Character
Profile - Rebecca Nurse
Opening
Impression:
Rebecca
is an elderly person as shown with the stage direction, “[REBECCA NURSE,
seventy-two, enters. She is white-haired, leaning upon her walking-stick.]” (Pg. 30). There already exist connotations of wisdom that
come with age and so an initial impression of her may be a character with
greater insight and more experience than many other characters in the play. It
quickly becomes clear that Rebecca Nurse is capable of seeing past the
irrational fears which has panic stricken a whole town. She is from a hard
working family and is highly respected by many characters which establishes a favourable and
approving viewpoint from the audience. However, there is an element of
rebellion in her as the reader discovers the “formation of Topsfield, a new
independent entity whose existence was resented by old Salemites”
was done by the Nurse clan. This, perhaps, makes even more appealing from a
contemporary reading.
Quotations
& Analysis:
Page |
Quotation |
Analysis |
31 |
PARRIS
[trembling]: Rebecca, Rebecca, go to her, we’re lost. She suddenly cannot
bear to hear the Lord’s – |
This
quotation is one of the first references to Rebecca Nurse. Parris’ line alone
demonstrates the fear being aroused with this alleged sickness overcoming his
daughter, Betty. The tone of urgency illustrates how desperate Parris he is
as he admits “we’re lost”. Rebecca may be portrayed as a maternal figure who provides assurance, safety, and wisdom. She is
evidently a trustworthy character who should be favoured
by the audience. This tone of urgency and panic was similar to the hysteria
during the Communist witch hunts. |
32 |
It
was Edward and Jonathan Putnam who signed the first complaint against
Rebecca; and Thomas Putnam’s little daughter was the one who fell into a fit
at the hearing and pointed to Rebecca as her attacker. To top it all, Mrs.
Putnam – who is now staring at the bewitched child on the bed – soon accused
Rebecca’s spirit of ‘tempting her to iniquity’, a charge that had more truth in
it than Mrs. Putnam could know. |
This
particular section which is narrated is an example of the irrationality which
exists in Additionally,
Miller uses this as an opportunity to re-emphasise the inverted morality
which developed with the fear of witchcraft. It paralleled with the Communist
witch hunts; the “iniquity” that is referred is in fact what Miller
considered to be what should have been the moral view. |
32 |
REBECCA
[sitting]: I think she’ll wake in time. Pray calm yourselves. I have eleven
children, and I am twenty-six times a grandma, and I have seen them all
through their silly seasons, and when it come on them they will run the Devil
bowlegged keeping up with their mischief. I think she’ll wake when she tires
of it. A child’s spirit is like a child, you can never catch it by running
after it; you must stand still, and, for love, it will soon itself come back. |
The
characterisation of Rebecca in this particular
quotation is particularly telling of her strong will and aptitude.
Frequently, throughout the play, Miller undermines other characters like John
Hale who so easily believe the accusatory claims of Abigail to undermine the
concept of witchcraft. This is reflected in his attempt to criticise the baseless allegations made on those who were
supposedly Communist. Rebecca is evidently an experienced maternal figure and
does not jump to the assumption that witchcraft is the cause of Betty’s
“illness”. Like Proctor, Rebecca does not conform to society’s intense belief
in witchery. Her tone and slow pace contrasts with that of the other
characters in this scene, as she is composed and collected. |
33 |
REBECCA:
If so he is, then let us go to God for the cause of it. There is prodigious
danger in the seeding of loose spirits. I feat it, I feat it. Let us rather
blame ourselves and – PUTNAM:
How may we blame ourselves? I am one of nine sons; the Putnam seed have
peopled this province. And yet I have but one child left of eight – and now
she shrivels! REBECCA:
I cannot fathom that. |
In
this play, witchery was used as a tool in order to gain for personal
interest. It is described as “political inspiration” by Miller insinuating
the lack of genuine intent in these trials. Those who made accusations had
ulterior motives, and this was achieved by hiding behind the concept of
serving the greater God by identifying those who “worship the Devil”. Just
the same, the Communist witch hunt was another example of manipulation where
people could hide their malintent. In this passage,
Rebecca identifies the real problem; that being “ourselves”. She does not
hide behind “God” as other characters do. Putnam, being a representation of
the rest of the Salemite community, does not take
responsibility, only blaming it on other forces which are easiest to fault.
It is apparent that through her wisdom, Rebecca remains honest as she admits,
“I cannot fathom that”. |
35 |
PROCTOR:
I mean it solemnly, Rebecca; I like not the smell of this ‘authority’. REBECCA:
No, you cannot break charity with your minister. You are another kind, John.
Clasp his hand, make your peace. |
Already
in the play, we see that allegiances are developing. Rebecca and Proctor are
those within the |
Role
in the Play:
Perhaps,
it could be suggested that Rebecca Nurse is the realistic element within this
play. On one hand, Miller demonstrates that Proctor was not alone when
challenging society. Like the Communist witch hunts, there was a small minority
which opposed the actions of their society.
Rebecca
is potentially a hero as she does not conform to society’s beliefs and ideals
while being able to maintain her own. She sees the truth and does not add to the hysteria
or the fear. In Act 3 she is convicted of witchcraft and is jailed but she
still does not confess and she is eventually hanged which suggests that for her
dignity and the truth are important moral values. In Act 4, Judge Danforth attempts to tempt Rebecca Nurse by showing
Proctor’s confession to her. The fact that she remains resolute reveals the
strength of her character and, ultimately, she makes an
honourable decision leading her to martyrdom in attempt to protect her own
morals like John Proctor.
Throughout
the play, her role is less extreme than Proctor making her a more pragmatic and
sensible character. The kind of person that Miller seems to wish there were
more of in modern