Kiss of the
Spider Woman: Chapter Notes - Chapter 10
Summary:
·
Valentin wakes up feeling better after not
eating prison food and Molina’s “mother’s” food.
·
Valentin
fails to study. Molina prepares lunch and continues with story of the zombies
on the island.
·
The
housekeeper reveals truth about the husband’s childhood, his father was owner
of a banana plantation and exploited workers.
·
The
witch doctor killed them with special poison, creating zombies. The husband
killed the zombies after father died but the witch doctor blackmailed his wife
causing the husband to find her cheating on him and killed her. The husband
then allowed the zombies to work after promise of keeping this secret by witch
doctor about murder of his first wife.
·
The
housekeeper was former wife of witch doctor
·
The
wife and majordomo go looking for husband in the forest.
·
The
story stops when wife hears singing and chanting of the voodoo tribe
·
The
thoughts of Molina and Valentin break constantly into the story interrupting it
·
Valentin
wakes up and Molina surprises him with marble cake
·
Valentin
becomes angry because Molina is taking too much care of him. He knocks over the
kerosene, tea, plate etc. making Molina become quiet while Valentin apologizes,
and retrieves water for Molina in order to make it up to him.
Themes and Motifs:
Relationship between Molina and Valentin
·
Relationship
between them appears to be closer now than at the beginning of story as both of
them open up to one another more- Molina about his mother [“You know, with my
mom, poor dear…”] and Valentin’s relaxation around
Molina [“No because you’ll start laughing”]
·
Though
it appears to be close at first, Molina is still fake and deceptive as
he lies about his mother’s visit and lawyer’s proposition for a good conduct
let out. [“… my
lawyer today, and my mom’ll probably show up with him
like usual…”]
·
You
could see that Valentin needs Molina more than he needs him. He avoids the
comment about Molina being paid a visit by her lawyer about him getting out of
prison [“Say if I get out…who knows what you’ll wind up with for a cellmate”-
“Have you had your breakfast Molina?”]. He doesn’t want to acknowledge the fact
that he actually depends slightly upon Molina’s care during his sickness and
brushes off the thought by avoiding it.
·
Though
appear to be closer, Valentin is still aware of Molina’s homosexuality
and thus is still pretty stiff about it. [“So look the other way will you? You
make me feel self-conscious… ”] He is also still secretive about his political
activities, even though he has told Molina about his romantic life [“Nothing.
Political stuff” “Boy are you communicative…”]
·
“I’m
sorry… Molina please forgive my dam temper…And please forgive me honestly?” In
comparison to the beginning when Valentin hasn’t soften and become close to
Valentin, if any kind of argument, he wouldn’t be begging or asking
repetitively for forgiveness from Molina. Valentin gives his argument
during the beginning of the novel in fights of why he said mean things, but here, he doesn’t defend himself but rather assumes he is in
the wrong, which shows relationship is more meaningful and closer in Valentin’s opinion. (pg. 194)
Uncertainty
and Confusion
·
Throughout
Molina’s story, there are thoughts that interrupt it from both Molina himself
and Valentin as well about their personal lives. This creates confusion and
uncertainty about their lives as the readers read bits and pieces of their
scrambled thoughts. Valentin’s thoughts seem to be
the most confusing as it just lists animals and then suddenly switches to about
a girl whom is suppose to in church.
·
Valentin
describes-thought form- about a girl being guillotined-we are unsure whether
this is from a personal experience or news he heard through letters from his
comrades. [“…who gave the order to have her guillotined? The learned
executioner obeys an order which comes from no one knows where…”]
·
Puig presents the characters’ thoughts
scrambled and chopped up to obviously point out to us about how unrealistic
most novels structure it and how we usually fill in the gaps ourselves.
Power
and Superiority
·
At
first, Molina is in control as he forcefully pushes Valentin to have some tea
for his sake; even though Valentin refuses, he eventually accepts, giving
Molina the power. [“You have to learn to accept from people too, you know. And
anyhow, why be so complicated?” “Okay, then”] - Valentin gives in with no
choice and a lost argument.
