Kiss of the Spider
Woman: Chapter Notes - Chapter 9
Summary:
·
Molina brings in food and
looks happy to falsely indicate to Valentin that he was just visited by his
mother. He believes Molina and is very excited about all the food.
·
Valentin asks Molina to
tell him about another film he’s seen, particularly a supernatural one which he
would prefer (like ‘The Panther Woman’). Molina obliges and recounts the story
of a zombie woman. Readers learn of the film as well as the two men’s thoughts
which continually interrupt the narrative.
·
Valentin can’t get Marta
off his mind. He dictates a letter to Molina for Marta and for once reveals
his, presumably, true feelings concerning her, the political movement, his
thoughts on being locked up, etc.
·
Molina volunteers to help
Valentin clean himself up.
·
Valentin tears up the
letter.
Themes
and Motifs:
Power and Control
·
After finding out about
how Molina is using Valentin to get information on the political movement,
readers can now see how Molina’s the one in control; by using his words he can
subtly manipulate Valentin and extract information from him. Since he owns the
food, he asserts control over Valentin by deciding what and when he can eat, “I
expect you to eat the chicken…on condition, though, that you don’t touch the
prison chow”. Furthermore, Valentin is both physically and emotionally (he’s
feeling confused and overwhelmed by his feelings for Marta) weaker than Molina,
giving the latter the power to be in charge of the food, telling stories, etc.
·
We can also see the power
men have over women from the zombie woman story – the girl is the one who stays
home most of the time, is the one who’s commanded (“[the husband] tells her
like very rudely…never go near that house”) and who must take care of the
husband (“it’s a job for her to drag him back into the bedroom, where she just
lies down beside him, trying to cheer him up because she loves him”).
Relationships
·
Readers may at first
perceive the relationship between Molina and Valentin as very close, but in
fact this only seems to be true on a physical level – Molina doesn’t mind
cleaning and caring for Valentin. However on an emotional level, the two are
not as close as they first seemed – Valentin mentions “then sometimes, no, I
feel like there’s nothing here in this cell except me…all alone…”, disregarding the fact that Molina is his cellmate. Also,
since Molina is actually trying to extract information from Valentin readers
can see there’s a barrier between the two which won’t allow for a truly close
friendship.
Stereotypical Roles
·
Once again Molina is
playing the motherly role of caring for the weak Valentin, a role he seems to
adopt frequently throughout the whole book, “you be
quiet, you’re convalescing, remember…the sheets are almost dry…chicken is
perfect, it won’t upset your stomach at all”. The way he tells the story of the
zombie woman film before bedtime further portrays him as a stereotypical
mother.
·
The way Valentin becomes
so excited by all the food makes him appear rather child-like and naïve
(because the food is in fact there to make him feel comfortable enough to talk
about his political group). For instance he exclaims, “guava paste!”, asking for permission for “the guava paste, when do I get
to taste it?…just one spoonful? For now?”, and even Molina noticed “how fast
you [Valentin] were eating, like a kid, without even chewing”. This portrayal
of him emphasizes the feminine, caring, motherly figure Molina has taken on.
Uncertainty
·
Throughout the story
which Molina tells and during Valentin’s
interruptions there seems to be a series of phrases in italics, showing how
they’re not part of the film. This surprises, confuses, and makes the readers
wonder what each character is talking about exactly.
·
I think the phrases in
italics are the thoughts which are running through each character’s heads –
they seem to be remembering a story (possibly another film Molina has seen) or
an event (probably applies to Valentin) which appears to be triggered off by
certain parts of the zombie woman tale. [I’ve written out all the italics on
the last attached page so you can better make sense of them as a whole]
Ties between stories
·
The part in the zombie
woman story where we find out “the witch doctors themselves are the ones who kill
them, with a special poison they prepare” appears to be very similar to the
situation within the prison; the warden is the witch doctor who poisons Valentin’s food in order to manipulate him into telling
Molina about his political group.
Characters:
Molina
·
Since we found out about
how Molina has been sent to spy and coax information out of Valentin, readers
can notice subtle phrases which he says to do this which we would’ve
interpreted as politeness before. For example, he encourages Valentin to, “keep
talking, I’m listening”. On the contrary, it’s strange how Molina interrupts
Valentin, “can I interrupt?...I could help you clean
yourself”. We would expect Molina to be very happy inside at how he managed to
extract lots of important information from Valentin, but instead of encouraging
him to keep talking, he abruptly stops him.
