Motif Tracking: A Streetcar Named
Desire – Violence
Summary:
Violence is a motif which is prevalent
throughout the text, and although it may not always be manifested in clearly
violent actions such as the rape, it is often displayed through more subtle
verbal aggression, or spiteful acts. Violence and aggression are usually
associated with
Quotations and
Analysis:
Page |
Character |
Quotation |
Analysis |
116 |
Stella: |
Catch! What? Meat! [He heaves the package at her... |
|
125 |
Stella: |
A Master Sergeant in the
Engineers’ Corps. |
Stella is referring to the uniform
|
128 |
Stage directions |
[ |
In fact, throughout the play most
stage directions associated with |
131 |
|
How about my supper, huh? I’m not
going to no Galatoires’ for supper! |
The aggressive nature of |
133 |
Stage directions |
[He stalks into the bedroom...] |
|
133 |
Stage directions |
[He pulls open the wardrobe trunk
standing in the middle of the room and jerks out an armful of dresses] |
Again, the violent nature in which
he roots through Blanche’s belongings shows not only his utter disregard for
her privacy but reflects a simple violence in |
134 |
Stage directions |
[He hurls the furs to the daybed.
Then he jerks open a small drawer in the trunk and pulls up a fistful of
costume jewellery] |
|
138 |
Stage directions |
[She sprays herself with her
atomizer; then playfully sprays him with it. He seizes the atomizer and slams
it down on the dresser...] |
|
145 |
Stella: |
[ [sharply] That’s not fun, [The men laugh...] |
This is the first instance of real
physical violence in the play. The fact that |
151 |
Stage directions |
[ |
After his initial demand for the
radio to be switched off is ignored, rather than simply turning it off, |
152 |
Stella: |
You lay your hands on me and I’ll
– [She backs out of sight. He
advances and disappears. There is the sound of a blow. STELLA cries out...] |
In the heat of the moment, |
154 |
[with heaven-splitting violence]
STELLL-AHHHHH! |
||
155 |
Mitch: Mitch: |
Ho-ho! There’s nothing to be scared
of. They’re crazy about each other ... ...But don’t take it serious. |
Mitch’s dismissal of the events
reflects the idea that violence is an everyday part of the society in Elysian
fields. This also provides more evidence to support the idea that their
relationship is so turbulent that violence is inevitable. |
163 |
Blanche: |
There’s something downright –
bestial – about him! |
Blanche describes |
165 |
Stella: |
[crossing to the door] Eunice
seems to be having some trouble with Steve |
The domestic incident between Steve
and Eunice is evidence for the general relationships between men and women in
Elysian fields. Stella’s nonchalance supports the idea that this is not
unusual. |
179 |
Mitch: |
Just give me a slap whenever I
step out of bounds |
Despite the fact that this is
clearly meant to be interpreted as a joke, it provides an insight into the
nature of their relationship as well as the relationships of the other
characters in the play. This statement insinuates that violent undertones are
evident in all relationships, despite the fact that physical violence is not
present her. Interestingly however, this statement indicates an inversion of
the power structure which is prevalent within the other relationships due to
the fact that Blanche, the woman, holds the power. |
185 |
|
[mimicking] ‘Washing out some
things’? ... [mimicking] ‘Soaking in a hot
tub’? |
|
194/5 |
|
[he hurls a plate to the floor] That’s how I’ll clear the table!
[He seizes her arm.] Don’t ever talk that way to me! ‘Pig – Polack –
disgusting – vulgar – greasy!’ – them kind of words have been on your tongue
and your sister’s too much around here! ... Remember what Huey Long said – ‘Every Man is
a King!’ And I am the king around here, so don’t forget it! [He hurls a cup
and saucer to the floor.] My place is cleared! |
We see how |
196 |
|
You remember the way that it was?
Them nights we had together? God, honey, it’s gonna be sweet when we can make
noise in the night the way that we used to and get the coloured lights
going... |
|
197 |
|
Sister Blanche, I’ve got a little
birthday remembrance for you. ... Ticket! Back to |
Although this action does not
involve any physical violence it is clearly spiteful on |
207 |
Blanche: Mitch: |
What do you want? [fumbling to embrace her] What I
been missing all summer. |
Mitch’s intention to rape her
followed by |
215 |
|
[softly] Come to think of it –
maybe you wouldn’t be bad to – interfere with... ... We’ve had this date with each
other from the beginning! [He picks up her inert figure and
carries her to the bed] |
Key Moment:
I feel that the rape at the end of
scene 10 is clearly the key moment for the motif of violence. I think this
moment ties together all of the themes that are reflected by the theme of
violence, and rape not only incorporates physical but also psychological
violence, further accentuating the importance of this moment.
Violence is often seen as a result
of conflict in the play, and this moment clearly results from all of the
conflicts explored throughout the text. Primarily, the conflict between Blanche
and Stanley reaches a climax here, when the two are alone.
Overall, I feel that the motif of
violence is something which is present throughout the play, mainly in Stanley’s
manner, and although most obviously conveyed through the three major events of
physical violence (Stanley beating Stella, Stanley smashing his plate and
Stanley raping Blanche), violence is not restricted to these moments and is
also manifested in emotional and psychological violence (mostly on Stanley’s
part). Williams uses the motif in order to accentuate his main theme of
conflict; between men and women;