Kiss of the Spider Woman:
Chapter Notes - Chapter 6
Summary:
·
Valentin
has no got the “terrible stabbing pains” Molina previously had.
·
Molina
cares and is worried for Valentin, so decides to tell a story he thinks
Valentin will enjoy.
·
The
film is about a boy pushed into car racing by his dad, because he doesn’t
approve of the boy getting involved in a left wing political group. The boy
feels sometimes guilty for having left his mother after their parents divorce.
The father is kidnapped by guerrillas, then eventually killed and the boy ends
up with his mother.
·
We
learn more about Valentin’s family, thus how his
parents were separated and some detail about his mother.
·
The
end of the chapter is Valentin’s dream describing a
woman, a fellow, a mother, a father, a girl, a classmate and then again a
girl.
Themes and Motifs:
Trust and Caring
between the characters
·
Since
Valentin is not feeling well and feels as if “nails
(are) hammered right into (his) stomach”, so Molina shows he cares for him by
narrating a film; “that’s why I picked it… for you, since you don’t feel so
well.”
·
“I
trust you. You trust me, right?” reflects on how the characters have
established a trustful relationship. Valentin starts to open up to Molina by
“letting (him) in on something real” and continues by conveying to him about
his girlfriend and the woman he loves.
Confusion and
uncertainty of the reader and the characters themselves
·
Valentin has a dream, which is a mixture of the story Molina told
him earlier and his own personal thoughts for instance “a woman with knowledge
of Marxism.” This section in the chapter is confusing, as at the start of the
dream the reader isn’t quite sure if they are just thoughts and who is thinking
them. However it then becomes clear it is Valentin thinking them because of the
constant references to “international politics”.
·
Furthermore,
as it is a dream Valentin himself isn’t completely conscious about what he is
thinking, therefore making the reader even more uncertain as to if these
descriptions are what the character depicts as a perfect woman, fellow, mother
father and girl, or if it is just his mixed feelings, thoughts and passed
experience all combined.
Power and superiority
·
The
power each character has over the other one seems to oscillate throughout the
chapter (and the book). Molina seems to be in control, because he is the one
telling the stories to Valentin, thus leading the discussion. Alternatively,
Valentin has greater power, even though he doesn’t talk so much, when he does
say something Molina usually listens and takes his orders; “do as I tell you…”
Female Figures
·
Molina
seems to relate to the woman characters in the stories he tells and describes
them with extreme detail. “Not too tall, some French actress, really stacked,
but at the same time very slender, with a tiny waist, wearing a very fitted
evening dress, really low-cut, and strapless, (…)”
Constructed nature of
stories and realities
·
The
story Molina is narrating is not completely in parallel with their present
reality, however there are some aspects that are the same. For instance, the
left wing boy in the film, has the same political
views as Valentin as the boy’s dad is against his political activity, possibly
reflecting on how Valentin’s mother “never like (his)
ideas”.
·
The
fact that Molina is telling the story and he “can’t even remember where (he)
was at” shows the reader that his source isn’t completely reliable. However the
this unreliability doesn’t seem so critical when describing the films, as the
detail and attention possibly added to the woman characters’ clothes and
hairstyles helps him escape and forget about the awful conditions he is
presently living in.
Characters:
Molina
·
Molina
is the character who recounts previous films he has seen in the past as tool to
escape the harsh reality he is living in. Throughout the chapter, Molina
clearly states he is not a man by stating, “it’s not
one of those films men usually go for” and the questioning of “how do men
always remember all about auto races?” thus meaning he is excluding himself
from the category of “men”.
·
Puig reinforces Molina’s homosexuality to show that it should be accepted in
society, but mainly to bring the reader’s attention to it.
Valentin
·
The
reader finds out why Valentin refuses to go to the infirmary, as it is because
one of his “comrades, they got him hooked on it, and that softened him up and
completely broke his willpower.” This reflects on his strong political views
and his seriousness about the situation, as he took an “oath” like the rest of
the “movement”.
·
“A
political prisoner can’t afford to end up in an infirmary, ever, you
understand?” (p113) “ ‘Don’t start to study’ – ‘But I wasted all morning by
sleeping’ ” These two quotations show how Valentin is committed to his studies
and feels very strongly about his personal political views.
Setting:
·
By
the 6th chapter, the reader is sure that the two main characters are set in a
prison, because of the features that surround them, such as an “infirmary”, a
“bathroom” and “guards”.
·
Moreover,
the story told by Molina explores a new setting, consisting mainly of the auto
racetrack in the south of France (LeMans) and Monte
Carlos in
Narrative Style / Structure:
·
The
start of Chapter 6 begins with a dialogue between Molina and Valentin,
discussing why Valentin should, but doesn’t want to go to the infirmary.
Valentin then opens up and explains a bit more about his strong political
views, therefore little by little informing the reader more about himself and
his own personal history. Molina then recounts a film mostly evolved around
political science, demonstrating his care for Valentin as he is in such pain.
Throughout this chapter, Puig clearly shows the close
relationship built between both characters through their actions to help one
another.
·
Moreover,
the reader finds out more facts about Valentin’s
life, concerning his political views but mostly his mother and the woman he
loves. However, the fact that those ideas weren’t developed in much detail
still makes the reader question about both of the characters’ history.