Kiss of the
Spider Woman: Motif Tracking – Death
Brainstorm:
Explanation:
Many words
come to mind when the word “death” is mentioned. Some of which are already
listed above, others, however aren’t. Words such as wars and illness have ties
within the novel. An example of how illness is incorporated is when we the
readers discover the conspiracy and apparent betrayal of Molina. When he had
the conversation with the warden, the warden is quoted saying, “Was it helpful
to have him weakened physically…” referring to how Valentin was purposefully
fed contaminated rice. War is linked to Valentin’s revolutionary beliefs- the
reason behind his imprisonment. Uncertainty plays a major role within this
novel and it is open to many different interpretations. The use of ellipses
further emphasises the ambiguity and vague agendas. Tears, in this novel is a
sign of weakness. Molina begins to cry upon hearing about his mother’s health
and Valentin’s portrayal
Quotations & Explanations:
Page |
Quotation |
Explanation |
4 |
“Her
fingernails are longish, they’re painted almost black, and the fingers are
white, until the cold begins to turn them slightly blue.” |
The
author uses colors in order to suggest a sense of death. Death is typically
associated with dark colors like black, as well as paler colors such as blue
and white. |
11 |
“…the
snow deadens every sound and noise.” “She’s
shivering, from cold or from fear…” |
The
author uses the environment and surrounds to create a somber and sinister
atmosphere. Similarly, the novel takes place within a prison cell,
representing entrapment and repression of their beliefs. |
39 |
“…but
she’s already ripped his throat open with her claws and the man’s already
fallen to the floor with his blood gushing out.” |
This
brings into context the power women had. Similarly, Molina who supposedly
assumes the role of the female, seemingly had more power in the beginning of
the novel. |
41 |
“They
get out and find the dead panther.” “Irena’s
face is disfigured from the swipe of the claw. She’s dead.” |
In the
end of almost every one of Molina’s story, death seems inevitable. It is
almost as if Molina is hoping to assume the role of the heroine in his story.
There is a sense of foreboding on what is to become of Molina by the end of
the story. |
52 |
“…the
car goes by with the accelerator floored, it runs her down.” |
In
Molina’s story, death is a common theme. The deaths are portrayed in an
almost direct and blunt fashion. |
77 |
“…but
the clubfoot puts up a wild struggle and the kid sacrifices himself, hurling
both of them into space…” |
The
sacrifice of the kid could possibly foreshadow events that are to come. We as
readers know how Molina dreams about fulfilling the tragic role of a heroine
who dies in the end. |
135 |
“I kept
missing you more and more and that’s why especially after the death of Uncle
Pedro…” |
We as
readers are reminded of the world outside the prison cell by the death of a
fellow revolutionist. Once again, it creates an impression that the cell is
safer compared to the outside world. |
158 |
“…black
blood of asphyxiation gushing up in the mouth” |
We learn
about Valentin’s inner thoughts which contrast sharply with what he is
actually saying. His thoughts are predominantly about the revolution and
perhaps the moment of his capture. This could perhaps reflect on how
Valentin’s will is breaking. |
167 |
“…so it
came to pass that after they were dead they were made to work…” |
This is
an extract from Molina’s story about zombies. It parallels to his life as
similarly, he is “dead”, unable to act upon his own free will. Instead, like
the zombies who were controlled by the witch doctor, he is controlled by the
warden in order to obtain information from Valentin. |
210 |
“But he
manages to grab her by the wrist and seize the knife, and kill her with it…” |
This
part of the extract is taken when the woman tries to kill the witch doctor
but fails. It could possibly represent Molina’s futile struggle to break free
from the warden’s control. Or not. |
274 |
“Of the
wounded, Molina expired before arriving patrol unit could administer first
aid.” |
Molina’s
death was known to us through the events recorded in the log book. It has a
very detached feel to it as there were not much details. This could be Molina
fulfilling his fantasy, to end as a tragic hero, dying for a purpose. |
276 |
“…twenty-nine,
thirty, thirty-one,,,” |
In the
last scene, there is a certain about of ambiguity about the state Valentin is
in. One interpretation is that he is near death and unable to move but
conscious. Another would be him in a drugged state, where someone is trying
to obtain information from him as “Martha” seems to be asking very specific
questions. |
Key Moment:
The motif
death does not play a central role within the novel. However, it does play a
significant role within both the characters. Valentin is prepared to become a
martyr for the revolution and is willing to remain in prison than to reveal
information concerning his comrades. Molina, with his stories of movies,
romanticizes about becoming the heroine and dying a tragic death in the end. An
example to this would be on page 168 where we learn about Molina’s fantasy
which ended tragically. You can say that in the end, Molina did fulfill his
desire as a “martyr” which sounded similar to Valentin’s “Martha.”