Chronicle of a Death
Foretold: Chapter Notes - Chapter 4
Summary:
·
The reader learns of the autopsy
performed on Santiago Nasar by Father Carmen Amador in the absence of Dr.
Dionisio Iguarán. The body of Nasar was disfigured by dogs which led to an
autopsy being ordered by the mayor immediately.
·
The autopsy ‘was a massacre’ (pg.
75) and ‘it was as if [they] killed him all over again after he was dead’ (pg.
72). The autopsy report was included as a piece of evidence however Dr.
Dionisio Iguarán questioned the reliability of the report.
·
After the autopsy he was buried
quickly ‘because he was in such bad shape’ (pg. 77).
·
María Alejandrina Cervantes’ love
for Nasar is consolidated for the reader when they learn of her mourning.
·
The Vicario brothers were haunted by
the memory of Nasar and ‘they couldn’t rest because as soon as they began to
fall asleep they would begin to commit the crime all over again’. However, they
were convinced that they had nothing to repent.
·
Due to the fear that the townspeople
would want revenge, the Vicario family was moved to another town.
·
Bayardo San Román was seen as the
victim and was found in a state of intoxication. His mother and sisters came to
the house and took him away leaving the townspeople with ‘the memory of a
victim’ (pg. 86).
·
Angela Vicario had ‘ended up
understanding her own life’ (pg. 90) and ‘had nothing in common with the person
who had been obliged to marry without love at the age of twenty’ (pg. 90).
Although she related her side of the story to the narrator, she refused to
disclose ‘who was the real cause of her damage’ (pg. 90).
·
After seeing Bayardo San Román going
out of a hotel Angela ‘went crazy over him’ (pg. 93) and began writing him
letters comforted by the thought he was getting them.
·
Bayardo San Román appeared at the
doorstep of Angela with the almost 2000 unopened letters she had sent to him.
Motifs and
Connotations:
Weapons
Within this
chapter the reader witnesses the damage caused to Santiago Nasar by the knives.
The knives represent a violent death which is also backed up by the multiple
stab wounds that were inflicted on Nasar. ‘Seven of the several wounds were
fatal’ (pg. 75) and both his liver and pancreas were destroyed. In addition,
the knives are a symbol of the premeditated death and the ‘ferocity of Santiago
Nasar’s fate’ (pg. 78). The knives are also a symbol of a regained honour for
Angela Vicario as by bringing about death they brought back her lost honour.
Furthermore, the motif of weapons extends to the ‘few instruments for minor
surgery’ (pg. 75) as well as the ‘craftsmen’s tools’ (pg. 75) that were used to
perform the autopsy. According to the narrator, ‘they gave us back a completely
different body’ (pg. 76) as ‘half of the cranium had been destroyed by the
trepanation’ (pg. 76). This illustrates how these tools served as a weapon for
destroying the identity of Santiago Nasar. It was described as ‘an empty shell’
by the time they were done with it and therefore effectively without an
identity. Moreover, there is the presence of Angela Vicario’s small valise that
contained ‘the old wives’ artifices she had been instructed in so as to deceive
her husband’ (pg.86). In this case the weapon is a symbol of deceit and social
expectations. It was this weapon that sparked the death of Nasar. This motif is
essential to the development of the plot as it depicts the brutality of the
death of Nasar and the loss of identity that it brought with it. In addition,
it reflects the deceit and social expectations that sparked the death of Nasar.
Dreams
The motif of
dreams is prominent within this chapter as we learn of the vicious nightmares
that the Vicario brothers have. The Vicario brothers had ‘gone three nights
without sleep, but they couldn’t rest because as soon as they began to fall
asleep they would commit the crime all over again’ (pg. 79). This clearly
depicts that the dreams they were having reflected and symbolised their
conscience as they were not able to escape the murder they committed. Despite
the fact that they were convinced ‘they had nothing to repent’ (pg. 83) Pedro
Vicario remained ‘awake for eleven months’ (pg. 80). This reflects a change in
the perception of the Vicario brothers as it is evident that they feel some
subconscious remorse for the crime they committed.
Social and religious ceremonies/events
Social and
religious ceremonies/events are prominent throughout the novel. The body of
Santiago Nasar was ‘exposed to public view’ (pg. 73) and there were ‘so many
people anxious to view it’ (pg. 73) illustrating that death is a public event
and social custom. The autopsy was also a public spectacle with curious
onlookers ‘ranged about the schoolhouse windows’ (pg. 76). These illustrate the
expectations that society has in particular circumstances.
Animals
The presence
of the dogs within this chapter increase the uneasiness felt by the narrator
and those around him. This is due to the fact that they are ‘aroused by the
smell of death’ (pg. 73) and ‘want to eat {Nasar’s] guts’ (pg.74). The dogs
could be said to serve as a parallel to society and the Vicario brothers as
they too want blood and have to be held off ‘with a beam’ (pg. 73). In addition
they reiterate the brutality of the death and after their rampage Nasar began
to take on a ‘hostile expression’ (pg. 74).
Letters, writings and documents
Chronicle of
a Death Foretold is in itself a document as it recounts the death of Santiago
Nasar as well as attempts to piece together the story and the moments leading
up to his death. The reliability of this is sometimes questionable due to the
lack of fact and abundance of individual interpretation. Within this chapter
the autopsy report is seen as a piece of documentation. This autopsy had no
legal standing due to the fact that it was not carried out by a doctor or
specialist. However, ‘the investigator incorporated it in the brief as a useful
piece of evidence’ (pg.75). This gives the investigator’s report an air of
unreliability as the autopsy report was also treated as inaccurate by the
doctor. These pieces of documentation symbolise fact however, at times their reliability
is called into question. Furthermore, there is the presence of the almost 2,000
letters written by Angela to Bayardo San Román. The presence of this motif
could be said to symbolise Angela’s change as a person; ‘she became lucid,
overbearing, mistress of her own free will, and she became a virgin again just
for him, and she ecognized no other authority than her own nor any other
service than that of her obsession’ (pg. 94).
