A Streetcar Named Desire:
Character Profile – Blanche
Summary:
Blanche, one of the two main protagonists of the
play, is an extremely complicated character whom we see struggle with internal
conflicts throughout the play. Upon first meeting her, we learn that she is
more cultured and sophisticated then the people who live in ‘Elysian Fields’
and her surname of French origin, ‘DuBois’
immediately reveals her as being from the upper class of society. She appears
to be ‘daintily dressed in a white suit’ with ‘white gloves’, all of which
suggests purity and innocence but it doesn’t take long to realise
that Blanche is nearly always putting on a pretence. Her
pathetic attempt at covering up her drinking problem and hiding her recent
promiscuous activity all foreshadow the eventual destruction of her character
as she is sent away to a mental asylum by the end of the play.
However audiences are meant to feel sympathy
towards Blanche’s character. After having suffered the loss of her young
homosexual husband to suicide and the loss of the final generation of the DuBois family and their estate ‘Belle Reve’,
it is no surprise that Blanche had been affected by these tragic events. She
has tried to avoid the guilt she feels for her husband’s death by having
‘intimacies with strangers’ to ‘fill her empty heart’ and attempts to avoid
realism and prefers ‘magic’ by telling ‘what ought to be the truth’
rather then the truth itself. Her insecurities about her fading beauty are
continuously emphasised by her need to be hidden from
bright lights and her need for sexual admiration by men to maintain her
self-esteem is emphasised by her flirtatious actions
towards not only Mitch, but Stanley as well. We also see Blanche continuously
bathe herself which is her means of attempting to wash away her licentious
past.
Blanche has come to
Quotations & Analysis:
Page |
Quotation |
Analysis |
117 |
Blanche:
They told me to take a streetcar named Desire, and then transfer to one
called cemeteries and ride six blocks and get off at Elysian Fields! |
Desire
and death are two aspects that became important in the latter part of Blanche’s
life. The literal death of her husband along with the metaphorical death of
her social life were both caused by her strong carnal desires which have
caused her to be in the position she is in the play. This eventually leads to
her downfall in Elysian Fields where she gets off the street car. |
117 |
Blanche:
They mustn’t have – understood - what number I wanted… |
This
quotation reinforces Blanche’s fantasy view of the world. She refuses to believe
that this is where her sister now lives after their upper class upbringing in
the ‘great big place with white columns’. |
118 |
Eunice:
You want to leave your suitcase here an’ go find her?’ Blanche:
No. |
She
does not trust the people in this seedy area of |
122,
136 |
Blanche:
You haven’t said a word about my appearance Blanche:
I was fishing for a compliment, |
Blanche
continuously needs to be complimented on her physical appearance as she is
aware that her ‘looks are slipping’ as she ages. However her beauty is the only
means she sees herself as having in order to attract men to fulfill her
sexual desires. |
127 |
Blanche:..And funerals are pretty compared to deaths. Funerals are
quiet, but deaths – not always. |
We
as the audience, have no choice but to symphathise
with Blanche. She has been through a lot in her past which has driven her to
become the person she is today and she is the one who ended up alone as
opposed to Stella. |
129 |
Blanche:
No, I – rarely touch it. |
Blanche
prefers to keep up a façade hiding her true habits even when it’s obvious
that the people around her know about her pretence. She does this as she
prefers to view life as a pleasant dream as opposed to having the ugly
realities of life exposed. |
138 |
[She
sprays herself with her atomizer; then playfully sprays him (Stanley)
with it. He seizes the atomizer and slams it down on the dresser. She throws
back her head and laughs.] |
Blanche
is not afraid of |
139 |
Blanche:
Poems a dead boy wrote. I hurt him the way that you would like to hurt me,
but you can’t! |
This
quotation reveals that Blanche does feel guilty for the death of her husband.
