Motif Tracking:
The Crucible – Religion & The Devil
Summary:
The motif of the Devil is used to
contrast with that of God, to create a binary opposition which symbolizes the
struggle between evil and good. The motif of the Devil and Satan appears as a
manipulative tool that is used by various characters, for instance Abigail, to
accuse people (her enemies) of witchcraft, thus reflecting how people in
Miller’s own time used accusations of Communism to attack their enemies. Additionally,
the motif is a tool to categorise the people of
The belief in witches is evident from
the beginning of the play and escalates into hysteria without any clear proof. This
absurd situation is intended to reflect the American society of the 1950’s and
the strong paranoia of Communism due to McCarthyism. Ironically, those who would
seem like the most religious characters in the play, are in fact the least pure
as firstly they sentence people to death with no proper evidence and secondly,
characters such as Hawthorn for instance in the last Act ‘praise God’ with
relief once Proctor confesses, not because his soul will now be saved, but because
the court will not be undermined, which reveals how distorted his values have
become.
Quotations:
Page |
Quotation |
Analysis |
15 |
The virgin forest was the Devil’s
last preserve |
The introduction of the motif
immediately establishes the association of evil and mysticism with the
forest. The forest is therefore a contrast to the strictly religious town of |
17 |
Old scores could be settled on a
plane of heavenly combat between Lucifer and the Lord |
This indicates to the audience
that the language of the bible and the whole concept of a witchhunt
where the followers of the devil were ‘rooted out’ was
adopted by the townspeople in order to elevate their otherwise petty
squabbles to the level of an epic battle between good and evil. Hence their
petty jealousies and land disputes no longer seemed sordid and instead felt “perfectly
justified”, indeed they had become a matter of
religious duty. Thus although the town of Salem was highly religious (indeed Puritanical),
there is a heavy irony and hypocrisy at work here in that they would use the
Lord as an excuse to gain back a piece of land. |
19 |
Parris: Abominations are done in
the forest. |
In this case, Parris is talking
about the dances/rituals performed by Abigail and the girls and therefore
relating to Tituba’s beliefs. Describing this other
religion as ‘abominations’ portrays how conservative and ignorant Parris is
of other cultures. Furthermore, it shows how he will not accept any other
religion which reflects the conservative manner of the town of |
21 |
Mrs. Putnam: It is a marvel. It is
surely a stroke of hell upon you. The Devil’s touch is heavier than
sick |
Here a ‘stroke of hell’ is spoken in
a delighted tone which is echoed by Mrs. Putnam’s opening sentence ‘It is a
marvel.’ Mrs. Putnam represents a large number of characters in Salem, as her
‘twisted soul’ (p.21) and cold heartedness is a result of the heavily
repressive society in which she lives which has caused her (and many others) to
turn against each other and derive a malicious enjoyment from the persecution
and misery of other people. |
24 |
Putnam: Don’t you understand it,
sir? There is a murdering which among us, bound to keep herself
in the dark. |
This is the beginning of the
accusations of witchcraft, there is no evidence to support this claim however
it seems reasonable to the characters, as for instance Mercy subsequently
states that Betty gave a ‘powerful sneeze’. In retrospect, this paranoia of
witches by the characters is utilized in order ridicule them and further highlight
the absurdity of the entire situation. Miller emphasizes this inconceivable
situation, in order to clearly reflect the US in the 1950’s, when he believed
people were acting in a ridiculous manner and making accusation of communism
against others based on nothing but rumours
presented as facts. Additionally, the idea of darkness
indicates secrecy and something sinister. The idea that witches exist is a
religious one and hence, shows how religion is ultimately responsible for the
fear and hysteria that will sweep through |
26 |
I will come to you in the black of
some terrible night and I will bring a point reckoning that will shudder you. |
This quotation shows Abigail’s
true nature, she is violent, cruel and oppressive, quite unlike the naïve,
religious girl she claims to be in front of the elders. |
34 |
Proctor: There are many others who
stay away from church these days because you hardly ever mention God anymore.
|
In this section we see the
contrast between Parris’ and Proctor’s view on religion in |
37 |
‘The child she had allegedly been
afflicting recovered her normal behaviour’ |
This once again represents the absurd
faith that the people of |
37 |
We conceive the Devil as a
necessary part of a respectable view of cosmology |
This quotation indicates that we
generally believe that the Devil is required in order for the universe to
function because it is through opposition with evil that goodness gets its
meaning. However, Miller may be challenging this fundamental assumption and
pointing out that there is no reason why both Communism and Capitalism or
Puritan Christianity and Tituba’s voodoo cannot
both be viewed as holy without an opposition being created between the two. |
37 |
It is impossible for most men to
conceive of a morality within sin as of an earth without ‘sky.’ |
This quotation indicates that
there cannot be a God without the Devil, as they are reliant upon each other.
