet that he is the
unlucky victim of change and fate … a tragic character who finds himself at
the mercy of powers greater than he is. |
66 |
HAMLET: “Excellent well, you
are a fishmonger.” POLONIUS: “Not I, my lord.” HAMLET: “Then I would you were
so honest a man.” (line 174) |
These quotations exemplify
Hamlet’s ability to manipulate words to trap people and make them say what he
wants. He usually employs a method of arguing that consists of flipping the
meaning of a word between two binary choices (called quibbling): either you
are impure (as the word fishmonger suggests the owner of a brothel) or you
are pure like the hard worker fisherman who sells his fish. Reading this
scene from a feminist perspective we can once again see women presented as
unwholesome (unhygienic) sexual temptresses and note also that it is the male
figure as the brothel owner who essentially controls them. An alternate reading of this
line might be that Hamlet wishes that Polonius were in fact honest like a
brothel owner. Although there is clearly something morally repugnant about
this line of business there is also something straightforward about it as
everyone is aware of the kind of transaction that they are engaged in. This
straight-forward immorality perhaps compares favorably to the world of
subterfuge and political intrigue that plagues court life that Shakespeare
appears to be using Polonius to criticise. |
68 |
“Why then ‘tis none to you; for
there is nothing either good or bad, but thinking makes it so.” (lines
245-246) |
This quotation shows Hamlet’s
intelligence, as well as one of the main themes that runs through the play,
which is how thinking can lead to severe consequences. This line can also be read from
an existential perspective as it implies that there is no definite measure of
good or bad and that it is in fact mankind who decides what is right or
wrong. Interestingly Hamlet’s
assertion here undermines his accusations against Claudius as it implies that
there are no really bad actions. |
78 |
“Am I a coward?” (line 551) |
Hamlet’s question suggests that
he is aware that over thinking has caused him to become cowardly and has
prevented him from avenging his father. Here Shakespeare explores one of the
central dilemmas of the play - the irony that the ability to reason, which
appears to be the characteristic that distinguishes us from beasts, can also
be our greatest weakness. Interestingly, the
self-awareness demonstrated here further suggests that he is not mad. |
79 |
More relative than this - the
play’s the thing, / Wherein I’ll catch the conscience of the King.” (line
584) |
Dramatic tension is created
here through the rhyming couplet which suggests a sense of resolution as does
the movement from thinking (why can I not act? etc.) to actually acting. This
itself is ironic because it is only the act of thinking that brought him to
this idea. |
81 |
“To be, or not to be, that is
the question” (line 55) |
This quotation reveals Hamlet’s
distaste for living and once again can be seen as raising the fundamental
existential question – what is the point of living? |
82 |
“Thus conscience does make
cowards [of us all].” (line 82) |
Hamlet acknowledges the fact
that over thinking has prevented him from acting which re-emphasises one of
the overarching ideas of the text: that overthinking cripples us and robs us
of the ability to act. |
83 |
“Get thee to a nunn’ry” (83-84) |
This line is repeated
throughout Hamlet’s conversation with Ophelia, and is used to highlight his
brutality towards Ophelia as well as his lack of faith in women and mankind
in general. Hamlet appears to believe that women can be nothing but the
‘breeder[s] of sinners’ which once again paints women as the vehicle through
which sin is introduced into the world while at the same suggesting that we
all succumb to sin one way or another in the end. |
89 |
“Excellent, i’ faith, of the
chamelion’s dish. I eat the air, promise-cramm’d - you cannot feed capons
so.” (line 88) |
Interestingly, whether mad or
sane, Hamlet always has a sharp tongue although the interpretation of his
words differs depending on their view of him. In some ways this line
suggests, as Claudius says, there is ‘method’ in Hamlet’s madness as he the
King is just about to watch the play and the air is indeed ‘promise-cramm’d’. |
89 |
“That’s a fair thought to lie
between maids’ legs.” (line 111) |
This quotation highlights the
more vulgar side to Hamlet’s character. He seems cruel as he teases and
embarrasses Ophelia with his sexual innuendo … lines which must be
particularly hurtful given their recent closeness. |
96 |
“Make you a wholesome answer -
my wit’s diseas’d.” (line 302) |
The phrase “my wit’s diseased”
refers to Hamlet’s madness, which is, or so he says, ‘diseased’. Ironically,
his wit is far from diseased (literally), as he still manages to speak with a
sharp tongue. Furthermore, the notion that
wit can be diseased as opposed to a diseased ‘mind’ shows that wit is one of
the most important and defining characteristics of the mind, and of thinking. |
97 |
“Call me what instrument you
will, though you fret me, yet you cannot play upon me.” (lines 349-351) |
There is a sense that Hamlet
had known all along about his friends’ betrayal, and this brings to question
what else Hamlet knows and how aware he is of the plots against him.
