Motif Tracking: The Crucible – Books & Paper
Summary:
Throughout ‘The Crucible’, Miller
utilises the motif of ‘Books & Paper’ in order to indicate the manner by
which individuals within
Within ‘The Crucible’, ‘Books &
Paper’ can be divided into two explicit categories – those which are holy and
symbolise truth and those which are perceived to be evil, blasphemous and
sacrilegious. Evidently, the Bible is categorized as a holy book and throughout
the play is utilised as a weapon with which to test individuals, such as John and
Elizabeth Proctor, in order to ascertain whether they essentially worshiped God
or the Devil. Similarly, Hale’s books are effectively recognised as ‘holy’ in
that they are regarded as symbolising truth and thus, in turn, give individuals
such as Hale power and authority within society. Moreover, the arrest warrants
are seen to be regarded as infallible and are seen to symbolise the truth and
the law.
In contrast, the ‘Devil’s Book’, as
well as the books which Martha Corey is condemned for reading, are regarded as
evil, blasphemous and sacrilegious. These books are seen to provide the judges
with evidence of ‘witchcraft’.
However, the line between fact and
fiction is seen to blur throughout the play in that many of the ‘Papers’ that
the judges deem to be truth are in fact lies and those which are considered
false are in fact true. Thus the audience observes the manner in which the
motif of ‘Books & Paper’ is manipulated throughout the play in order to
obtain power and to suit the needs of the individuals. For example, the
confessions which those condemned as witches were advised to sign represent
truth in the eyes of the judges; however in reality simply indicate desperate
lies. Moreover, only those pieces of evidence which are seen to support the
claim of witches are taken into consideration, thereby undermining the presence
of witchcraft and reducing the hunt for witches and Communists to a scheme
through which to exercise vengeance.
In
addition, Miller ultilises Proctor’s condemnation and disregard for the ‘Books
& Paper’ which are highly regarded by society in order to strengthen him as
a hero, in that he is forced to openly defy society in order to introduce
justice.
Quotations:
Page |
Quotation |
Analysis |
14 |
“They
had no novelists,- and would not have permitted anyone to read a novel if one
were handy” |
This
quotation accentuates the fact that during the Salem Witch Hunts, the
theocracy which ruled was very strict. At the time there was much fear and uncertainty
about the undiscovered west. However, in order to band together and be united
in safety, people had to sacrifice some of their personal freedoms, for
example, reading. The fact that reading is a relatively minor enjoyment
reinforces just how strict this society was. |
18 |
“Aye,
sir, he have been searching his books since he left you, sir. But he bid me
tell you, that you might look to unnatural things for the cause of it” |
This
quotation from Susanna shows how books are viewed as the sources of
knowledge. However, when no cure is found, it is immediately assumed that the
cause is unnatural. Arthur Miller does this to mock the Salem Witch Hunt, and
also the Communist Witch Hunt, as he believes that people blamed the witches
and communists for problems that have a more mundane cause. |
40 |
“[Delighted]:
Mr. Hale! Oh! It’s good to see you again! [Taking some books]: My, they’re
heavy” |
The
entrance of Reverend Hale weighed down with books indicates that he is meant to
be very knowledgeable. However, the fact that witches do not exist and Parris
is more impressed by the weight of the books than the content serves to
undermine any credibility that he has thus making his belief in witches seem
dangerously / sadly misguided. The fact that Hale mentions
the ‘authority’ that the books hold further emphasizes this absurdity. of the
society at the time, as does the irthe books represented the law, and these
laws were flawed and irrational. |
42 |
[…He goes
to his books, opens one, turns pages, then reads. All wait, avidly.] PARRIS [hushed]: What book is that? MRS PUTNAM: What’s there,sir? HALE [with a tasty love of intellectual pursuit]: Here is all the invisible
world, caught, defined, and calculated. In these books the Devil stands
stripped of all his brute disguises…’ |
Society’s trust in and high regard
