Thwarted Lovers
The motif of thwarted lovers is
employed by Eliot throughout the Wasteland to echo the absence of spiritual and
emotional love that he sees in the modern world, as a result the love that Eliot
usually presents us with in the poem is barren and impotent or in some way
crude or base. The first indication of this can be seen in the Hyacinth girl in
the Burial of the Dead and the faltering and fractured conversations between
the male and female figures in A Game of Chess. However, the clearest example
that love has been replaced by lust can be found in the meaningless sexual
relationship between the secretary and the carbuncular young man in ‘The Fire
Sermon’, the allusion to the Rape of Philomel and the
references to prostitution in the song about Mrs. Porter.
Some commentators have argued that
Eliot’s disillusionment with love is a result of the death of Jean Verdenal, a friend of Eliot’s who perished in the trenches
at Gallipoli in World War One. Verdenal and Eliot met
at the Sorbonne and the two are sometimes thought to have shared a homosexual
relationship. Whether or not this biographical reading is accurate, there are
at least three other clear references to thwarted love that surface at
different parts of the poem.
Tristan and Isolde:
In the Wasteland Eliot alludes to
Wagner’s operatic version of the story of Tristan and Isolde.
The plot is briefly as follows: Tristan, having lost his parents in infancy,
has been reared at the court of his uncle, Marke,
King of Cornwall. Marke wants to marry Isolde, the daughter of the Irish King, and he sends
Tristan to
Wagner’s opera opens on board the boat
which is bringing Tristan and Isolde back to
Dido and Aeneas:
On his way to
Anthony and Cleopatra:
Mark Antony, one of the three rulers
of the Roman Empire, spends his time in
Eventually, Anthony’s first wife
dies and he returns to
The Rape of Philomel:
In the ‘Metamorphosis’, Ovid tells
the story of the two sisters Philomel and Procne. Procne was married to
King Tereus but he also desired her sister. Unable to
control his passion and lust, Tereus raped Philomel and in order to prevent her from telling anyone
about his terrible crime, Tereus cut out her tongue.
Ultimately Philomel weaves the story into a tapestry
to tell her sister the awful truth and in order to revenge her sister, Procne kills Tereus; son and
feeds him to Tereus who does not know what he is
eating. When Tereus finds out what has happened, the
two girls flee and Tereus pursues them and the Gods
help Philomel to escape by transforming her into a
Nightingale. The legend goes that today the nightingale, the bird Philomela was
transformed into, cries “Tereu, tereu,”
to let the world know the name of her assailant.
The allusion to rape may be meant to
act as condemnation of lust and how it has taken place of the love that he should
have had for his wife. Perhaps Eliot wants to show the lack of restraint and
lack of sense of responsibility that Tereus had by
betraying his wife, which would parallel the lack of restraint and
responsibility that he sees around him in post-war Europe.