Santiago Nasar as a representative of Christ
During the
autopsy report it was found that Santiago Nasar ‘had a deep stab in his right
hand’ which, according to the report, ‘looked like a stigma of the crucified
Christ’ (pg. 76). This motif symbolises how the way in which Christ sacrificed
himself for the sins of the people can be compared to the way in which Santiago
Nasar effectively sacrificed himself for society and to give Angela Vicario
back her honour.
Themes:
Honour, obligation and social expectation
Within this
chapter, the theme of honour, obligation and social expectation is present. In
the jail cell, the Vicario brothers were ‘comforted by the honour of having
done their duty’ (pg. 79) as well as having restored their sister’s honour by
murdering the person that had tainted her. This was expected by society as was the
lack of remorse felt by the brothers as they felt ‘they had nothing to repent’
(pg.83). Furthermore, the fact that Angela was dressed in ‘bright red so nobody
might think she was mourning her secret lover’ (pg. 83) illustrates the social
expectations enforced upon society. This theme illustrates the strict social
expectations that society maintains.
Uncertainty, ambiguity and mystery
There is
uncertainty, ambiguity and mystery shrouded around Chronicle of a Death
Foretold due to the lack of fact and abundance of personal interpretation
resulting in many of the documents being called into question. In addition,
there remains uncertainty and mystery over who Angela actually lost her
virginity to. ‘There was one item would never be cleared up: who was the real
cause of her damage and how and why, because no one believed that it had really
been Santiago Nasar’ (pg. 90). This uncertainty, ambiguity and mystery allows
the reader to have a certain amount of freedom of thought and the ability to
put their own views into the story which is already made up of mostly opinions.
Responsibility as a society and an individual
It is simple
to say that the responsibility of the death lays solely on the shoulders of the
murderers – the Vicario brothers. However, there is a large amount of
collective responsibility that could be placed on the whole of society. It was
a ‘death for which we all could have been to blame’ (pg. 82) according to the
narrator. This motif reflects the way in which the majority of the characters went
about their daily lives and did not feel any sole responsibility for the death
despite the fact they had a chance to stop it.
Imagery:
Throughout
the chapter there are images of death and decay. An example of this is the
description of the body; ‘in the afternoon a syrup-coloured liquid began to
flow from the wounds, drawing flies, and a purple blotch appeared on his upper
lip and spread out very slowly like the shadow of a cloud on water, up to his
hairline’ (pg. 74). The shadow illustrates that there is no more life in his
body and symbolises the period of mourning.
Characters:
The fact
that there are so many characters that are seen throughout the novel depicts
that the truth is dispersed amongst everybody. This makes it clear how
difficult it is to discover the truth. It also illustrates the unreliability of
the story due to many different perspectives as well as that it is impossible
to come up with one view. In addition, it creates a social hierarchy and is
realistic as life is a myriad of different people.
Within the
chapter the reader feels sympathy for the narrator who is mourning and
attempting to make sense of his friend’s death. In addition he demonstrates a
need to understand and gather the facts about his friend’s death. However, the
fact that he is fraternizing with Nasar’s lover, María Alejandrina Cervantes,
evokes a feeling of disloyalty and distrust.
Furthermore,
the reader feels a great deal of sympathy towards Bayardo San Román who is seen
as the victim throughout the story and is often forgotten about. The reader may
also feel a sense of high regard when he shows up at the doorstep of Angela
Vicario. In addition the reader may feel a newfound sense of respect towards
Angela Vicario as she is able to change and ‘she became lucid, overbearing,
mistress of her own free will, and she became a virgin again just for him, and
she recognised no other authority than her own nor any other service than that
of her obsession’ (pg. 94). However, there may also be a sense of bitterness as
it was essentially her who sealed the fate of Santiago Nasar.
Despite the
fact that the Vicario brothers were convinced ‘they had nothing to repent’ (pg.
83) and undeniably murdered Santiago Nasar, a feeling of sympathy may be felt
towards them as they were effectively obliged to carry out the task due to
society’s expectations.
Setting:
The novel is
set in a small town which shows the restricting nature of society. As the
settings change within the chapter it illustrates the unfolding of a sequence
of events.
Narrative
Style/Structure:
The novel is
written from the point of view of the narrator who is attempting to construct
the story and piece together the last day of his friend’s life however he is
met with uncertainty as well as different points of view. The fact that there
are many characters within the story each with their own slightly different
recollection of the events is a metaphor for reading. It depicts how many
different points within a story where there can be different interpretations,
views and perspectives. In addition, the people within the story are influenced
by knowledge and hindsight, therefore affecting the reliability of the story.
Similarly we, the reader, are put in the same positions as we know of the death
at the beginning of the novel and therefore attempt to read more into it.
Furthermore, the fact that the narrator remains unnamed throughout the story
gives him a sense of objectivity and reliability and separates him from the
rest of the characters making him seem removed from the story and as if he is
watching in from the outside. However, he is in fact more involved than most of
the other characters. This style of narration often calls the reliability of
the chronicle into question due to the many different perspectives.
Unity of Part to the Whole
(Development):
Ultimately
chapter 4 is essential to the plot as it reiterates the sense of uncertainty,
ambiguity and mystery that the novel is shrouded in as well as demonstrates
society’s expectations and the consequences of carrying out what one is obliged
to. A sense of death is prominent throughout the chapter. In addition, it
builds up tension as to how exactly Santiago Nasar died.