Motif
Tracking: The Crucible –Dancing
Summary:
The motif of dancing within The
Crucible represents an act that the Puritanical society in the play sees as irreligious
and without purpose or meaning. Consequently, they continuously link the act of
dancing and the like to evil and specifically “witchcraft”. In doing so the
degree to which such an overbearingly religious society limits the individual
is depicted. Beyond this however, keeping in mind the context in which this
piece was written, the repressive society in the play mimics that of communist
paranoid
Quotations:
Page |
Quotation |
Explanation |
18-19 |
Parris: And what shall I say to them?
That my daughter and my niece I discovered dancing like heathen in the
forest? |
This is Parris’s response to
Abigail’s suggestion to go talk to the people. Parris’s use of the word
heathen directly places the act of dancing in a negative light. Further the
fact that they ‘danced’ in the forest and Parris ‘discovered’ them shows that
such actions are looked down upon by Puritans. They attempted to hide what
they were doing from the rest of the village, showing that the girls knew
what they were doing was evil in the eyes of the rest of the village. Beyond
this Abigail’s response that she is willing to be whipped for dancing depicts
the degree of severity within this society and their steadfast belief in the
supernatural; witchcraft. |
19-20 |
Parris: You call this sport?....I
saw Tituba waving her arms over the fire when I came on you. Why was she
doing that? And I heard a screeching and gibberish coming from her mouth. She
were swaying like a dumb beast over that fire! |
Parris’s insistence on questioning
Abigail as to what they were doing goes further to show how this society
views the act of ‘swaying like a dumb beast’ or dancing. Tituba a slave from |
25 |
Abigail:…Listen, now; if they be
questioning us, tell them we danced-I told him as much already. Abigail: He knows Tituba conjured Ruth’s
sisters to come out of the grave. |
Abigail’s linking of the dancing
and Tituba’s ritual to the rising of the dead represents the link in puritan
society between dancing and supernatural phenomenon. Although, bringing
someone back to life out of the grave is physically impossible those in this
religious sect believe in such happenings and from this dancing is linked
with evil. |
26 |
Mary Warren: Abby we’ve got to
tell. Witchery’s a hangin’ error, a hangin’ like they done in |
The obvious vernacular form of
speech shows possibly that this individual and indeed those around her may
not be well educated. Beyond this, the fact that ‘witchery’ is punishable by
death such practices seem to be widespread, having occurred in Boston, shows
that society at the time was not accepting of things they did not understand
or disliked such as dancing and rituals. Again, that the simple act of
dancing is a punishable offense emphasises the extremely repressive nature of
this society. |
28 |
Abigail: We were dancin’ in the
woods last night… Proctor Ah, you’re wicked yet,
aren’t y’! |
At this point these two characters
are in a room alone and the audience becomes aware of an illicit relationship
between the two. The almost secretive way Abigail says that they were dancing
and Proctor’s response represents how acts of free self expression are not
welcomed. Further, the word wicked has connotations of evil doing reinforcing
the link between dancing and immorality and yet Proctor’s use of the word
suggests that he finds this trait of Abigail’s attractive and is titillated
by her breaking of the rules. |
45 |
Parris: I – do believe there were
some movement – in the soup. Abigail: That jumped in, we never
put it in ! Hale: What jumped in ? Abigail: Why, a very little frog
jumped – Hale: Abigail, it may be your
cousin is dying. Did you call the Devil last night? |
Although the act of dancing is not
directly referred to here, jumping is mentioned. The immediate movement of
the conversation from a jumping frog to death and the devil emphasises the
speed with which members of this society will jump to conclusions, presumably
believing that the girls were conjuring the Devil through the use of some
kind of magic potion. Clearly, this society fears what it does not understand
and attempts to use the supernatural to come to solutions. The idea that
something like jumping is immediately linked to the devil can be seen as an
example of the absurd strength of Salem’s faith in the existence of the
Devil, which is meant to reflect in turn on the absurd ‘faith’ which many
Americans of the 1950s had in the Communist threat. |
49 |
Abigail: I want to open myself! I
want the light of God, I want the sweet love of Jesus! I danced for the
Devil; I saw him; I wrote in his book; I go back to Jesus ; I kiss his hand.
I saw Sarah Good with the devil! I saw Goody Osburn with the devil! I saw
Bridget Bishop with the devil! |
This represents a critical comment
by Miller on |
61 |
Proctor:…But I know the children’s
sickness had naught to do with witchcraft. Hale: Naught to do-? Proctor: Mr. Parris discovered
them sportin’ in the woods. |
With this, there is a contrast
between rational thinking and the irrational supernatural ideals of society. Hale
does not seem to be able to understand that these children’s illnesses cannot
come from something like witchcraft. Proctor therefore represents the
rational minds of society, thinking for themselves rather than falling in
line with the false conclusions of the rest of the village. |
94 |
Proctor: Abigail leads the girls
to the woods, Your Honor, and they have danced there naked- |
The illicit behavior of the girls
dancing in the woods is confirmed by Parris who discovered them however he
denies that they were naked. Nonetheless, the judges continue to ask Parris
if they were dancing. This repetition tied into the possibility that the
girls were nude creates a link between dancing and immoral behavior in this
society. Again, something as simple as dance and being seen has lead to the
condemnation of dozens of people and, in the same way the audience is meant
to note the parallel with their own time and realize that the hysterical
Communist witch hunts are as absurdly out of proportion as these almost medieval
witch hunts as we all know that all these accusations of witchcraft are
impossible and the girls and others stand to benefit at the cost of the
condemned. |
Key moment:
Abigail: I want to open myself! I want
the light of God, I want the sweet love of Jesus! I danced for the Devil; I saw
him; I wrote in his book; I go back to Jesus ; I kiss his hand. I saw Sarah
Good with the devil! I saw Goody Osburn with the devil! I saw Bridget Bishop
with the devil!
This can be seen as a critical
moment in terms of the motif of dancing. Abigail has admitted to dancing and in
doing so she has been absolved of wrong doing. This is line with the absurdly
distorted logic of the community whereby the confessed sinners are the most
holy while the unconfessed, presumably because they have nothing to confess,
are the most damned. However, beyond this, Abigail begins to name individuals
she apparently saw with the devil. Obviously her accusations are false.
Nonetheless, by charging these people and eventually Elizabeth, she stands to
gain as do others in the community from the fall of these individuals. Thus,
Miller comments on the communist trials of the 1950’s. A sense of hysteria is
created in the play which reflects the current hysterical fear of Communists
that is dominating