A View from the Bridge
Major characters
Eddie Carbone:
Summary:
Eddie is a tragic figure. At no time does he openly confess
his sexual or emotional feelings for his niece, Catherine. Instead his
‘forbidden’ (because he is almost like her father and, moreover, he is married)
desires for her manifest themselves in his fierce protectiveness over her and
his jealousy of other men when they show her attention, most obviously this
includes Rodolpho but also Louis and Mike at the
beginning of the play. As such we see a man torn between his genuine fatherly
feelings of loss as his ‘child’ grows up and gets ready to leave home, his socially
unacceptable desires for Catherine and his (unconscious) awareness that these
are wrong. Eventually this internal tension within Eddie drives him to do
something equally unacceptable when he betrays the whereabouts of Marco and Rodolpho to the U.S. Immigration Department. Clearly Eddie
knows this is unforgivable – hence his denunciation of ‘stool pigeons’ like Vinny Bolzano and his attempts to find a legal way of
stopping Rodolpho and Catherine marrying through his
meetings with the lawyer Alfieri – yet because of his love for Catherine, which
is his ‘fatal flaw’ or weakness, he is driven, almost without choice, to betray
Beatrice’s cousins.
However, Eddie’s desires do not seem to be wholly impure. His
desire to protect her is partly sincere: the slum in
which they live, Red Hook, just opposite the
The tragedy of Eddie’s character is intensified by his
behaviour at the end of the play. Trapped by the social expectations of his
time, as a man, and (worse yet) an Italian man, his reputation is of paramount importance
to Eddie. Marco accuses him of killing his children and betraying his family
and Eddie, although he knows this is the truth, cannot accept this slur on his
‘name’ or his reputation. As such he is forced, once again almost beyond his
will, into the confrontation with Marco that eventually kills him. To add a
further twist there is the additional possibility that, having dishonoured himself and still being unable to fully accept
his feelings for Catherine, Eddie purposefully seeks the fight with Marco in
order to put himself out of misery.
Most strangely, Alfieri (and therefore probably Miller)
seems to view Eddie’s unconscious but absolute dedication to his passions as a
form of heroism. In a world where most of us are ‘quite civilized … quite
American [and] we settle for half,’ the idea of someone capable of being torn
apart by the force of their overwhelming passions has come to seem quite attractive
in a sensible world where most of us are, like Alfieri’s practice, ‘entirely
unromantic’.
Quotations:
Page No |
Quotation |
Explanation |
12 |
‘Eddie has appeared … h is forty – a husky, slightly
overweight longshoreman.’ |
|
13 |
On seeing Catherine ‘Eddie is pleased and therefore shy
about it.’ |
|
14 |
Talking about Catherine’s skirt Eddie says: ‘I think it’s
too short ain’t it?’ ‘You’re walking wavy.’ ‘The
heads are turnin’ like windmills.’ ‘You ain’t all the girls.’ ‘Katie, I promised your mother on her deathbed. I’m
responsible for you. You’re just a baby.’ |
|
16 |
With regards to Beatrice helping out her family ‘As soon
as you see a tired relative, I end up on the floor.’ |
|
17 |
‘If everybody keeps their mouth shut, nothin’
can happen.’ |
|
17 |
Only when it’s clear that Marco and Rodolpho
will ‘pay for their board’ does Eddie say ‘It’s an honour’ to have them stay
at his house. |
|
18 |
Eddie quickly interrupts when he hears about Catherine’s
job ‘No - no, you gonna finish school.’ However,
when told that Catherine is the best student in the school he proudly
comments ‘Sure she’s the best.’ |
|
19 |
Eddies insists that Catherine’s job ‘ain’t
what I wanted, though.’ ‘I want you to be with different kind of people.
