‘The Crucible’ – Motif Tracking: The Individual
vs. Society
Summary:
Arthur Miller uses
the motif of social pressure and rules to set up the basis for the play. We see
that the members of society in
Conversely,
individuals are identified as the people who stand out from society due to their
different set of internal values and views of the world, the prime example
being Proctor whose individuality is exalted to the heights of heroism. This
therefore means the individuals of
There is very little
individualism in
From a feminist
perspective, it could be argued that Miller’s choice to categorise women as
either sinister temptresses like Abigail, respectable wives like
Ultimately, the
significance of the motif of the individual vs. society is used by Miller to
comment on how people of 1950s
Quotations:
Page |
Quotations |
Analysis |
14 |
“…would not have
permitted anyone to read a novel, if one were handy. Their creed forbade
anything resembling a theatre or “vain enjoyment”. They did not celebrate
Christmas, and a holiday from work meant only that they must concentrate even
more upon prayer.” |
This quotation
which is seen on the second page of the play establishes the absurdity of the
social rules followed by this Puritanical society where any form of happiness
found from any mode other than one which is permitted is looked down upon. It
shows the extent to which social rules control the lives of those who live in
|
14 |
“…a two-man patrol
whose duty was to ‘walk forth in the time of God’s worship to take notice of
such as either…may be accordingly proceeded against.” |
Through this
quotation, the level of control by the church over the members of the society
is evident. Even during time of prayer, there are people appointed to patrol
the streets and ensure that everyone is at the church on Sunday and not in
their homes. This again creates a sense of absurdity in that the members of
society do not have the freedom to decide whether or not to go to church.
There is also a sense of hypocrisy as the church is willingly letting two
people miss the time of “God’s worship” to force others to attend. |
14 |
“… the old
disciplines were beginning to rankle…” |
This quotation foreshadows
what is to come in the remainder of the play as it is when the members of
society, primarily, Proctor, begin to feel that the level of restriction over
them is excessive that they rebel. What used to be considered to be the
common way of life and accepted norms, are then challenged and perhaps
overthrown. |
17 |
“[…Negro slave
enters…]…[already taking a step backward] My Betty be hearty soon?” - Tituba |
Tituba appears to
be an individual in |
18 |
“PARRIS [his eyes
going wide]: No—no. There be no unnatural cause here. Tell him [Doctor Griggs]
I have sent for Reverend Hale of |
This is the first
time we see witchcraft being mentioned as a possible cause for Betty being
sick. Parris’ reaction highlights the degree of social pressure that he feels
to ensure that his family is not in any way linked to any “unnatural”
activity also establishes the way in which witchcraft is seen by the members
of society in the remainder of the play. The image of “his eyes going wide”
further works to create a sense of fear that his name will be associated with
witchcraft. |
19 |
“PARRIS: Now then,
in the midst…Abominations are done in the forest—” |
This quotation from
Parris when he is talking to Abigail about why Betty is sick, gives light to
yet another rule accepted by this society: that the forest is a place
considered to be the home of the devil – also discussed in the start of Act 1
(“…the Salem folk believed that the virgin forest was the Devil’s last
preserve, his home base…” – Page 15). We see the importance of this rule when
Parris discovers the two girls dancing in the forest as he refers to it as an
“abomination”. This also creates a sense of the absurd because we know that
the girls were only dancing. Social pressure is also seen through the fact
that this image of freedom (dancing in the forest), is considered an
atrocity. |
21 |
“ABIGAIL [in a
temper]: My name is good in the village! I will not have it said my name is
soiled! Goody Proctor is a gossiping liar!” |
Pressure to keep up
appearances in society and to be seen as pure is seen through Abigail’s
reaction to Parris suggestion that Abigail has done something inappropriate
which has led to Goody Proctor refusing to attend the church. Eventually we