for books is evident within this quotation. Their eagerness to determine the
nature of Hale’s books further indicates that those such as Hale who studied
such books gained a higher status as well as a greater degree of power and
authority within society. |
43 |
GILES: Martha, my wife. I have waked
at night many a time and found her in a corner, readin’ of a book…Last night
– mark this – I tried and tried and could not say my prayers. And then she
close her book and walks out of the house, and suddenly – mark this – I could
pray again! |
This indicates the manner in which
the tension and fervor within |
49 |
ABIGAIL:
‘…I danced for the Devil; I saw him; I wrote in his book…’ |
Through
this quotation, Abigail is able to cleanse herself in the eyes of |
56 |
“That
she- [in horror at the memory]- she sometimes made a compact with Lucifer,
and wrote her name in his black book- with her blood- and bound herself to
torment Christians till God’s thrown down- and we all must worship Hell forevermore” |
Mary Warren’s description of Sarah
Good’s confession once again depicts the use of the Devil’s book in order to
indicate the presence of witches. This in conjunction with the fact that she
wrote her name ‘with her blood’, evokes sinister images, thus effectively
convicting Sarah Good in the eyes of the court However, as the audience, we are meant to see past all of the hysteria
and lies and realize that Sarah Good has confessed out of the same desire to
save herself that motivated Tituba. Any value in her confession is thus
undermined and Mary’s belief, representing the courts firm belief, in this
confession is undermined too. |
62 |
HALE: ‘In the book of record that
Mr. Parris keeps, I note that you are rarely in church on Sabbath Day.’ |
Here, a religious book is utilised
in order to convict Proctor thus indicating the power and influence of books
within |
67 |
“[Mockingly
quoting the warrant] ‘For the marvelous and supernatural murder of Goody
Putnam’s babies.’ What do I do, Mr. Hale?” |
Through the mocking tone as well
as the ludicrous content of the warrant, the credibility of the court as well
as the motif of ‘Books & Paper’, is undermined. Nonetheless
the warrant still symbolizes power as it has the ability to control people
and the juxtaposition between this power and the absurdity of its contents
reveals the
true use of the warrants, which are ultimately tools that can be manipulated,
for personal gain or revenge. This quotation further demonstrates that Francis, just like Proctor, is a rational
character as he is not carried away by the accusations of witchcraft. |
71 |
CHEEVER: Proctor, you
dare not touch the warrant. PROCTOR [Ripping the
warrant]: Out with you! CHEEVER: You’ve ripped
the Deputy Governor’s warrant, man! |
Proctor’s
actions of ‘ripping the warrant’ highlight his role as a hero within the
play, due to the fact that through this he is seen to challenge the absurd
behaviour of his society. Cheever’s reaction of outrage (highlighted by the
exclamation mark), as well as the phrase ‘the Deputy Governor’s warrant’
indicate the extent to which Proctor has acted unacceptably. Additionally,
the warrants are seen to be the epitome of society’s expectations and
Proctor’s actions foreshadow his coming conflict with the court. |
72 |
PROCTOR: ‘…This warrant’s
vengeance! I’ll not give my wife to vengeance!’ |
Miller effectively undermines both
the |
81 |
DANFORTH [instantly]: No, no, I accept no depositions. |
Danforth’s instantaneous rejection
of Proctor’s deposition indicates the way in which paper documents were only regarded
as truthful and valid when it suited the court. |
84 |
PROCTOR:
[handing Danforth a paper] Will you read this first, sir? It’s a sort
of testament. The people signing it declare their good opinion of Rebecca,
and my wife, and Martha Corey. |
This
quotation illustrates the use of papers as a form of evidence and because
this time it is presented by the heroes of the play and ignored here paper
represents how distorted and misguided the values of the court are. |
85 |
PARRIS [sweating]: These people should be summoned. For questioning. FRANCIS [trembling with anger]: Mr. Danforth, I gave them all my word no
harm would come to them for signing this. |
The use of papers in order to
convict additional members of society is evident within this quotation.
