The Merchant of
Summary
·
Although
Portia proclaims that Shylock has the right to what is stated in the bond, she
begs him to be merciful and take “thrice they money” instead.
·
Shylock
flatters Portia, saying she is a “worthy judge” and that she knows the law; he
becomes even more ecstatic once she tells Antonio to “prepare you bosom for his
knife.”
·
Shylock
can be seen as a villain, as he refuses Portia’s request to have a surgeon to
stop Antonio from bleeding to death after the pound of flesh “nearest his
heart” is removed; he constantly is repeating the conditions of the bond and
the word “bond” itself
·
Antonio
is asked if he has any comments:
o
He
says that he is “armed and well prepared” and tells Bassanio
not to be sad, as Fortune has given him a kind fate as he is allowed to die
before he is poor.
o
“I’ll
pay instantly, with all my heart.”
·
Dramatic
irony and some relief are given to this tense scene when Gratiano
and Bassanio proclaim how they are willing to give
the lives of their wives in order for Antonio to live.
·
There
is a shift in the mood of the scene: Portia explains that the bond does not say
that Shylock is allowed to “shed one drop of Christian blood” and if he were to
do so when he takes a pound of flesh from Antonio, his wealth would be
confiscated to the state of
·
Although
Shylock wants to leave the court with only the money, Portia stops him, saying
that he shall have “nothing but the penalty.” As Shylock has attempted to take
the life of a Christian, as an alien if
·
Antonio
decides to be ‘merciful’ and asks the court, along with the Duke, to give half
of Shylock’s estate upon his death to Jessica and Lorenzo. Shylock is to also
convert to Christianity. Shylock accepts
this and leaves the court.
·
At
the end of the scene, there is another brief comedic moment, as if to make the
audience forget about Shylock and focus on the two Christian couples (Bassanio + Portia, Gratiano + Nerissa.) Both Portia and Nerissa
test their husbands by asking for the rings that Bassanio
and Gratiano are wearing, the rings that they had
promised to wear until their death. Although with much reluctance, they do give
up their rings to their wives in disguise.
Motifs and
connotations
Bonds/legal documents:
·
The
repetition of the word “bond” by Shylock shows how he is greedy and unwilling
to change, which is in contrast to the Christian characters. It also has
connotations of enslavement, reminding the audience of previous scenes. He can
also be seen as blood thirsty, vampirical, as his
insistence of the bond shows how he wants nothing more than Anotonio’s
pound of flesh. This therefore portrays him in a negative light. This
emphasizes the juxtaposition between the Christians, who seem to be willing to
change and be flexible who are dispersed throughout the court room and the
single Jew within the court, Shylock.
·
However,
his insistence on the bond could also just be seen as Shylock wanting to have
the justice that he deserves, as the pound of flesh was the agreement that was
made with Antonio, if he were not able to pay Shylock back. As an audience, we
should find his repetition of the bond to a sense, justified.
The law:
·
The
law and the court of law should stand for righteousness and equality; however,
the modern audience may question whether Portia’s ruling was fair. It can be
seen that there are different laws that apply to different people within
·
Portia
is meant to be the symbol of justice, as she will decide whether the bond is
granted. At first, although she seems to be just, there is an eventual
progression to the point where she finds a way to save Antonio, and manages to
find a punishment for Shylock. “Soft!” “no haste!’
“Tarry, Jew” (pg. 206-207) shows the turning point from where Portia stops
becoming just and begins to take on a role that side with the Christians.
Disguise:
·
The
court is within
·
The
fact that women must put on a disguise to look like men in order to have their
values and opinions heard reminds the audience of the stereotypical view point
of Shakepeare’s time. It shows how women have a lower
status to men and how their importance is classed by their appearance, not
their ideas or intellect.(Reference back to when Bassanio lists Portia’s qualities, starting off with her
looks.)
Themes
Christians versus non-Christians:
·
This
is a crucial scene for this theme; everyone important (the Duke, Portia,
Antonio) that decides the fate of the bond and Shylock are Christians. Although
it is said that the Christians are meant to be merciful, the demands that
Antonio gives to Shylock to spare his life does not seem to be so. For Shylock
to “become a Christian”, the religion he despises, is a fate worse than death.
To refer to the man who stole his daughter as “his son Lorenzo” as well as
giving all that he has upon death to them is also a cruel act. This raises
questions as to whether Shylock was given a fair trial; there seems to be a lot
of bias due to the fact that Shylock is a Jew. An alternative interpretation,
however, is that by forcing Shylock to convert to Christianity the Christians
are in fact doing Shylock a great good by saving his soul as it is impossible
for non-Christians to enter Heaven.
·
Also,
the fact that Portia refuses to let Shylock get away with just his money,
cautioning him “Soft! The Jew shall have all justice” (pg. 206) shows how
although the audience may have initially thought that she represented justice
for all, she doesn’t; she seems to represent justice for the Christians.
·
The
fact that Shylock would rather Jessica had married “any of the stock of
Barabbas “ “rather than a Christian.” Shows the
tension between Shylock (the Jew) and the rest of the Christian society. The
audience, who would be familiar with the image of Barabbas from Passion plays
within that time would be shocked at how Shylock would rather Jessica marry a
criminal than a decent Christian like Lorenzo.
Mercy:
·
Although
the Jew is expected to show mercy towards Antonio, when Antonio is allowed to
be merciful by saving Shylock, he does not seem to do so. He instead strips
Shylock of all that is important to him: his money and his religion.