·
From
the beginning until the end, Molina is overall in control of Valentin. He is
the one who is telling him the story that Valentin is interested and curious
about.
·
Valentin,
[I think] tries to regain some control as he refuses to do what Molina tells
him and causes an accidentà where food and lamp spills. The
power is then switched to Molina as he is the one whom is hurt while Valentin
tries to apologize to him and make him forgive him.
Political
Propaganda
·
The
short history of the husbands’ father and how he exploited the workers on the
banana plantation relates to Valentin’s purpose in
life. [“…he came to the island to get
himself rich and started off by treating his peons like dirt”]
Feminine
Female Figures
·
The
woman in the story is portrayed as the good wife who wants to protect her
husband, but somehow does the opposite as she goes off to investigate the
abandoned house to help cure her husband’s misery
·
The
1st wife of the husband is portrayed as the savior for the
husband as she spared his life from the witch doctor. Though the husband might
have seen her then as evil-the betrayer of him.
·
“But,
hey, can’t I just coddle you a little bit?...” This
emphasizes more that Molina relates and believe that he, himself is a woman who
needs to take care of a man and is the ‘motherly figure’ between the two of
them in the cell. (pg. 193)
Masculine
Male Figures
·
The
story is called the zombie woman, but in the story, the housekeeper tells the
wife that there isn’t a zombie that is a girl (usually). This means that most
of the zombies created were male figures since they were fit to be exploited
for working on the banana plantation.
·
“Something
on any healthy man, that’s all, especially when he first wakes up… and has a
little energy in the morning”- Suggests Valentin is hinting or stating that he
is healthy again; like a strong, macho man who doesn’t need any more nursing
from his mom (Molina). Likes to acknowledge the fact that he is strong and in
control once again, spirit alive and strong. (p. 182)
·
“But
this is the last day I allow any of
this”- Suggests that Valentin is aware of how ‘weak’ (in his mind) he has
become, being used to these delicious food and not dealing with the pain and
giving in to comfort and happiness. This shows how he wants to return
back to his normal routine of being strong and doing manly stuff and taking the
pain like the alpha male. (pg. 193)
Characters:
Molina
·
Molina
continues to lie about his visits with the lawyer and his attempt to retrieve
information from Valentin through his lies about his mother’s visit and food.
We see a side of Molina which is still as romantic as ever as he continues on
to Valentin about the zombie story. From his chopped up thoughts we are given a
glimpse of his life or memory, outside prison, about some facility where people
never come back after being nursed. Molina shows more care to Valentin about
his health as he refuses coffee from the guard for Valentin and gives up
his tea for him. We are also reminded about how much Molina is a girl and that
they are extremely sensitive-as Valentin knocks the things over and Molina is
hurt by his sudden harsh command.
Valentin
·
In
this chapter we see Valentin happier and less cynical as he recovers from his
illness. He doesn’t insult Molina’s stories but rather asks her to continue on.
[“What about the film? Give me a break…” and Molina’s response “You’re really
into it, aren’t you? Admit it”]. Doesn’t like the fact someone is controlling
his life- “I don’t like anybody running my life for me” and soon tries to
regain the control back from Molina after Molina tries to ‘coddle’ him. We also
see a weak, sort of caring side of him as he apologizes to Molina and tries to
make him forgive him by fetching water-he is powerless.
·
“You
have to learn to accept from people too, you know. And anyhow, why be so
complicated?”- Constructive criticism from Molina (rare) and it is ever rarer
that Valentin accepts it without presenting an argument to backfire. This shows
that relationship between them has grown and developed to being close friends.
(pg. 183)
Setting:
The setting is still the same from
previous chapters-set in a cell. The setting changes only when we read about
Molina’s story of the zombie girl. He tells Valentin about the girl and the
abandon house and the ‘thick jungle’ with the tribal village of voodoo people
as well.
Narrative Style:
Puig style is the same like in the
beginning of the novel; dialogues between Molina and Valentin. The story being
told continues in one big paragraph, unless there is an interruption or a
comment from the other person listening. The interrupted scrambled thoughts
from both sides make the story a bit more confusing, but not new as we have
seen this style in previous chapters.