Furthermore, Shakespeare also emphasizes how witty Hamlet is, as he is
quibbles on the idea of playing and instrument and manipulates the situation
to the best of his ability. |
102 |
“Queen: Hamlet, thou hast thy
father much offended Hamlet: Mother, you have my
father much offended Queen: Come, come, you answer
with an idle tongue. Hamlet: Go, go, you question
with a wicked tongue.” |
Shakespeare creates an
impression of Hamlet as witty and intelligent throughout this conversation
with his mother. He also seems ruthless as he disrespectfully attacks his
mother and condemns her for her choices without mercy. |
104 |
“... for madness would not err”
(line 73) |
The idea that madness could not
err suggests that, despite madness having a connotation of leading to bad
actions, madness itself sometimes (perhaps always) results in the actions
that the person (i.e. Hamlet) really wants to do. |
105 |
“How is it with you, lady?”
(line 115) |
Hamlet says this when ordered
by his father to talk to his mother. This exemplifies the way he tends to act
without thinking in the presence of his deceased father which in turn
suggests how desperate he is to get his father’s approval, or perhaps, to
avenge his father. The oddity of the question
highlights his distractedness … something that is particularly significant
given the fact that Gertrude can not see the ghost. |
107 |
“I must be cruel, only to be
kind.” (line 178) |
Although this may go some way
to excusing Hamlet’s treatment of his mother it may also suggest that his
moral compass is skewed and that, like many other characters for whom we have
less respect, Hamlet also believes that the ends justify the means. |
108 |
“Not this, by no means, that I
bid you do: Let the bloat king tempt you again to bed, pinch wanton on your
cheek, call you his mouse, and let him for a pair of reechy kisses or
paddling in your neck with his damn’d fingers,” (lines 181 – 185) |
This quotation highlights
Hamlet’s obsession with his mother’s relationship with Claudius, which hints
at Hamlet’s possible sexual interest in his mother. The sentence is an
extremely long, run on sentence which creates the impression that overwhelmed
here and also suggests how relentless his onslaught against his mother is. |
111 |
“I am glad of it, a knavish
speech sleeps in a foolish ear.” (line 22) |
This phrase is Hamlet’s
response to Rosencrantz’s confusion. If Rosencrantz is the fool, then Hamlet
is the knave, where his words cannot be trusted; he is, in a sense,
unscrupulous. |
112 |
“Not where he eats, but where
‘a is eaten; a certain convocation of politic worms are e’en at him.” (line
19) |
Shakespeare hints at Hamlet’s
madness in this quotation with the use of prose. His lack of sincerity or
remorse further emphasizes his madness, as he seems to be unashamed of having
killed Polonius, despite Gertrude’s claim that he weeps for what he has done. |
116 |
“O from this time forth, / My
thoughts be bloody, or be nothing worth!” (line 65) |
This quotation highlights
Hamlet’s determination to seek revenge on his father, but there is a
juxtaposition between his desire to act and the fact that he is still over
thinking. The fact that he wants his “thoughts” to be violent contrasts with
his desire to act on his revenge, and thus shows that despite Hamlet’s desire
to act without thought, he is unable to as his tendency to overthink
continues to paralyse him. |
126 |
“ High and mighty… To-morrow
shall I beg leave to see your kingly eyes” (line 43) |
Hamlet appears to be mocking
Claudius here but cleverly remains within the bounds of what a loyal subject
and son might acceptable say, as it is only the tone that is amis. Once
again, Hamlet’s with shines through. |
139 |
“I lov’d Ophelia. Forty
thousand brothers could not with all their quantity of love make up my sum.
What wilt thou do for her?” (line 255) “'Swounds, show me what thou'lt
do. Woo’t weep? Woo’t fight? Woo’t
fast? Woo’t tear thyself? Woo’t drink up eisel, eat a
crocodile? I’ll do ’t. “ |
This quotation creates a sense
of ambiguity surrounding Hamlet’s relationship with Ophelia, as he seems to
have treated her with cruelty throughout the play, but in this quotation, he
states that he loved her unlike any other. Shakespeare might have done this
to create an impression of Hamlet as mad or to suggest that his madness was
pretence all along as he was playing the part of not being interested in
Ophelia solely to confuse Polonius and Claudius that it was love and not
revenge that was upsetting Hamlet. The second quotation highlights
the difference between Gertrude and Hamlet, as when Old Hamlet died, Gertrude
was described to have only mourned for a short period of time, and Hamlet was
convinced that her grief was not genuine. Whereas Hamlet hints at the genuine
sadness he feels towards Ophelia’s death, as he says that he will do anything
for her. Although there is a contrast between how he treated her throughout
the play, and how much he says he loves her in this quotation, there is a
sense of genuine emotion. Nonetheless the fragmented structure of the passage
hints at Hamlet’s madness, which adds to the ambiguity surrounding Hamlet’s
true character/emotions/thoughts. |
|
“Why, man, they did make love
to this employment. They are not near my
conscience.” |
This quotation shows how Hamlet
feels towards Rosencrantz and Guildenstern’s death, and highlights his
hard-heartedness as he seems to feel no remorse after sending his friends to
die. Shakespeare suggests a slight change in Hamlet’s character, as he seems
to be more willing to act and less crippled by his tendency to over think
because his plan to send Rosencrantz and Guildenstern to die was not a
premeditated one. |