find out that she has had an affair with Proctor, and even though she does do
wrong and does commit “sins”, she still puts importance on being considered
pure in society. |
21 |
“PARRIS [as soon as
the door begins to open]: No – no. I cannot have anyone. [He sees her, and a
certain deference springs into him, although his worry remains.] Why, Goody
Putnam, come in.” |
The image created
by the stage directions in this quotation shows the social pressure to hide
one’s discomfort and pain from others. When Parris sees that it is Mrs. Putnam
entering the room, a shift is seen in his personality: he goes from being
anxious to immediately trying to be formal, putting on the pretence that
there is nothing happening in his house. The stage directions in this
quotation are significant as they reveal Parris’ superficiality; Parris is
one of the characters that Miller uses to ridicule the members of society in
America during the 1950s who believed uncritically in witches and fuelled the
hysteria of the witchhunts as they tried to further their own personal or
political ends, in Parris’ case this would be securing his position as the
Reverend in Salem. |
21 |
“MRS. PUTNAM [full
of breath, shiny-eyed]: It is a marvel. It is surely a stroke of hell upon
you.” |
This quotation, the
first line that Mrs. Putnam speaks, encapsulates one reason why social
pressure is so intensely felt in |
35 |
“I must find it and
join it [a group against Parris]…I like not the smell of this authority” -
Proctor |
Individuality
suggests the person is one of a kind and is to some extent detached from
society, therefore Proctor as the tragic hero perfectly encapsulates this as
he holds his own set of beliefs and stands alone in his struggles against
society and himself. Individuality is the key feature of this tragic hero
because it’s what makes him stand out from the crowd as a strong-willed,
unique and respectable character. |
43 |
“The most comical
hero in the history…he didn’t give a hoot for public opinion, and only in his
last years…did he bother much with the church” |
Giles is another
individual in |
44 |
“Hale: Abigail,
what sort of dancing were you doing with her in the forest? Abigail: Why –
common dancing is all” |
Abigail knows
individual freedom is discouraged so she tries to convince everyone that she
really is a “good girl…a proper girl” and wasn’t doing anything against |
46 |
“Abigail: I hear her singing her Tituba: Mister Reverend, I never –
Hale: [resolved now] Tituba, I
want you to wake this child” |
|
58 |
“Judge Hathorne say, ‘Recite for
us your commandments!’…[Sarah Good] never knew no commandments” – Mary Warren |
Reciting the
commandments seems to be one of the tests of conformity in |
63 |
“HALE: Twenty-six
time in seventeen month, sir. I must call that rare. Will you tell me why you
are so absent?” |
This quotation from
reverend Hale, accusing Proctor of not having attended church regularly “on
Sabbath Day” shows social pressure from the church as it seems that
everything that the members of society do is being closely monitored. In this
way, Miller successfully highlights the absurdly oppressive nature of this
society and effectively manages to comment similarly on |
66 |
“I cannot think the
Devil may own a woman’s soul…I am a good woman, I know it…I do not believe it
[that witches exist]” – |
Before, |
71 |
“[ripping the
warrant] Out with you!” – Proctor |
Destroying the
Deputy Governor’s warrant signifies just how much of an individual Proctor
is: he’s refusing to be like everyone else by succumbing to the authorities
so he tries to prevent his wife from being arrested. This heroic action
defines Proctor’s individual character. |
73 |
“Think on cause,
man [Proctor], and let you help me to discover it. For there’s your way,
believe it, there is your only way, when such confusion strikes upon the
world” – Hale |
Hale recognises
Proctor’s individuality and knows that this man can help him work his way
through all the chaos in society in order to find the cause. Miller may be
trying to point out how the 1950s American society needs an individual like
this to help put an end to the madness of McCarthy’s Witch Hunt. |
97 |
“[trembling, his life
collapsing about him] I have known her, sir. I have known her [Abigail]” –
Proctor |
This confession
represents individuality at its best; Proctor could have easily hidden the
affair from everyone but instead decides to reveal it in order to save his wife.
