Character Profile – Giles Corey
Opening
Impression:
Giles Corey is first introduced to
the audience as an eighty-three year old man who “is knotted with muscle,
canny, inquisitive, and still powerful.” From his very first speech in the play
(“I’ve not said a word. No one here can testify I’ve said a word. Is she going
to fly again? I hear she flies” page 31), we can see that he has had a past
with the law and a tendency to file lawsuits. Also, from the same opening
speech, we can see that Giles, just like most of the villagers, is being swept
into the hysteria, albeit on a much lower level as he seems to be more
interested that something is finally happening in the small town of
Throughout the play, we see
considerable character development in Giles Corey. Even though John Proctor is
the main character of the play, it seems as if Giles is also able to see
through the hysteria of the town from the start. The main problem in his character
is that he seems to speak before thinking. In act two we see the extent to
which Giles can see through the hysteria as he is able to see the reason why
his wife is accused. In the final act, when he himself is accused after having
been in contempt of the court, he realizes that he would lose his land and
property to the state if he were to respond which would leave his sons with no
inhertiance, and therefore does not speak till the moment he dies.
Quotations
and Analysis:
Page |
Quotation |
Analysis |
31 |
[Giles Corey, eighty-three,
enters. He is knotted with muscle, canny, inquisitive, and still powerful] |
This is a quick introduction of
Giles Corey and he is revealed to have strong character despite age. |
31 |
"I've not said a word. No one
here can testify I've said a word. Is she going to fly again? I hear she
flies." |
Here Giles is immediately shown to
be very protective of himself which seems to come from the experience of
being sued often. It also reveals he is interested in the novelty of
witchcraft in |
36 |
"Think on it. Wherefore is
everybody suing everybody else? Think on it now, it's a deep thing, and dark
as a pit. |
Further reveals how Giles is able to
see through the hysteria. He is able to see the real reasons why everybody is
suing everybody else and therefore may be able to see why people are being
blamed for witchcraft. |
36 |
"I feel a sudden will to work
coming on" |
Reveals that he is tired of the
pointless arguments and would rather do manual labor then argue further with
the unmovable and stubborn Putnam. There is a down-to-Earth-ness about Corey
that is nicely reflected in his desire
to do manual work and that is attractive in comparison to the hysterical
absurdity of many of the other characters in |
41 |
"I have some queer questions
of my own to ask this fellow" |
Shows how even though Giles can
see through some of the hysteria, he cannot see through it all as he still asks
authority figures for advise on the topic of witchcraft. |
43 |
"I tried and tried but could
not say my prayers" and "That she stopped his prayer is very
probable, but he forgot to say that he'd only recently learned any prayers
and It didn't take him much to stumble over them." |
Shows how Giles is being swept
into the hysteria a bit as he is unknowingly giving what the court and
hysterical people would call "evidence" that his wife is a witch. |
68 |
"I never said my wife were a witch,
Mr. Hale; I only said she were reading books!" |
Here we can see that Giles
obviously can see through the hysteria which has taken grip on the village
and strongly regrets having told anyone about the books and the fact that he
doesn’t actually know his prayers by heart as he has only just learnt them |
68 |
"That bloody mongrel... with
her books! |
Obviously angered at the fact that
the court cannot see the truth about these accusations while he can. |
74 |
"John - tell me, are we
lost?" |
Giles in despair shows again his
grasp of the situation. Perhaps more than Proctor he realizes that nothing
they can say will help them now. |
77 |
"You’re hearing lies,
lies!" |
Giles rage echoes the frustration of
the audience who may wish to shout a similar thing. The irony that he cannot
show his evidence which from the modern perspective is much stronger then the
accusations of the girls, further reveals the absurdity of the witch hunt and
the allegations leveled against the accused. |
78 |
"You're not a |
We see again Giles’ determination
and willingness to challenge authority figures. Miller seems to be
encouraging a healthy disrespect of authority. |
87 |
I will give you no name. I
mentioned my wife's name once and ill burn in hell long enough for
that." |
This line reveals a lot about his
character as he refuses to repeat his past mistakes, echoing Hale’s realization.
His death by pressing, however, marks him out as a more tragically heroic
character than Proctor. |
89 |
"He means to hang us
all!" |
Once again we can see Giles’
cynical insight into the situation. An insight that Proctor does not share as
he still seems to believe that the truth will prevail. Perhaps Miller is
using Giles to show that sometimes the only possible response in an
unreasonable world is silence, a refusal to take part. |
117 |
|
Reveals how Giles was a true hero
till the very end as he sacrifices himself to ensure his sons their heritage.
Also shows his intelligence as he is able to use the law to his own advantage
in the threat of complete chaos. The barbaric nature of his death and Giles’
contemptuous response of ‘more weight’ marks him out as another heroic
character in the play who refused to submit to the pressures (in this case
literal) of society and valued his sense of personal integrity above his
life. |
Role in the
Play:
Giles Corey is one of the few
rational characters of the play. He sees through the deception and sees directly
into the real reason why the town is crying witch, which in Putnam’s case is to
take over the land of other families by destroying them through the simple
accusation of witchcraft. However, he does not see through the deceptions as
well as Proctor. Miller seems to use Giles to reinforce the how at times the
only possible response in an unreasonable world is silence, a refusal to take
part. Giles does not undergo the same heroic internal struggles as Proctor but
his commitment to personal integrity even in the face of death is equally
striking.