Motif Tracking: The Crucible – Hot & Cold
Summary:
There are several references to the temperature
in this play: witchcraft is often associated with a cold temperature, wind,
shadows, ice, freezing and shivering. As witchcraft is the main idea
surrounding this play, the motif of cold temperature is usually evident in
scenes of high points of tension (which are usually scenes to do with
witchcraft). The images related to heat and fire are usually associated with
the Devil and cursing, although heat is also used to reflect the intensity of
Proctor and Abigail’s relationship and Abigail’s passionately independent
nature.
The
title of the play itself is important as the crucible is a ‘hot’ object. The
crucible symbolizes a pot placed under intense heat and pressure, which echoes
the manner in which
Quotations.
Page |
Quotation |
Analysis |
20 |
Parris
“I saw Tituba waving her arms over the fire when I came on you…She were
swaying like a dumb beast over that fire!” |
The
use of the simile “swaying like a dumb beast” and the fact that she is
carrying out her actions over “fire” indicates how Tituba is associated with
the Devil by |
29 |
Abigail
“I have a sense for heat, John and yours has drawn me to my window, and I
have seen you looking up, burning in your loneliness” |
Here
heat has sexual connotations and the use of heat shows the attraction between
them. The fire here might also relate to the rebellious nature of Proctor and
how mischievous Abigail is. Heat is
thus associated with the characters who do not conform to the expectations of
society. |
30 |
Abigail
“She is telling lies about me! She is a cold, sniveling woman, and you bend
to her!” |
Cold
here is used to show the hatred between Abigail and Elizabeth. Abigail’s use
of words such as “sniveling” show how she in fact is cold at heart and not |
34 |
Parris
“Where is my wood? My contract provides I be supplied with all my
firewood…even in November I had to show my frost bitten hands like some |
Miller
uses Parris frost bitten hands to show his lack of power and status. In this
case the “firewood” is a representation of a higher status when compared to
the poor “ |
52 |
It’s winter in here yet. |
Proctor is trying to make conversation with |
55 |
[laughing bitterly]: Oh, |
Proctor criticizes |
57 |
And I feel a misty coldness climbin’ up my
back |
Mary is describing how Sarah Good was
bewitching her as she refused to confess to the court that she was a witch.
The somewhat clichéd nature of the cold imagery helps mock Mary, her belief
in witches and the gullibility of the members of the court. The
extensive use of alliteration in this quotation also further emphasizes the
point Miller is making that society feels a pressure to believe in the
hysteria and that it affects the sane so much that they begin to believe the
false to be real. |
67 |
Believe me, Mr. Nurse, if Rebecca Nurse be
tainted, then nothing’s left to stop the whole green world from burning. |
Rebecca Nurse has been taken to court, and
here, Hale is reassuring Mr. Nurse that he believes Rebecca is a good woman. Here,
burning (fire/heat) is associated with defeat and the fact that it is the
‘whole world’ that will burn suggests the magnitude of the error that the
court has committed by arresting Rebecca Nurse. |
68 |
You’ll burn for this, do you know it? |
Giles condemns Cheever because he is siding
with the girls and acting as a puppet of the court. Burning (fire) is once
again associated with punishment but in contrast to the above here Cheever’s
punishment is individual and justified. Unlike the world above Cheever is not
‘green’ and deserves to burn. |
75 |
And the wind, God’s icy wind, will blow! |
Here the motif of coldness is associated with
God and it suggests that God’s judgment will be merciless and cut through all
pretence to the core truth, much like an icy wind would do. There is a sense,
however, that Proctor welcomes this judgment as he himself is unable to
accept the fact of his own infidelity and it seems he almost wishes for a
chance to embrace his own destruction as he cannot bear to carry on living
the lie of his honourable life. |
77 |
Stage
Directions: As the curtain rises, the room is empty, but for sunlight pouring
through two high windows in the back wall |
This
initially sets the atmosphere for the opening of the scene: ‘sunlight
pouring’ through the high windows suggests hope; however the height of the
windows implies that this hope is beyond the reach of those who are about to
enter the courtroom. |
81 |
We burn a hot fire here; it melts down all
concealment. |
Danforth is warning Proctor that he (Danforth)