Within ‘The Crucible’, this seems to be true as all those that can recite the
ten commandments are with God and those that can’t are immediately deemed as
those that perform witchcraft. This highlights the absurd nature of the
‘evidence’ used to persecute the witches, as being unable to recite the
commandments is not an indication that the person is working for the devil. |
37 |
Positive and negative are
attributes of the same force, in which good and evil are relative,
ever-changing, and always joined to the same phenomenon |
This quotation is an important
contribution to the motif, as well as a crucial part of the play in general.
This is due to the revelation that God and the Devil stem from the same event
and that they are relative to one another, as well as “ever-changing.” This
highlights that the view that a person is good or evil is a subjective
opinion. For instance, Abigail is regarded as an upstanding child by Parris
(until she steals from him) but is regarded by those who truly know her (for
instance Proctor) as an evil, manipulative person. In the same way there is
nothing inherently ‘good’ about Capitalism or ‘bad’ about Communism. It all
depends on your point of view. |
38 |
‘the political inspiration of the
devil’ |
This quotation reflects Miller’s belief
that the Devil (religion) is a political tool and politically inspired, by
which he means that it is used for the control of the people. This escalating
fear of witches is used in order to control the people of |
38 |
The necessity of the Devil may
become evident as a weapon, a weapon designed and used time and time again in
every age to whip men into a surrender to a particular church or church-state |
The idea that the Devil exists to
force people to comply with one idea or belief can be seen throughout
Miller’s play; the girls accuse their enemies of being workers of the Devil
and allow them to be persecuted and hanged. Hence, the motif is used by
Abigail and others as a weapon in order to achieve personal gains. An
implication that the audience may get from the narrator is that religion, or
at least the existence of the Devil is not to be feared as many believe; he
is merely a cardboard cut out that is used to scare. This parallels |
39 |
The Catholic Church is “famous for
cultivating Lucifer as the arch-fiend, but the Church’s enemies relied no less upon the Old Boy to keep the human mind
enthralled.” |
This quotation shows how, although
there are two opposing groups to any situation, they both use images of evil
(i.e. the Devil) for personal motives, indicating the necessity of the Devil,
both to create an eternal enemy, but also to ensure a sense of curiosity
within the minds of people. This is related to the situation in |
39 |
The Devil “is a wily one, and,
until an hour before he fell, even God though him beautiful in Heaven.” |
This quotation seems to be quite
fitting of Abigail. The judges and Parris thought that Abigail was a good
child, despite the protests of Proctor. They were not proven wrong until it
is revealed that Abigail stole from Parris at the end of the play. |
39 |
Sex, sin, and the Devil were early
linked, and so they continued to be in |
This quotation emphasizes that
association between witchcraft, dancing, nudity and in general, individual
freedom (of thoughts and actions) and the Devil within |
40 |
Our opposites are always robed in
sexual sin, and it is from this unconscious conviction that demonology gains
both its attractive sensuality and its capacity to infuriate and frighten. |
This quotation is related to the
actions of the town’s people of |
41 |
The Devil is precise; the marks of
his presence are definite as stone |
This quotation by Hale emphasizes
the idea of the people of |
48 |
You are God’s instrument put in
our hands to discover the Devil’s agents among us. |
This is a possible trigger that
causes Abigail to reveal the ‘truth’ of what happened, early on within the
play. Tituba is applauded for revealing the truth
and Abigail is cunning enough to realize that by speaking the truth also, she
is able to get away with dancing in the forest. Abigail can therefore be seen
as a manipulating the elders within |
49 |
I saw Sarah Good with the Devil! I
saw Goody Osburn with the Devil! I saw Bridget
Bishop with the Devil! |
Association of people with the
Devil causes them to be seen as evil, and not worthy of God. There is the
immediate sense that the people that are named by Abigail have somehow
irritated her and hence, she is using the motif of the Devil for personal revenge.