Maybe a lawyers office, some place in and comes up with fairly feeble
excuses like ‘I don’t like that neighbourhood’ to prevent Catherine from
working. |
|
20 |
Beatrice points out that Eddie is always holding Catherine
back (on p.17 she says ‘She’s seventeen years old, you gonna
keep her in the house all her life?’) Then on p.20 she says ‘First it was gonna be when she graduated high school – so she
graduated high school. Then it was gonna be when
she learned stenographer, so she learned stenographer.’ |
|
21 |
When he allows Catherine to go to work ‘he is affected by
her [tears and then gratitude] but smiles the emotion away.’ |
|
21 |
Eddie’s advice is ‘Don’t trust nobody.’
‘Most people ain’t people. She’s goin’ to work plumbers; they’ll chew her to pieces if she
don’t watch out.’ ‘The less you trust, the less
you’ll be sorry.’ |
|
23 |
When talking about Marco and Rodolpho
staying at their house Eddie forcefully reminds the two women ‘I don’t care
what the question is. You – don’t – know – nothin’.’ |
|
26 |
Alfieri says of Eddie ‘He was as good a man as he had to
be in a life that was hard and even. |
|
27 |
On seeing Marco for the first time Eddie says ‘Marco, we
got plenty of room here.’ and insists ‘Oh, no’ to Marco’s offer to leave |
|
29 |
Eddie takes a virtually instant dislike to Rodolpho ‘[he is coming more and more to address Marco
only]’ |
|
32 |
Eddie stops Rodolpho singing
‘Hey, kid – hey, wait a minute.’ on the pretext that someone will hear. |
|
33 |
Eddie makes Catherine change her shows ‘What’s
the high heels for, Garbo?’ ‘[he is sizing up Rodolpho and
there is concealed suspicion.’ |
|
34 |
Eddie objects to Rodolpho and
Catherine dating ‘They must’ve seen every picture in |
|
35 |
Eddie dislikes Rodolpho and tells
Beatrice that ‘He’s like a weird’ and that ‘For that character, I didn’t
bring her up.’ |
|
36 |
When Beatrice tries to discuss their sex-life with Eddie
he says ‘I can’t. I can’t talk about it’ and ‘I ain’t got nothin’ to say about
it.’ The stage directions are ‘[She stands for a moment; he is looking
off; she turns to go into the house.]’ |
|
37 |
In conversation with Louis and Mike, Eddie says ‘They
don’t bother me, don’t cost me nuttin’.’ and, in
defence of Rodolpho says ‘he’s just a kid, that’s
all.’ but Eddie is ‘uncomfortably grinning’ and ‘troubled.’ |
|
38 |
When Eddie challenges Catherine over which cinema they
went to and why they are so late back, she is angry and Eddie is ‘Retreating
before her anger.’ He ‘can’t help smiling at the sight of her.’ And ‘smiles
unwillingly’ at Rodolpho’s surprise at the lack of
fountains in |
|
38 |
Eddie says |
|
39 |
When Eddie talks to Catherine he is ‘Enveloping her with
his eyes.’ |
|
40 |
Eddie complains to Catherine ‘I used to come home and you was always there. Now, I turn around, you’re a big girl
[smiling sadly]’ and ‘He looks at her like a lost boy.’ |
|
41 |
When Catherine doesn’t believe Eddie after he tells her
that Rodolpho is only marrying her for immigration
papers he says ‘Katie, don’t break my heart.’ |
|
42 |
‘In the presence of his wife he makes an awkward gesture
of eroded despair.’ And ‘in guilt walks out of the house.’ |
|
43 |
Beatrice says ‘Was there ever any fella
he liked for you?’ ‘If it was a prince came here for you it would be no
different.’ |
|
45 |
Alfieri says that ‘a passion … had moved into his body
like a stranger.’ and Eddie sounds desperate when he says ‘I know what’s in
his mind Mr. Alfieri.’ |
|
47 |
Eddie tries to convince Mr. Alfieri that Rodolpho ‘ain’t right.’ and is
indignant when Mr. Alfieri tells him there is no law against Rodolpho Eddie says ‘they’re laughin’ at
him on the piers. I’m ashamed. Paper Doll, they call him.’ |
