Kiss
of the Spider Woman: Motif Tracking – Gaps & Silences
Brainstorm:
Quotations & Explanations:
Page |
Quotation |
Explanation |
6 |
“Wait a
minute…I don’t know if this is when someone gives her a greeting that scares
her…”” |
Molina
cannot remember what exactly happens within the story, and the ellipses are
therefore used to represent him trying to remember and reconstruct the story.
This provides the many layers of the story: the readers trying to understand
what is happening, the characters trying to construct the movie together and
the movie characters and their movie. Also, this shows the uncertainty about
Molina’s recollection and may foreshadow Molina’s unreliability as a story-
teller. |
9 |
“-Goodnight.” “-We
left off” |
This is
the first gap that is seen within the text and it takes readers some time
before realising that a new day has begun, as the
gap happens without warning and explanation. By doing so, Puig
emphasises the constructed nature of texts and
shows how much work the readers will have to do in deciphering what is
happening in the texts, as there is no narrator (associated as reliability,
certainty and the truth) present. |
39 |
“-Night,
you too.” “-I’m
listening.” |
This gap
shows the time lapse that has occurred from one night to another. The gap
also shows Valentin’s eagerness to continue with
the story, and how excited he is about it despite it already being a night
since it was started. This shows his dependency on the stories as a form of
escapism and therefore, the power M holds over him. |
83 |
“-…” “-…” |
The
silence that is present with the introduction of the guard shows readers a
change in power, from either Molina or Valentin to
the guard. The ellipses show how M+V are silenced when the guard appears, either
to show their fear or as a way to block out the guard and keep the outside
from entering in. The presence of the guard comes almost without notice, as
there is no indication whatsoever. There is no narrator, no names indicating
who says what. |
84 |
“-No…” |
When
reading this the first time through, the reluctance of Molina to eat the rice
may be interpreted as, as Valentin had jested, M
“afraid of getting fat.” However, upon reading the entire story and knowing
that Molina is a traitor, the reluctance that is shown by the ellipsis could
show that he doesn’t want to be made sick by the poisoned rice. This means
that the use of ellipsis in this instance can be interpreted as reluctance,
and alluding to secrecy, betrayal and lies. |
84 |
“-The
smaller portion is more than enough for me” “-Ahg” |
Without
a narrator, it is uncertain how much time has lapsed since M+V have eaten the
rice. The gap is used to signify a time change but this time, the subject is
still the same matter; the meal. |
85 |
“Ahg…aghhh…” |
The ellipses
are used to emphasise how much pain Molina is in. On initial readings it is
uncertain what is causing M’s pain. His excuse that it is his “nerves” sounds
highly unlikely. But having read the whole text, readers then realise that the rice is the reason for M’s pain. These
ellipses can then allude to Molina’s betrayal of Valentin. |
103 |
“talking to herself…Aren’t you tired of reading yet?” |
This
ellipsis is used (in conjunction with the change in text style) to show the
change from Molina’s thought track to him speaking to Valentin.
The speech is intruding the thought track, though the ellipsis can be seen as
gently easing the progression. |
112 |
“his pisass of a revolution” “-The
meal is about to arrive” |
The gap
that is present shows the discontinuation of the texts, from M’s thought
track to V’s voice. Unlike above, where there seems to be some continuation
between the change, the gap shows an undeniable
discontinuation between texts. This shows to readers in a more emphasised
manner that there are two distinct voices speaking and that they are
completely separate. This can be linked to the feelings of both characters
and allude to the tension that is present within this scene. |
120 |
“I’m
ashamed…” |
The
ellipsis empahsises V’s discomfort over the fact
that M is acting maternal and trying to clean up after him, as he is
sick. The ellipsis is present as it
shows how V doesn’t want to show his weak side therefore is reluctant. |
124 |
“see if
it passes” “-a
European woman” |
The gap
is present to show the change between V’s speech and M’s nightmare. This
change is emphasised by the italicised words in the
thought track/nightmare. The gap is
present to aid readers into knowing that two completely different scenarios
have occurred. This gap is almost like the non-existent narrator, as it helps
make things more clear for readers. |
148 |
“personal
correspondence” Guard:
Remove your cap |
The gap
shows the two different types of text present: one is a Prisoner report on V
and the latter is set out as if it were a play. This gap helps show to
readers the numerous ways in which Puig tells us
the story of Molina and Valentin. Also, it helps
separate the different situations that are occurring within the story and
helps the reader to comprehend it more clearly. |
157 |
“cold
food doesn’t tempt me, really” “-Oh, it
definitely agreed with me.” |
The gap
shows the change from M talking about the food before the meal, and V
speaking after they have had the meal. The gap helps clarify and emphasise
this point to readers and therefore, once again acts like the narrator of the
story. |
192 |
____________ “-Morning…” |
This
time, the gap is emphasised even more with the line. This implies that the
two situations are opposites. Proof of this is that in the first situation,
they are talking about movies, whilst in the send, they talk about food and
M’s lawyer (reminds us of M’s betrayal, untrustworthy.) It also emphasises the tension that was apparent previously, as M
wouldn’t continue with the story, annoying Valentin
who is dependant upon the movies as much as his books for a form of escapism.