will not be deceived and although the trials in The “hot fire” can also be portrayed here as
purifying as it is through his failed attack on the courts and struggle over
whether or not to lie in order to save his life that Proctor proves to
himself that there is some goodness left in him despite his affair with
Abigail. |
87 |
Giles:
I will not give you no name. I mentioned my wife’s name once and I’ll burn in
hell long enough for that. I stand mute. |
Reference
to ‘hell’ suggests how Giles feels he is damned for bringing about the arrest
of his wife. The sense of burning also suggests the tension and conflict that
exists in |
95 |
But you did turn cold, did you not? I myself
picked you up many times and your skin were icy. So let turn herself cold now, let her pretend
she is attacked now, let her faint. |
Parris is trying to prove that Mary was really
bewitched. Here, the coldness is associated once again with witchcraft and
this is also a point of increasing tension. |
96 |
A wind, a cold wind, has come. [Her eyes
fall on Mary Warren.] Your Honor, I freeze! She is cold, You Honor, touch her! |
Abi is pretending that a cold wind has
suddenly fallen upon her and the girls. It is obvious that she is going to accuse
Mary of witchcraft from the stage directions. Once again coldness is
associated with witchcraft and once again the clichéd nature of the imagery
and the patently see-through nature of Abigail’s attempt to regain control of
the situation serve to ridicule the characters in the court who believe such
flimsy accusations, this in turn ridicules the members of Miller’s own
society who are equally as convinced of the existence of the ‘Red Threat’ |
105 |
PROCTOR [laughs insanely, then]:
A fire, a fire is burning! I hear the boot of Lucifer, I see his filthy face! … God damns our kind
especially, and we will burn, we will burn together! |
The fire here
may suggest insanity as Proctor laughs insanely.
However it is more likely to represent the degree of damnation which Salem
has bought upon its own head and Proctor’s and his tone of exultation
reinforces the idea that he welcomes this destruction and damnation as it
means he will no longer have to live the lie of being an honourable man and
will at last be punished for his affair with Abigail in the way that he
thinks he ought. This also suggests tension is at its peak and
possibly a moment of realization. |
107 |
Stage
Directions: … The place is in darkness but for the moonlight seeping through
the bars. It appears empty… Marshal Herrick enters with a lantern. |
Entering
into Act IV, we are set in the prison. Stage directions have been used in
order to establish a particular tone and environment for the audience. The
sense of ‘darkness’ implies a cold atmosphere in the prison; the contrast
with the fire at the end of Act III creates an ominous stillness and sets the
stage for Proctor’s struggle with his own conscious and final reconciliation
with himself. |
108 |
It’s all you folks - you riles him up ‘round
here; it be too cold ‘round here for that old boy. He freeze his soul in |
The cold in |
109 |
No, sir; it is a bitter night, and I have no fire
here. |
The coldness once again represents the
repressive world of Salem but the use of the word bitter is particularly
interesting as it perhaps suggests that the ‘victory’ that Danforth and the
court have achieved over the Devil in this town is itself ‘bitter’ as by now
most people are becoming frightened by the destruction being visited upon
their village and are becoming aware that the accusations of the girls may be
little more than hysterical outbursts. |
Key Moments:
One key moment is Proctor’s insane speech: “A
fire, a fire is burning! I hear the boot of Lucifer, I see his filthy face! And
it is my face, and yours, Danforth! For them that quail to bring men out of
ignorance, as I have quailed, and as you quail now when you know in all your
black hearts that this be fraud - God damns our kind especially, and we will
burn, we will burn together!”
Fire is used to represent this peak of tension:
Danforth has decided to continue to side with the girls and with Parris but Hale
denounces the proceedings; this therefore turns the whole situation upside
down, as Hale was the first Reverend to be called to
An
additional key moment might be when Abigail says “I have a sense for heat, John
and yours has drawn me to my window, and I have seen you looking up, burning in
your loneliness”. This sexual quotation shows how passionate the relationship
between Proctor and Abigail is and how rebellious these two characters are.
This is also important quotation as it reveals the basis for Abigail’s vengeful
accusations against