Motif
Tracking: A Streetcar Named Desire – Music
Summary:
In A Streetcar
Named Desire, Williams uses music heavily in his stage directions. It is used
by him to foreshadow events later on in the play but also to represent
characters and the social class that they in turn also represent. For example
the ‘blue piano’ represents Stanley and the intense vibrancy of New Orleans and
the blue collar working class while with Blanche the polka music often
represents her insanity. Williams does not only use music to portray certain features
of his characters but also to evoke feeling and sympathy from the audience that
would be watching the play.
Quotations & Analysis:
Page |
Quotation |
Analysis |
115 |
“A corresponding air is evoked by the music
of negro entertainers at a bar-room just around the corner....from a tinny
piano being played with the infatuated fluency of brown fingers. This ‘blue
piano’ expresses the spirit of life which goes on here” |
This is the last couple of lines of
the opening setting of the play. The music of the “negro entertainers” and
“blue piano” are used by Williams to portray the vibrancy of the city of |
126 |
“The music of the ‘blue piano’ grows
louder.” |
The music grows louder just before
Blanche reveals the truth to Stella about all the funerals. This is to
perhaps signal to the audience of the conflict that is going to occur between
the two sisters. Moreover, when performed the music will add to the intensity
of the long speech from Blanche. |
131& 142 |
“leaving the door open on the perpetual ‘blue piano’...” and “the ‘blue piano’ and the hot trumpet sound
louder.” |
In scene two, we see the sound of the
blue piano growing louder and louder through the entire section. It begins
when |
151 |
“...begins
to play ‘wien, wien, nur de allein.’ |
This piece of music is a classical one
that Blanche enjoys and knows, as she waltzes to it. In the
this instance the music here is used to suggest romance between Blanceh and Mitch, but the fact that |
153 |
“The negro entertainers around the bar
‘play ‘paper doll’ slow and blue” |
Williams uses this particular stage
direction to emphasise the sadness and the sorrow that Stanley feels at this
moment. He comes out the bathroom and begins to sob, he also shouts Stella.
The effect that the slow and blue paper doll being played in the background
has on the audience is that it causes them to perhaps empathise and
sympathise with Stanley. Furthermore, I think that this particular song,
which is slow and blue, highlights the intensity of |
164 |
“the music of the ‘blue piano’ drums and
trumpet is heard”. |
Stanley has just over heard a
conversation between Stella and Blanche, in which Blanche is asking Stella
not to “hang back with the brutes” (page 164). However, when Stanley walks
in, Stella immediately goes to him and “embraces him with both arms” which
makes the music of the ‘blue piano’ more significant as the blue piano
represents Stanley’s blue-collar working class and the vibrancy of that
class, it foreshadows the triumph of Stanley over Stella at the end of the
play, and in turn emphasises Williams social comment on 40’s America where he
can see Stanley and the values of his class replacing those of Blanche and
her class. |
183 & 184 |
“then the polka resumes in a major key.” and “the polka tune fades out.” |
The polka music is being played when
Blanche is telling Mitch about her boyfriend who shot himself. This piece of
music is played whenever she is thinking about him but it is only ever her
that hears it, this is to perhaps show that she is beginning to lose her
sanity. Furthermore, the fact that it stops when Mitch enters suggests that
Blanche sees Mitch as some sort of escape from the past that is haunting her. |
188 |
“but it
wouldn’t be make believe, if you believed in me!” |
Williams gives Blanche the song about
the “paper moon” as it emphasises Blanche’s desire to view the world in a
more beautiful light rather than the ugly reality of which it really
consists. However, as the song states, to allow this view of the world to be
‘true’ then she needs other people to believe with her. Williams
intentionally has Blanche singing this song in the bathroom when |
199 |
“the ‘varsouviana’ is heard, its music rising
with sinister rapidity….” |
This music symbolises Blanche’s
inability to escape from a past which is haunting her because she hears the varsouviana polka music when she is thinking of her
husband Alan Grey who shot himself. However, at this point in the play the
music shows how Blanche is becoming increasingly fragile and vulnerable.
Furthermore, it shows and emphasises how she is beginning to lose her sanity. |
200 |
“the rapid, feverish polka tune, the ‘varsouviana’,
is heard; she is drinking to escape it and the disaster closing in on her.” |
This is part of the opening stage
direction of scene 9 where Mitch is visiting Blanche after he did not come to
her birthday dinner. The fact that this time the varsouviana
is being heard by Blanche in a rapid and feverish manor shows that she has
further lost her awareness of reality and is beginning to really understand
‘the disaster closing in on her’, hence she is drinking to escape it.
Williams chooses to portray Blanche in this way at the start of the scene to
foreshadow Mitch’s attempted rape, |
214 |
“The
barely audible ‘blue piano’ begins to drum up louder.” |
Williams, as in all other parts of the
play, uses the music of the ‘blue piano’ to represent Stanley and his social
class. This particular quotation foreshadows the eventual rape of Blanche
where |
215 |
“The hot
trumpet and drums from the four deuces sound loudly.” |
The music from the four deuces is
played just when |
222 |
“The
‘varsouviana’ is filtered into a weird distortion,
accompanied by the cries and noises of the jungle” |
Williams uses this stage direction,
which is seen towards the end of scene eleven, to portray to the audience the
insanity that has overcome Blanche. The fact that it is not just a simple
song anymore and that it has become filtered and distorted with the
integration of noises from the jungle re-emphasises strongly that Blanche has
now become Insane. However, Williams uses this quote to not only portray her
insanity but to also evoke sympathy for Blanche from the audience as, for
Williams, Blanche represents a better set of morals compared to Stanley, as
she tries to see and show the world in a more beautiful light. |
226 |
“The
luxurious sobbing, the sensual murmur fade away under the swelling music of
the ‘blue piano’ and the muted trumpet.” |
This is the final stage direction of the
entire play, and the fact that the blue piano is the final piece of music
that the audience hears is extremely significant. As Blanche has just been
taken by a doctor to the insane asylum, the the
muted trumpet suggests the pathos of her situation. However the fact that the
blue piano is heard reinforces the theme of the conflict between the two
characters which represent the two different classes. Here the music shows
the victory not only of Stanley as a character over Blanche but also the blue
collar working class, which he represents over her gentile aristocratic
class, thus concluding Williams social comment. |
Key Moments:
There are many significant moments
in this play where music is used but the most significant moment comes towards
the end of the play as it helps emphasise the events that are occurring and the
message that Williams is attempting to convey to the audience through the event
and music. The key stage direction is the last stage direction on p.226 as it
represents or concludes a major theme and social message that Williams is attempting
to convey to his audiences: his social comment that the working class is the up
and coming class with power is shown as