Kiss of the
Spider Woman: Chapter Notes - Chapter 13
Summary:
·
They discuss about what is happening in the outside world;
this has never happened before.
·
They’re food supply is running low and Valentin
asks Molina when it was “since you got the last package?”
·
They are both happy and feel “out of danger.”
·
Valentin is much more open, and
is more understanding of homosexuals than in previous chapters.
·
The story about the reporter and the woman continues. Molina
refrains from continuing as it really gets him “down.”
·
Molina is worried about not being with his mother, but also
worried that no one will be looking after Valentin.
Gaps and silences
·
Awkwardness/reluctance: “I still…can feel…how you touch me.”
“…” (235) This shows Molina’s reluctance to talk about
the subject, perhaps to prevent Valentin from feeling
uncomfortable. This shows a sense of care and makes the reader forgive Molina
of some of his treachery. It seems like Molina was forced into aiding the
warden, in order to take care of his mother. This sense of reluctance is also
seen in, “I want to tell you something…but don’t laugh” and is present
throughout the chapter although the reluctance swaps from Molina to Valentin “you don’t have to be…I don’t know…a martyr.”
·
During the story, “…”(237)
represent, at times, lyrics and therefore are meant to show how the note is
held on.
·
“Mmm…” (243) the response given by
Molina is not concrete, it is quite uncertain. This is perhaps to show that
Molina does not agree with Valentin that he is in
fact he is “as much a man as I am.”
·
pg. 239 “dot, dot, dot”, isn’t a gap in the text, but is gap
in the narration; Molina uses this instead of saying that she sleeps with him.
This emphasises his ideolised
woman; she is the heroine and therefore she cannot be promiscuous. He doesn’t
want to taint his image of her with doing something awful.
Betrayal /Lies
·
Reference back to the “package” of food reminds us of the
fact that Molina is a traitor.
·
“…” “No.” (235) When Molina asks Valentin if it “bothers” him to say “things like that” he
says no, although the ellipsis that is shown previously seems to imply
otherwise. Seems as if Valentin is lying to protect
Molina’s feelings. It could be interpreted as a better relationship between the
two or as Valentin being afraid to show his true
emotions, that they may be seen as having homosexual tendencies.
Real men & Feminine Females
·
The reporter in the story: He feels that he must leave the
woman, as he sees that he is a “burden” on her. Masculine trait to leave when
situations aren’t ideal.
·
In Molina’s opinion, a man must “give orders” to show that
he is “man of the house.” Valentin disagrees, saying
that the “man” and “woman” should be equal.
Mothers
·
Pg 236. Molina’s worries about his ailing
mother is the driving force behind his treachery. He worries that his
mother will be “all alone” and that he needs to leave jail for “the sake of my
mother’s health.” This makes readers empathise with
Molina. This explains his interactions with the warden; it is sometimes unclear
who really has the power-Molina doesn’t need to leave, he states himself that
if he were alone, he would rather never “wake up again.” This shows the power
his mother holds over him.
·
Molina is still acting maternal; and is still the motherly
figure between him and Valentin. It is shown that
Molina is still very worried for his well being when he says, that no one will
be around to “take care of you.” Their relationship is more equal in this
chapter than most; Molina is not so bossy and overprotective.
·
Molina is still acting motherly as he is still the person
constantly worrying whether they have enough food, etc. E.g. Pg. 234 “Boy, not
much left…”
Prison/Entrapment
·
Entrapment of the prison is juxtaposed with the conversation
about the outside world. It reminds the readers that there is a real world
beyond the cell, not just movies and books, which are just varying forms of
escapism. It is something true and real, which hasn’t really been seen before,
as previous chapters have only talked about books and movies (only the chapters
with the warden also show readers about an outside world.)
Power and control
·
We see how much power Molina’s mother has over him; she is
possibly the sole reason for his betrayal of Valentin,
as he says if it were just him, “I wish I wouldn’t wake up ever again.” (236) This shows that his mother is without question, the most
powerful person in his life, as it is uncertain who has the power between
Molina and the warden.