The fact that he refuses to care about people’s judgements and is willing to
stand out from society demonstrates what a brave individual he is but he also
knows that he will be destroyed by this admission, which in turn reflects the
unforgiving nature of the social rules that exist in |
105 |
“God damns our kind
especially, and we will burn, we will burn together!” – Proctor |
Although Proctor’s
rebellious character is very unique in relation to those of other Salemites,
thus making him an individual, he talks about himself as part of the |
108 |
“Devil, him be the
pleasure-man in |
The Devil is the epitome
of individuality because he has a completely different set of values to the
Salemites and therefore can lead life in his desired manner. This is
signified here through him doing ‘fun’ things such as singing and dancing –
activities which are banned in |
111 |
“It were another
sort that hanged til now. Rebecca Nurse is no Bridget that lived three year
with Bishop before she married him. John Proctor is not Isaac Ward that drank
his family to ruin...these people have great weight yet in the town” – Parris
|
Parris recognises
how in these changing times individuals have risen from the |
113 |
“Them that will not
confess will hang” – Danforth |
Miller is conveying
how absurd and morally unjust this society is; they are going to hang the
individuals who tell the truth and instead accept the others who lie to save
themselves. This twisted logic discourages people from voicing their
opinions, which is why |
113 |
“DANFORTH: …Them
that will not confess will hand. Twelve are already executed; the names of
these seven are given out, and the village expects to see them die this
morning. Postponement now speaks a floundering on my part; reprieve or pardon
much cast doubt upon the guilt of them that died till now.” |
We see Danforth
struggling with the decision about what to do about the hangings: whether to
postpone them until Proctor or Goody Nurse confesses, or to do what society
expects of him which indicates that the social pressure to do what is
demanded by the rest of society applies even to those in the vey top levels
of the social hierarchy. Even the most powerful man in this town succumbs to
social pressures showing the extent to which the town is influenced and
restricted: no one is free to make their own decisions, and when they do try,
they are accused by society as Proctor and Goody Nurse were. |
124 |
“You will not use me!
I am no Sarah Good or Tituba, I am John Proctor!...How may I live without my
name? I have given you my soul; leave me my name!” – Proctor |
Apart from one’s
moral values, it is one’s name which gives them individuality. In this case
Proctor’s moral values are represented by his soul, and because he has
confessed against his true will he feels that he has given up his soul.
However, he feels he can still be the individual that he is if he keeps his
name, and this is why he’s so unwilling to sign the confession and have it
posted on the church door. His name gives him his identity; John Proctor is
an individual who is not afraid to voice his opinions, who takes action
against what he dislikes and who would never lie. Without his soul and his
name, Proctor believes he becomes just another indistinguishable character in
|
Key moments:
The key moment in the
play ‘The Crucible’ where the motif of social pressure and rules is most apparent
is in the final act of the play. Here we see Danforth, utilized by Miller to
represent McCarthy, struggling with the decision to either postpone the
hangings to give Proctor and Goody Nurse time to confess, as it would justify
the earlier hangings, or to continue with the hanging because the
The key moment for
the motif of individuality is when Proctor tears the confession paper – a
symbol of authority – and declares “I do think I see some shred of goodness in
John Proctor” (page 125). Individuality in “The Crucible” seems to be defined
as having your own set of internal core values and having the courage to openly
believe them despite what others may think, therefore Proctor is a true
individual. After his long and difficult internal struggle, he finally decides
to be this individual and exercises his freedom by telling the truth and
consequently becoming the tragic hero which he is destined to be. Although this
heroic act of tearing the paper and not confessing suggests individuality is a
good thing because it allows people to be content being themselves and not have
to live by other people’s rules, it does ultimately lead to Prcotor’s – and all
the other individuals’ (Corey, Rebecca Nurse) – death and perhaps Miller is
using this irony to underline who misguided the values of the Salemites have
become, as they have created a world which has no place for the most heroic of
people.