Furthermore, the sheer madness of society and the corrupting influence of
Abigail can be noted due to the fact that the majority of society is
condemned. |
87 |
GILES: My proof is there!
[Pointing to the paper.] |
Once again,
paper is proclaimed to indicate the truth; however, the truth is seen to
alter and be manipulated in order to comply with individual needs. Here,
nonetheless, the paper Giles talks of really does contain the truth and the
fact that the court dismisses his claims echoes how the voice of reason
cannot be heard in neither |
89 |
HALE:
Excellency, I have signed seventy-two death warrants; I am a minister of the
Lord, and I dare not take a life without there be a proof so immaculate no
slightest qualm of conscience may doubt it. |
The
power and authority of the death warrants is emphasised within this quotation
but more importantly it represents Hale’s increasing doubt about the
righteousness of the court’s actions and his realization that, as Proctor
said, it is vengeance that is stalking the town and not justice. |
120 |
PROCTOR
[with a cold, cold horror at their efficiency]: Why must it be
written? DANFORTH:
Why, for the good instruction of the village, Mister; this we shall post upon
the church door! |
The
fact that Danforth enforces a written confession indicates the fact that
paper documents were seen to represent and insinuate truth. Moreover,
Proctor’s ‘cold, cold horror’ indicates the internal horror he feels at
compromising his values merely in order to live. Furthermore, the posting of
the confession upon the church door and the claim that this is for ‘the good
instruction of the village’ indicates the misguided arrogance of the court
and how far awry their values are. |
123 |
[CHEEVER
goes to PROCTOR, the confession and a pen in hand...] |
This
quotation indicates the desperation of the court to obtain Proctor’s signature
because they know that if he confesses this will justify the hangings that
have occurred so far. This sense of selfish, self-protection at the expense
of a man’s life is the final way in which Miller undermines the authority of
the court in Salem and, by comparison, McCarthy’s HUAC in contemporary
America. |
123 |
PARRIS: …It is a weighty name; it
will strike the village that Proctor confess. I beg you, let him sign it. The
sun is up, Excellency! |
Parris’s lines indicate his sense of
personal desperation and further reinforces the power and influence of paper
documents as they have the ability and influence to eradicate the factions
within |
123 |
[Proctor
has just finished signing when Danforth reaches for the paper. But Proctor
snatches it up, and now a wild terror is rising in him, and a boundless
anger]. |
Proctor’s snatching of the
confession possibly indicates the fact that he wants to retain his dignity
and pride and it is the making permanent of his confession through the act of
signing that makes Proctor realize that he cannot lie in order to save
himself and that he is, after all, an honourable man. |
125 |
[His
breast heaving, his eyes staring, Proctor tears the paper and crumples it, and
he is weeping in fury, but erect.] |
The
tearing of the paper shows how Proctor undermines authority. Paper is a
symbol of the rules and laws of |
Key
Moment:
The motif of ‘Books & Paper’ is ubiquitous
throughout the play however, the key moment for this motif is during the last
act when Proctor destroys his signed confession. This is foreshadowed earlier
in the play when he rips the warrant for his wife’s arrest and it is a key
moment because through this act of destruction, Miller is able establish
Proctor as a hero and a martyr in that he is hanged as a result of failing to
comply with society’s expectations. Danforth’s belief that the confession has a
value while Proctor is aware that it is nothing more than a lie given to dogs
further undermines Danforth, his whole value system and in particular his
misguided belief that the witch hunts in Salem were a holy battle between the
forces of good and evil when in reality they were little more than a tool for
personal gain. This in turn undermines the Communist witch hunt of the 1950s,
which is ultimately Miller’s goal in the play. It is also interesting to note
that in the final act, Hale has been transformed after his realization that the
court in