|
48 |
Eddie’s initial reaction to betraying the cousins to the
Immigration Department is ‘Jesus, no, I wouldn’t do nothin’ about that. I mean –‘ |
|
48 |
Alfieri tries to help Eddie – he says ‘Sometimes … there’s
too much love. Sometimes … it goes where it shouldn’t. There’s too much love
for the niece.’ |
|
49 |
Eddie cries ‘He’s stealing from me!’ |
|
49 |
Eddie is immediately defensive when Mr. Alfieri says ‘She
can’t marry you, can she?’ – he says ‘What are you
talking about … I don’t know what the hell you are talking about.’ |
|
59 |
‘A case of Scotch Whisky skipped from a net while being
unloaded – as a case of Scotch Whisky is inclined to do.’ |
|
63 |
Of Eddie, Rodolpho says ‘If I
take in my hands a little bird. And she grows and wishes to fly. But I will
not let her out of my hands because I love her so much, is that right for me
to do? |
|
63 |
Eddie’s actions are described as sudden. He ‘suddenly’
reaches out for Catherine and kisses her. He ‘suddenly’ kisses Rodolpho |
|
65 |
Rodolpho and Catherine ‘watch helplessly
as [Eddie] leans towards them over the table.’ |
|
67 |
‘I want to report something. Illegal immigrants. Two of
them. That’s right.441 |
|
68 |
‘I don’t like the way you talk to me, B.’ ‘I want my
respect.’ Eddie says with barely controlled violence as he ‘[moves about
biting his lip.]’ |
|
69 |
Eddie says ‘I want my respect, Beatrice, and you know what
I’m talkin’ about …[finally
his resolution hardens]: What I feel like doin’ in
the bed and what I don’t feel like doin’. ‘Don’t
tell me okay, okay, I’m tellin’ you the truth. A wife
is supposed to believe the husband. If I tell you that guy ain’t right don’t tell me he is right.’ |
|
69 |
Eddie says ‘I don’t go around makin’
accusations. He give me the heeby jeebies the first minute I seen him.’ |
|
70 |
Of Catherine, Eddie says: ‘B, she’s a baby, how is she gonna know what she likes.’ But in response Beatrice says
‘Well, you kept her a baby.’ |
|
71 |
Eddie eventually accepts that he has to let Catherine grow
up. He says ‘I only wanted the best for you, Katie.’ and admits ‘maybe I kept
you home too much.’ He even tries to get her to realise that there are other
men ‘Maybe you’ll get around a little bit … maybe in a couple of months
you’ll see different.’ |
|
73 |
Eddie panics when he realises
that Lipari’s family will be caught (or perhaps when
he realises what he has done) ‘Will you stop
arguing with me and get them out.’ ‘I never told you nothin’
in my life that wasn’t for your own good.’ |
|
74 |
Beatrice realises what he has
done, says ‘Oh, Jesus, Eddie.’ and ‘[looks at him now and sees his terror.] |
|
77 |
Marco accuses him ‘That one! He killed my children! That
one stole the food from my children.’ Eddie responds ‘He’s gonna take that. He’s gonna
take that back or I’ll kill him. You hear? I’ll kill him! I’ll kill him!’ |
|
78 |
Catherine says ‘No one’s gonna
talk to him again if he lives to be a hundred,’ |
|
80 |
Eddie tells Beatrice ‘You walk out that door to that weddin’, you ain’t commin’ back here.’ and he insists ‘I want my respect.’
He finally threatens her ‘You be on my side or on their side, that’s all.’ |
|
81 |
Catherine says ‘He’s a rat. He belongs in the sewer!’ ‘He
bites people when they sleep! He comes when nobodies lookin’
and poisons decent people. In the garbage, he belongs.’ |
|
82 |
‘I want my name! He [Rodolpho]
didn’t take my name; he’s only a punk. Marco’s got my name.’ |
|
84 |
Eddie yells at Marco ‘’Wipin’
the neighbourhood with my name like a dirty rag! I want my name, Marco. Mow gimme my name … tell them what a liar you are. |
|
84 |
Eddie ‘springs a knife into his hand’ when fighting an un-armed
man. |
|