A Streetcar Named Desire:
Scene Notes – Scene 10
Summary:
·
The scene opens with Blanche, who has been “
drinking fairly steadily”, standing in the middle of the bedroom with clothes
hanging out of her open trunk
·
She is
very drunk at this point and has dressed up in an evening gown and is
addressing a group of imaginary admirers. She is distressed when she sees her
reflection in her hand mirror, she slams the mirror down and breaks the glass
·
·
·
Blanche starts to describe Shep
Huntleigh’s “gentleman” nature and contrasts him to
Stanley and Mitch who she feels are “swine”; she claims that Mitch came back to
her with roses and “implored my [Blanche’s] forgiveness ”
·
Blanche is surrounded by “lurid reflections” and
“menacing” shadows; she tries to call Shep but cannot
remember his number; the back wall of the rooms become transparent
·
She then tries to call Western Union – she
thinks she is “caught in a trap”;
·
Blanche breaks a bottle to use as a weapon but
·
The scene ends with the implied rape of Blanche
as
Motifs & Connotations:
Colour
Williams often uses the motif of colour in this scene
to indicate and highlight certain aspects of Stanley and Stella. First of all,
the clothes of Blanche and Stanley are described by their colours. Blanche is
described as being in “scuffed silver slippers” which shows how the “white”
clothes she had initially been described in at the start of the play had
deteriorated into silver; this reflects the audience’s understanding that she
is no longer as pure and “dainty” as they initially thought.
Insanity
This is another motif that is heavily relied upon by
Williams in this scene. Blanche’s insanity is initially established at a mild
level when she talks about Shep’s wire with such
detail that it suggests that she is starting to believe that it is true. After
Death/Fear
of Death
Symbolically, this scene is used by Williams to show
the death of the aristocratic values of Blanche. Blanche herself realises this
and believes she is in “desperate circumstances” as she is “caught in a trap”
and needs “help”. The “trap” is reality and Blanche feels that her dreams her
dying before her eyes and she can no longer protect herself; this is why she
“presses her fists to her ears until” the sounds of reality (an approaching
locomotive) pass by her.
Light
Williams utilises the motif of light to achieve a
number of purposes. First of all, Blanche’s wishes for a “moonlight swim”
reveal how she wishes to purify herself of what she has done in the past by
having a swim in the “moonlight”, which, as it is not as bright as the sun,
would not evoke as much scrutiny. Williams uses light to describe Blanche’s
behaviour, to “cover the light-bulb with a paper lantern” allows Blanche to
escape the real world and view the world from her own perspective. It is
important to realise that Blanche does not hate light; she just wants it to be at
an intensity that would suit her.
Violence
This motif is extremely significant in this scene as
Williams wishes to use it to reveal to the audience that it is one of the many
flaws of
Themes & Connotations:
Inside
versus Outside
The outside world intrudes upon Blanche as the walls
“become transparent” and this is symbolic of Blanche’s dream succumbing to
reality. Moreover, the outside world is shown to be a place of violence and
thievery as we can see a drunkard and a negro women
who stole a “sequined bag” from a prostitute. This reflects how Blanche feels
the real world is not tolerable and is forced to create a false illusion just to
survive.
Pleasant
dreams versus unpleasant gritty reality
In this scene, Blanche’s illusions completely fall
apart and she is forced to accept the reality of her age and the situation that
she is living in which is what drives Blanche insane. Furthermore, Blanche is
shown to have a very good understanding of reality as she ‘slams the mirror’
down, breaking it at the start of the scene because she cannot bear to live in
the real world. This is what makes Blanche such a tragic character; even though
she has these dreams, she has a better understanding of reality than most
characters in the play, and as a result, she knows that her dreams will
eventually collapse, but she is forced to believe in dreams because the real
world is something that she is unable to bear. The poignancy and pathos of her
situation is reinforced by the fact that her evening gown is soiled and
crumpled and the jewels in her tiara are merely rhinestone – cheap imitations,
which echo Blanches, somewhat, pathetic attempts to paint reality in better
colours than it warrants.