·
Within the movie: the magnate has power and control over the
girl, so much so that he is able to buy the “whole nightclub” and “close it
down, immediately.” (238)
·
Warden and Molina-warden has the ability to put Molina “in
another cell” or give him freedom, depending on whether Molina reveals any
information. This shows the power of the warden over Molina. However, it could
also be interpreted as Molina having power over the warden-it is Molina’s
choice to reveal what he already knows about Valentin
and therefore it is Molina who is forcing the warden’s hand to either free him
or transfer him to another cell.
·
Valentin is once again dependent
upon Molina’s story telling abilities to continue the story about the reporter
and his lover. “I’m listening, go ahead” (238) “Don’t stop” (240) show how
dependant upon the stories Valentin is and that this
form of escapism is just as important to him as his revolutionary books are.
·
Also, on page 235, Valentin has
power over Molina as he has the final say, “we’ll discuss that tomorrow.”
·
Valentin feels more comfortable
around Molina. He is able to talk about homosexuals, even though there are
times when there are still awkward moments (symbolised
by the ellipses.)
Interweaving of different text types
·
The story about the reporter progresses; we learn that the
woman has left the magnate and has now become a prostitute to pay for the rent
on the apartment.
Constructed nature of roles within society
·
In the movie, the power roles are swapped: the woman is the
one providing for the man and the man is the one who is quite helpless. It is
the woman who goes to the hospital to ‘rescue’ him.
·
However, when the woman allows the owner of the
boardinghouse into her apartment, it shows how women are dependent upon men as
the singer needed his money in able to go to the meet the reporter.
·
The reporter is defined by his profession as is the magnate
and all the other characters in the movie. Their names have no importance (in
Molina’s point of view anyway); their jobs force them into specific roles
within society.
The imagery of the outside weather
and its description could be foreshadowing upcoming events, as Molina may be
granted his pardon and released into the real world. Words like “cloudy” are
suitable, as it can show a sense of uncertainty with what is to come. Readers
get the sense that the imagery is unsettling as Molina mentions that humidity
usually makes him “nervous.”
Characters:
Molina and Valentin
have become even closer; Valentin is able to talk
about homosexuality more freely, even though there are still some awkward moments.
Their relationship has progressed further and they seem to both have equal
share of power, even though it is still obvious that Valentin
is very reliant upon Molina and his stories. Also, they have become more
comfortable with each other, as they are once again able to make jokes with
each other. This is apparent on page 236, when Molina states the only thing he
wants is “to die.” Valentin replies by saying, “first you have to finish the film for me.” This shows that
their relationship has strengthened.
Molina still possess maternal
instincts over Valentin, worrying about his food and
whether he will be safe if he were left alone, with no one to “take care” of
him. Molina’s own mother is still shown to have power over her son, and
controlling the decisions and his actions inadvertently.
Similarities between the story that
Molina is telling to Valentin and their own story
seem to be apparent.
Both Molina and Valentin
are still confined within the jail cell but they use the movie as a form of
escapism. Also, the conversation at the beginning of the chapter about the
weather allows there to be more volume within the setting, as although the
prisoners are still confined, there is a mention of the outside world,
something which hasn’t occurred before.
Once again, there is no narrator,
and the movie is described through Molina’s eyes. In this sense, it makes it
unreliable and the fact that the movie is one that Molina himself likes, makes it even more likely that he will over romanticise scenes, and omit ones he doesn’t agree with. For instance, when he says “dot, dot, dot” which is to represent
the woman trading her body for some money in order to meet the reporter who is
in the hospital. He possibly does this as Molina does not want his
heroine (the person he idolises) to be promiscuous
and not be a feminine female. In a sense, his heroine has flaws; to an extent,
this is the same as Molina himself, as he possesses feminine traits but it
marred by the fact that he is betraying Valentin.