Anna Akhmatova
Born: 1889
Lived:
Died: 1966
Key
Biographical Details:
·
Her father abandoned her and her family when she was 16;
·
Her first book of poems, ‘Evening’, was published in 1912;
·
Married the poet Nikolai Gumilev in 1910 with
whom she had a son, Lev, but it was an unhappy marriage and in 1911 / 1912 he
travelled to
·
She quickly married again, this time to Vladimir Shileiko,
but they separated only 2 years later in 1920;
·
She lived during the Russian Revolution (1917), and in particular the
‘Red Terror’ (1918 – 1922) where Lenin’s Communist government were trying to
wipe out all traces of the old Russian culture, including literature;
·
She also lived during Stalin’s dictatorship (1924 – 1953) at a time when
police repression, forced industrialisation and new economic policies were
creating mass hunger, poverty and suffering throughout
·
When her first husband, Gumilev, was executed
in 1921 for being a traitor, she was labelled anti-Communist and was
unofficially banned from publication. As a result she and her family were
persecuted periodically for the next 30 years: her son, Lev, was imprisoned twice
(in the 1930’s and again from 1949 to 1956) and her third husband, Nikolai Punin, was taken to a Siberian labour camp where he died in
1953;
·
However, after Stalin’s death she gradually became reaccepted into the
Russian literary scene.
Major Themes:
·
Love, although mainly frustrated and tragic love and her early poems
usually picture a man and a woman involved in the most poignant or ambiguous
moments of their relationship;
·
Her poetry is also a reaction against the horror of the Stalinist regime
and she is viewed by many as a witness to the suffering and persecution of life
in the
·
As a result of her own experience of persecution her poems reveal a
sense of connectedness with the suffering of her country, which perhaps
explains why she did not abandon it and emigrate like so many of her
contemporaries did;
Style:
·
Her poems are concise, taut, emotionally constrained;
·
She writes in a lucid, honest, candid style and avoids vague symbols (a
kind of writing known as Acmeism) that makes her work
beautifully clear and suggests a kind of quiet strength;
·
Akhmatova employs a conversational style filled with simple language and
every day speech that makes her poetry seem personal or confessional and enabled
her to appeal to that wide cross-section of Russian people who had experienced
the same horrific conditions as she under Communism.
Summary:
Akhmatova’s life spanned the time
between the pre-Revolutionary and post-Stalin eras of Russian history. Despite
terrible persecution and censorship by the State, her poetry gave voice to the
Russian people during times of great upheaval in Russian society. She did so
with verse that is original and strikingly modern. Akhmatova outlived her
persecutors, and her life has become a symbol of truth and integrity.
When the American national poet Robert Frost
visited her in 1962, Akhmatova said: "I've had everything – poverty,
prison lines, fear, poems remembered only by heart, and burnt poems. And humiliation and grief. And you don't know anything about
this and wouldn't be able to understand it if I told you..." but her
poetry is able to give us at least a glimpse of the momentous and horrifying
times that she lived through.