She feels that it was her final words to him that drove him to suicide. However
this quotation also shows that Blanche is once again not afraid to stand up
to Stanley at this point in the play this shows the strength in her character
that exists currently but will later decline as she descends into madness. |
140 |
There
are thousands of papers, stretching back over hundreds of years, affecting
Belle Reve as, piece by piece, our improvident
grandfathers and father and uncles and brothers exchanged the land for their
epic fornications- to put it plainly! |
In
this speech, Blanche attributes the loss of Belle Reve
to the male members of her family. She also confronts |
140 |
Blanche:
… Here all of them are, all papers! I hereby endow
you with them! Take them, peruse them – commit them to memory, even! I think
its wonderfully fitting that Belle Reve should
finally be this bunch of old papers in your big capable hands. |
This
quotation illustrates Blanche’s victory over |
141 |
Blanche:
He’s just not the sort that goes for jasmine perfume! But maybe he’s what we
need to mix with our blood now that we’ve lost Belle Reve
and have to go on without Belle Reve to protect
us…. |
Blanche
seems to acknowledge the fact that her and Stella do not belong to the Southern
elite anymore and that maybe some of This
relates back to William’s final message which acknowledges the decline of the
upper class but conveys the idea that some of |
146/147 |
[She
takes off the blouse and stands in her pink silk brassiere and white skirt in
the light through the portieres.] [Blanche
moves back into the streak of light. She raises her arms and stretches, as she
moves indolently back to the chair.] |
With
the loss of Belle Reve, her family fortune and her
fading beauty, Blanche feels as if she now has to use her body in order to
attract men. She therefore draws attention to it by undressing in the light where
the men playing poker can clearly see the outline of her body. |
150 |
Blanche:
I can’t stand a naked light bulb, any more than I can a rude remark or a
vulgar action. |
Blanche’s
avoidance of light is due to her fear of people seeing her clearly which will
lead to her real age being revealed. Instead she continuously avoids light by
covering it up with ‘lanterns’ or staying in rooms with dim light. Additionally
light will more clearly expose the ‘rough’ society in that Blanche is
currently living in and which she sees as being ‘beneath’ her, again giving
her a reason to avoid light. |
155 |
Blanche:
I’m not used to such – Blanche:
Violence! Is so – Blanche:
Why! I’ve been half crazy, Stella! When I found out you’d been insane enough
to come back in here after what happened – I started to rush in after you! |
Blanche
who is not used to |
170/183 |
[Stella
pours the coke into the glass. It foams over and spills. Blanche gives a
piercing cry. [A
locomotive is heard approaching outside. She claps her hands to her ears and
crouches over. The headlight of locomotive glares into the room as it
thunders past. As the noise recedes she straightens and slowly continues
speaking.] |
Blanche’s
overreactions towards little, everyday occurrences are an indication of the
fragility of her current mental state. Her hyperbolic actions suggest that
once a major event occurs Blanche’s loose hold on
sanity will be lost. |
180 |
Blanche:
I guess it is just that I have – old fashioned ideals! [She rolls her
eyes, knowing he cannot see her face.] |
Blanche’s
rolling of her eyes shows that she is putting on a pretence.
She is not physically attracted to Mitch, and after this act one cannot say
if she is emotionally attracted towards Mitch either or if she is just
attracted to the idea of protection that Mitch offers. |
188 |
[In
the bathroom the water goes on loud; little breathless cries and peals of
laughter are heard as if a child were frolicking in the rub.] |
This
childish mannerism displayed by Blanche indicates her innocence. Not sexual
innocence but her naivety in the sense that she cannot see the real world for
what it is. She must continuously see the world in a different light from
everyone else. Her need to act young also displays her paranoia of ageing. |
192 |
Blanche:
Oh, I feel so good after my long, hot bath, I feel
so good and cool and – rested. |
Blanche’s
numerous baths and time spent in the bathroom throughout the play are all her
attempts at purifying herself of her past misdoings and her way of escaping
everyone and everything and having time to herself in private. |
204/169 |
Blanche:
I’ll tell you what I want. Magic! Yes, yes, magic! I try to give that to
people. I misrepresent things to them. I don’t tell them the truth. I tell
them what ought to be the truth. And if that is singful,
then let me be damned for it! Blanche…-put
on soft colours, the colours
of butterfly wings, and glow – make a little – temporary magic…’ |
Blanche
clearly says ‘I don’t want realism.’ She would rather her view of the world be
like a constant dream which is also her reason for continuously keeping up a
façade. She only tells what ‘ought’ to be the truth in order to avoid
shattering her own dreams by facing reality. She feels as if she has never
lied (‘Never inside, I didn’t lie in my heart…) as what she says is the way
she perceives things. |
207 |
Blanche:
Then marry me, Mitch! |
Blanche’s
loneliness and need for companionship is displayed in her plea for Mitch to
marry her. It is not important whether she truly loves Mitch or not but more like
a means of a way out the trap she finds herself in. There is evident pathos
here as she and the audience are well aware that Mitch came to her house with
the intention of raping her. Her willingness to marry a man who would do this
to her clearly illustrates Blanche’s desperation. |
225 |
Blanche:
Whoever you are - I have always depended on the kindness of strangers. |
Blanche’s
dependence on strangers to fulfill the emptiness she feels has only led her
to the position she is in by the end of the play. Blanche’s inability to
accept that strangers have only been kind to her in return for sex reflects
her magical perception of the world. These being her final words in the play,
referring to the ‘kindness’ of the doctor who is not the man (Shep) she was hoping for, shows her complete detachment
from reality and the pathos of her empty belief in magic and kindness. |
Role in the play:
Blanches role in the play is to represent the
declining upper class and the rise of the Bourgeois middle class in the America
of Williams’ time. As a character she is used to contrast directly with
Blanches sophistication and fantasy world are also
used to raise an important question by Williams: If