Motif
Tracking: The Crucible – Clothing & Nudity
Quotations:
Page |
Quotation |
Explanation |
Act 1,
pg 20 |
“I saw a dress lying on the
grass.” |
This quotation can be linked
with the motif of inside vs. outside where the inside has connotations of being
civilised and proper, while the outside has connotations of being unknown and
wild. The dress lying outside in the forest on the grass shows how the girls
have less regard for the rules when they are outside. This lack of clothing
then reflects being less restricted by the strict expectations that the
Puritan society had for them. |
Act 1,
pg 20 |
“And I thought I saw – someone
running naked through the trees!” |
This quotation is from when
Parris is describing the singing and dancing that he had witnessed the night
before. The lack of clothing here is associated with frivolity and being free
from the strict Puritan society. The discarding of the clothing again
symbolises the girls disregarding and breaking free of the rules. |
Act 1,
pg 20 |
“I have given you a home, child,
I have put clothes upon your back” |
Although in the previous
quotations, clothing is portrayed as being restrictive and perhaps suffocating, her clothing is presented as being, in a way,
a ‘saving grace’. Parris feels that he had rescued Abigail from a life of
poverty and hardship by giving her a home and clothes and ‘civilising’ her. |
Act 1,
pg 40 |
“It is the Devil working again,
just as he is working within the Slav who is shocked at the very idea of a
woman’s disrobing herself in a burlesque show.” |
This quotation shows how nudity
or not being modestly covered up is seen to be the work of the Devil and the
audience can see how the characters in the play immediately associate dancing
naked to be communing with the Devil. To “disrobe” gives the image of being
uncivilised, animalistic, and ungodly and therefore may be why being naked is
seen to be an act of rebellion against God and all Puritan values. In the
same way that being naked is not really sinful the audience realises that the
girls’ behaviour in the woods is not really a great crime. However, the
seriousness with which this relatively harmless activity is treated shows how
the Salemites no longer have a realistic grasp of
the difference between right and wrong in the same way that modern Americans
of the 1950s had lost all sense of perspective when faced with the Communist
threat. |
Act 1,
pg 48 |
“…I make you free! I give you
pretty dress to wear…” |
Tituba is a Negro
servant, she is of a lower status than the other characters in the play and
this quotation reveals how clothes are a symbol of status and for Tituba to
obtain a “pretty dress” would be to elevate her status in society and to some
degree, give her a sense of freedom. |
Act 2,
pg 75 |
“…we are only what we always
were, but naked now. Aye, naked! And the wind, God’s icy wind, will blow!” |
This quotation suggests that
there have been lies and secrets in This image is particularly
significant for Proctor as he actually welcomes this exposure to God’s
(unforgiving) judgement – the sense that he embraces this opportunity to be
damned for his sins emphasises how disgusted he is with himself for his
affair with Abigail and how he is yet to forgive himself for his actions.
This reinforces |
Act 3,
pg 81 |
Stage directions: reaching
into his jacket |
In this scene, Proctor is
reaching into his jacket to pull out Mary’s deposition. Clothing usually has
connotations of secrecy and covering up something. However, this proves to be
wrong in this case, as the deposition is in fact truth and not lies. |
Act 3,
pg 94 |
“I never saw any of them naked.” |
Parris constantly denies seeing
the girls dancing naked, although the audience know from Act 1 that Parris
did see a girl running naked through the forest. His lies reflect Parris’
cowardly and self-serving nature. He is more concerned with saving himself
and his reputation than with telling the truth. |
Act 4,
pg 107 |
Stage directions: rising in
her rags |
The rags her represent the state
of disorder and chaos within |
Key Moment:
The motif of clothing vs. nudity
in the play provides the contrast between being symbolically covered up and
being ‘naked’. While being clothed has connotations of being civilised and
modest and God-fearing, it can also have connotations of secrets or lies being
covered up and hidden. Similarly to this, the lack or clothing or being naked
would bring to mind rebellion and freedom. However, being naked also means
being exposed, vulnerable, and sinful. In The Crucible, Miller makes use
of these contrasts: the dual readings of being clothed echo how those who are
civilised are in fact the most corrupt while the dual readings of nudity reveal
how those who are honest are accused of rebellion and are ultimately left
vulnerable and attacked. This absurd distortion of values in the