Love:
·
Within
this Act, this theme is used to lighten the situation. It provides dramatic
irony, “your wife would give you little thanks for that.” (pg. 201) “the wish would make else an unquiet house” (pg. 201), which
lightens the situation which has become tense by the fact that Antonio is about
to lose his pound of flesh.
·
The
couples also provide a comedic finish to the Act, with the attempts to take the
rings away from their husbands, drawing the attention away from the ostracized
Jew to prevent the audience from empathizing with him too much.
·
The
love between Antonio and the other Christians, mainly Bassanio
contrasts him to Shylock; it makes Antonio seem like an even better character,
and more merciful and gracious, as even as he is about to die, he claims that
he “repents not that he pays your [Bassanio’s] debt.”
(pg.201) Another interpretation would be that Bassanio and Antonio were more than just good friends but
were lovers “say how I loved you.” (pg.201)
Imagery
“Balance” (pg. 199):
·
The
imagery of the balance that Portia refers to could allude to Portia herself;
the balance could be a symbol representing how Portia is meant to be seen as
balanced and fair for she in a sense is removed from the scene, as she is a
woman and is in
“Devil” (pg.201), “alien”
(pg.207), “currish Jew” (pg.201):
·
The
images of an outsider, portrayed in a negative aspect is used throughout the
act to describe Shylock; this sets up opposition between him and the martry-like Antonio, who seems willing to give up his pound
of flesh, claiming that Fate was showing herself “more kind” by allowing him to
go before he has no money.
Ring (pg. 215):
·
The
rings that are worn by Bassanio and Gratiano represent the love and the ties between husband
and wife; in this scene, the rings also come to represent a brief comical
moment, which distracts the audience from the gravity of Shylock’s situation.
The fact that the men are willing to give up their rings, which they had
earlier promised to wear until their deaths, shows a sense of superficiality to
the love and the promises that were made. This leads the audience to question
the authenticity of the love, especially when coupled with the fact that Bassanio fell in love with Portia’s looks before anything
else.
The “deed of gift” (pg. 211, 217):
·
The
image of the deed reminds the audience of Shylock’s fate and how he is to lose
everything that was dear to him (his money and his religion.) The fact that he
will become Christian emphasizes how he will further be ostracized within
society.
Characters
Portia:
·
Referred
to as “an upright judge, a learned judge!” (pg.205) by both Shylock and Gratiano. The audience questions whether she was fair
throughout the trial or merely trying to save Antonio (her husband’s best friend)
by finding a loop hole within the bond.
·
Although
she had the power within
·
She
is one of the only Christians who refers to Shylock by his name, and doesn’t
try to de-humanise him in any way. This shows her as
an upright character, who seem to be impartial.
·
However,
on page 203, when she proclaims “tarry a little”, this shows how she begins to
stop being impartial and the audience see a new side to Portia: a character who
could be seen as manipulative, stringing Shylock along through most of the
trial scene, promising him his pound of flesh and then refusing to give it to
him in the last instance. Alternatively, of course, she could be viewed as
cunning and ingenious.
·
The
shared line between Shylock and Portia (line 310) may show how Portia has the
power between the two characters and is emphasizing this point to Shylock. She
seems to be taking advantage of the weakened status of the Jew.
·
She
can be interpreted as a smart character, especially within this Act, as she not
only manages to save Antonio, but she manages to con the ring that she gave Bassanio from him. It is only when she is in male clothing
does she seem to have equal power to her husband.
Shylock:
·
This
is the most important scene for Shylock. He is now stripped of his wealth and
his religion, both of which were very important towards him. This causes
empathy with the audience, as by the end of the scene, he has become a
weakened, pathetic character who cannot even fight back. “I pray you give me
leave to go from hence; I am not well.” (pg. 211) This humanizes the character;
however, Shakespeare does not allow the audience to sympathise
with the character for long as the play moves on quickly. He doesn’t even
appear within the last Act of the play.
·
Our
sympathy towards Shylock increases with the progression of the Act. At the
start, as Shylock does not want to be merciful, we see him in a more negative
light. However, when compared to the treatment throughout the act, and his
‘demise’ in a sense, we feel sorry for him.
·
He
is referred throughout as an “alien” and a “devil”, which also causes the
audience to sympathize with him. This sympathy rises even more due to the
treatment that he receives from the Christians, mainly Gratiano,
who mocks Shylock’s earlier language “O Jew! An upright judge” (pg.205)
Antonio:
·
Antonio
is given the chance to be merciful, something the Christians have been asking
Shylock to be throughout the Act, and yet he refuses to do so. Instead of truly
forgiving the Jew, he wants Shylock to convert to Christianity and to forfeit
his money to Jessica and her Christian husband upon death. This doesn’t seem
like something Shylock would have wanted; he would have probably chosen death
over this, as this arrangement means that Shylock essentially is a living dead:
he no longer is able to fraternize with other Jews, he can no longer practice usery; he won’t fit in with the Christians, but will no
longer fit in with the Jews either.
Setting
This entire scene is set within the court room, within
Narrative style/
language
Portia is one of the characters that is
given the most to speak within this scene, in a sense showing her power.
Relation of Part to
Whole
This scene follows on from the already tense scene where
Antonio must give away a pound of his flesh; this gets resolved within this
scene. Shylock is forced to become Christian and give away his money to his
daughter upon his death. The tension is finally resolved within this extract
and a more light-hearted scene gives occurs after, where the audience see the
results of the two men (Bassanio and Gratiano) giving away their rings. Shylock doesn’t even
appear.