Additionally, by confessing that she saw others with the Devil ensures that
she is no longer in trouble, like Tituba. |
58 |
Mary Warren: ‘the Devil is loose
in |
Miller once again uses Mary’s
conviction of the certainty of witchcraft in order to depict the irrational nature
of the situation. Furthermore, he also want us to realize that by looking
back in the past, we can clearly see through witch-craft, then we should also
be able to ‘see through’ the absurd situation created by the fear and paranoia
of communism, which like the witch-hunts, seems so obvious yet no one notices
it. |
62 |
Hale: ‘this is a strange time,
mister. No man may longer doubt the powers of the dark are gathered in
monstrous attack upon this village. There is too much evidence now to deny
it.’ |
This once again highlights the absurd
situation that the characters are creating for themselves. The fact that Hale
uses strong words such as ‘may no longer doubt’ and ‘too much evidence to
deny it’ reinforces this absurdity as the characters are imposing these views
on themselves, believing that there is evidence for this ‘invisible crime’. In
the same way the fear of Communism is equally strongly believed but equally
unjustified. |
66 |
|
In this case |
104 |
You’re the devil’s man! |
Mary Warren betrays Proctor when
she submits to the pressure of Abigail and the other girls and she lies in
front of Parris and the judges. This turning point signifies the beginning of
Proctor’s failure to make the court accept his version of the events and the
failure of the hero to convince the court to share his point of view further
undermines their credibility. |
108 |
‘Oh, it be
no Hell in |
When the women are in prison,
there are several interpretations of their over-dramatic behavior when they
are calling and wanting to meet the Devil. Firstly, this sense of insanity in
the beginning of the Act, reflects the madness that
is running through Secondly, the fact that the Devil
is portrayed as a fun and the women are having fun with it, by dancing and shouting
and thus enjoying a freedom that they did not have before. Now that they have
confessed to witchcraft, they are ‘allowed’ to act in such a bizarre way, a
way which would not have be considered as acceptable in society before. Finally, portraying the idea of
the Devil as fun contrasts with the coldness of |
114 |
Hale: I come to do the Devil’s
work. |
This shows how deeply changed Hale
is, as he needs to break commandments in order to the save the lives of
people. This quotation further reinforces the twisted manner of the justice system
in Salem, as the good work that Hale is doing, saving people’s lives, is
called the ‘Devil’s work’. |
118 |
Hathorne: (with great relief
and gratitude) Praise to God, man, praise to God.’ |
This quotation reveals the
hypocrisy of the Salem court, as the Puritans are in fact not pure and rather
shallow, as this quotation represents his desperation for this confession of
Proctor, a desperation not born of his desire for the truth (he is presumably
partly aware that the confession would be a lie) but rather a desire to
prevent people from questioning the judgment of the court. |
124 |
I have given you my soul; leave me
my name! |
This quotation reflects Proctor’s unwillingness
to sign the confession and his desire not to dishonor his fellow prisoners,
as he would not be able to live with himself knowing that other innocents
died whilst he lived. It is ultimately his inability to live with himself if
he lies that convinces Proctor that he is a good enough man to die. |
Key Moments:
One key moment for the motif of
Religion in ‘The Crucible’ is when Hale states that he has ‘Come to do the
Devil’s work.’ This section is important as it firstly highlights the
transformation Hale has gone through in the course of the play, by changing from
an expert of witches to denouncing the court. The struggle and conversion that
Hale encounters suggests elements of heroism as he has come to realize the absurdity
of the situation and further sacrifices his name and his job, which depended on
his belief in the existence of witches, in order to do the right thing. Furthermore,
Hale is possibly a model for what Miller wants the average American to do: they
should realize the madness of McCarthyism. Moreover, the twisted and impure practice
of religion in
Another key quotation is ‘It is
impossible for most men to conceive of a morality within sin as of an earth
without ‘sky.’ Much of the narrator’s comments during the introduction of
Reverend Hale are significant, reflecting what happened in