·
His personality does
remain the same, with him still being interested in all the particular details
(“the girl…in a very simple tailored dress, but with a beautiful hairdo…a kind
of braid…back then the upsweep was a must on certain occasions, to look really
chic”) and the romance (“words of this song, saying how when it comes to love,
it’s a question of earning it, and at the end of some dark trail, strewn with
all kinds of hardships, love awaits those who struggle to the last in order to
earn that love”) in the film story. Additionally, he’s still the motherly
figure and seems to really care for Valentin, whether this be a genuine feeling
or not.
Valentin
·
As the story progresses
it seems he trusts Molina more and more, because in this chapter it was the
first time he poured his heart out about his feelings for the girl he loves.
Moreover, it appears he has no clue as to Molina’s true intentions and so
continues to confide in and thank him, “you’ve been very kind to me, honestly,
I mean that with all my heart...I expect to be able to show my appreciation, I
swear I will”.
·
Just like with Molina, Valentin’s personality seems to have remained the same –
he’s still the tough ‘man’s man’ (“they tortured me, but sill I didn’t confess
anything”), awkward about expressing his romantic side (“it must be strange for
you…to get this letter. I feel…lonely, I need you so, I want to talk with you,
I want…to be close”), and is still troubled by thoughts of his political
movement and his situation (“I have this fear in me…this terrible fear of
dying…and of it all ending like this”). He remains both physically and
emotionally weak in this chapter, making himself vulnerable and powerless with
Molina.
Imagery
& Setting:
·
A superficially
lighthearted atmosphere is set in the beginning of chapter 9, with Molina
acting like a mother to the excited Valentin. However, readers know all the
food and the fact that Molina accepts the request to tell a story is so he can
make Valentin comfortable enough to tell him more personal information about
himself and the political situation.
·
A sense of uncertainty
lingers as a new story is told by Molina along with the confusing interjection
of thoughts.
·
A rather peaceful setting
and atmosphere is established at the end of the chapter when Molina
acknowledges how “the shadows that the stove’s casting on the wall…helps me
pass the time”. This leaves us imagining the two sitting quietly, watching the
shadows on the wall whilst thinking, just like we are, about events which have
just occurred, the zombie woman story, and each character’s personal memories
and feelings.
Narrative
Style/Structure:
·
The chapter begins with
dialogue between the two protagonists before readers are thrown into another
story (within the story) which Molina tells about the zombie woman. He does a
majority of the talking, but we can see into both characters’ minds because it
appears their thoughts are embedded between the lines of the story as well. Previously,
a glimpse of the characters’ thoughts have given
readers more insight into their personality and feelings, but this time it
further confuses and disorientates us.
·
Towards the end of the
chapter, another style of narrative is used as Valentin dictates a letter to
Molina for Marta – we are in fact reading Valentin’s
thoughts, only this time they’re conveyed through a letter allowing Molina to
observe them as well. This section gives readers a chance to understand just
what has been bothering Valentin for so long, but also allows the spy Molina to
get the information which he, presumably, has been searching for.
·
As usual, there are many
gaps within the narrative which readers are forced to fill in themselves – does
the confession about Marta give Molina the information which he needs, what are
the italic phrases conveying, and does Molina in fact have feelings and truly
cares for Valentin? This reinforces Puig’s of how we
constantly make assumptions which may or may not be entirely correct.
Relation
of Part to Whole:
This
chapter is, like others, full of uncertainty (in both the zombie woman story
and the main story itself) which readers have to make sense of by themselves.
Similar themes and motifs are also explored, namely power and control, relationship between the protagonists,
stereotypical roles, and parallels between the story and the story within the
story. Furthermore, the two main characters behave in much the same manners as
before, but because we now know Molina has been sent to spy on Valentin,
certain phrases take on a whole new meaning in this chapter. For instance, a
simple “what could be wrong with you? Couldn’t it be something else? Besides
the stomach problem, I mean?” from Molina can be interpreted as him trying to
persuade Valentin to share more information with him, as opposed to it being
simple, polite questions which one friend would ask another. Readers are also
forced to reevaluate the men’s relationship, as we now realise Molina may not
be befriending and taking good care of Valentin just because he’s a decent guy.