The fact that
Loneliness and longing for love
Blanche feels like she needs a man in order to survive
in this world and, symbolically, Shep represents her
of a ideal man. He represents her emotional needs and
thus, the quotation, “What he wants is my companionship. Having great wealth
sometimes makes people lonely”, is significant as it not only reveals how
Blanche feels she needs money to gain power and protection, but also because
Blanche expresses her desire to be with someone. She cannot survive this world
alone. This foreshadows the next scene where Stella refuses to ‘believe
[Blanche’s] story’ as if she did, she would no longer be able to ‘go on living with
Stanley’ and she too would become lonely the way Blanche has been.
Destructive
nature of desire/sex
Williams makes it clear that desire is destructive.
Blanche’s desire for a man and for her dreams to be true only leads to her rape
by
Conflict
Undoubtedly, conflict plays a key role in this scene.
First of all, we see Blanche try to defend her dreams with a broken “bottle
top” and the fact that it is broken symbolically reveals how this conflict has
undermined the dreams that Blanche has had. Moreover, the violence of
Decayed
modern society
The rape of Blanche is used by Williams to reveal the
extinction of the morals and values that Blanche’s society represents. At the
time when Williams wrote this play, the social structure of America was
changing and the aristocratic way of life represented by Blanche and the world
of Belle Reve, was giving way to a more dynamic
(albeit more violent) world of working class immigrants. This play shows how
Williams believes that the working class was winning this struggle, but he does
raise one important consequence; if the rape of Blanche is intended to reflect
the real world, then isn’t the fantasy world and sophistication of Blanche
worth keeping? Williams leaves it up to the audience to decide if the decay of
modern society should be allowed to continue as he believes that both societies
have their own flaws.
Symbols & Connotations:
Silk
pyjamas
This is what
Beer
Bottles
On numerous occasions during this scene, the audience
can see beer bottles on stage. Initially, the audience sees
Tiger
In
Characters:
There is a clear progression in
Blanche
The inevitable extinction of the morals and values of
the aristocratic society that Blanche has come to represent is clearly implied
through the course of this scene. Her illusions, the very foundation of her
life, are destroyed and this reflects the decay in her power, status, and
mental capacity. At the start of the play, she is clearly shown to be someone
who is holding onto the image of a sophisticated and “dainty” character that
comes from an aristocratic society but by Scene 10, she has become fully aware
that this is a delusion which is why she “slams the mirror face down” at the
very start of the scene as she has realised that she is unable to fool herself
anymore. When
One of the most important quotations in this scene is
‘Deliberate cruelty is not forgivable.
It is the one unforgiveable thing in my opinion and it is the one thing of
which I have never been guilty.’ This redeems Blanche’s character because it
shows that despite Blanche’s lies throughout the play, she never intentionally
sets out to hurt other people. This in turn vilifies
Imagery and Setting:
Animal
Imagery
Blanche also hears “inhuman jungle voices” which
reflects her impending insanity.
Sounds
There are numerous sounds in this scene. The fact that
the “barely audible ‘blue piano’ begins to drum up louder” helps to add to the
tension in the scene and the “roar of an approaching locomotive” reveals
Blanche’s insecurity as the outside world, which represents reality, is
intruding and destroying her fabricated reality. The scene ends with the “hot
trumpet and drums of the Four Deuces” which is intended to show how Blanche is
being raped as the Four Deuces is a brothel and the trumpet and drums signify
The
walls becoming transparent
The audience sees a prostitute, a drunkard, and a
thief in the real world as the walls become transparent. This not only reveals
how Blanche’s fabricated reality is falling apart but also how her final place
of sanctuary, the house in Elysian Fields, can no longer protect her from the
real world.
The
bathroom
In previous scenes, the bathroom was a place of refuge
for Blanche as she could protect herself from reality by locking herself away and
washing her memories of the past. However, in this scene, it is Stanley who
“goes into the bathroom and closes the door” which shows how
Relation of Part to Whole:
This scene is the climax of the play. Everything in
the play has been building up to this point as Stanley and Blanche have “had
this date with each other from the beginning”. The seemingly inevitable rape of
Blanche allows Williams to not only reveal how following desire can lead “to
cemeteries”, but also how the vibrant yet violent society of
Although
In addition, earlier in the play Blanche flirts with