|
195 |
“-Please,
Molina” “-…*” |
The
ellipsis is used to convey the silence after V gets angry and ruins objects
within the cell. It is used to portray the awkwardness of the situation, the
argument that occurred, M’s hurt (he doesn’t forgive V for his actions.) The
footnote that follows educates readers that your upbringing forces your
opinion of the world and that both characters not just V are revolutionaries
in their own ways. (M breaks social norms by being homosexual.) |
219 |
“why can’t I see you?” “-…” |
The
silence that is apparent from V may show to readers his discomfort about
having sex with another man and his awkwardness. The ellipsis is used to
imply to readers that V may be trying to imagine that he isn’t actually
having sex. The darkness emphasises the
uncertainty. The silence also shows an increase in intensity between what the
two men are doing. Also, the silences that are present within chpt.11 are
during emotionally periods. |
220 |
“-…” “-…” |
There
are many silences present as the two characters are now on new ground. They
have just had sex last night. The silences can emphasise a void in power or
comfort. It can be interpreted that now that M got what he desired (sex) he
is willing to abdicate some of his power. It could also be seen as the two
characters are closer and therefore speech is no longer required. It is quite
ambiguous. |
223 |
“I never
saw you laugh before” “-It
takes place” |
The gap
is used to separate M’s speech from the story that M tells (which has a high
probability of being completely made up.) This gap itself is not so important
but it is separating two important incidences-V’s laughter (natural, freeing
impulse) and the story that M tells which still has a bittersweet ending
despite being allowed to make it however he wants. |
235 |
“…how
you touch me.” “-…” |
The
silence that follows M’s comment can be interpreted as V’s reluctance to
touch upon the subject, as he is in denial. However, as V does later open up
about his feelings on the matter on the bottom of the page, this is not that
likely. Another possible interpretation is that V is reluctant to talk about
how he really felt having sex with another man, as they were possibly not all
negative ones. |
275 |
“-Bastards” “-…” |
The
silence shows the weakness of V; he is unable to respond to the doctor’s
comments. This shows his fragile state, juxtaposing how the readers have
usually seen him. However, it could also be seen as V keeping quiet, as he is
unsure whether to trust the doctor and does not want to insult the guards and
wardens in the case that it is a trap. It may also be hinting to a demise of
V, as he is too weak to do anything. |
Key Moments:
Pg. 9
This is
the first time a gap is introduced and creates confusion for the readers as it
takes them some time before they realise what is
going on. This is an important point for the motif as Puig
is showing readers the constructed nature of texts and how much work must be
done in order for readers to follow the story. Also, it adds increasing depths
to the whole story, as there are the readers piecing together the story of M
and V, V and M piecing together the movie (in which M is piecing together his
recollections of the movies) and then within the movie itself.
Pg.193-195
This is an
important moment for the gaps and silences motif as the silences are used
predominantly to portray the argument that has occurred and the feelings of the
two characters afterwards. Valentin is seen as being
apologetic and even guilty over his actions whilst Molina is seen as being
hurt, upset and possibly sad over Valentin’s actions.
This is an important moment as ellipses are used constantly, whereas in
previously chapters there were only smaller moments.
Chpt.11
(the sex scene)
Silences
hold a lasting impression within this chapter as they convey strong emotions
and help show an increase in intensity of the situation. It also emphasises the ambiguity of the situation. Readers question whether Valentin is
keeping silent and asking Molina to do the same in order to enjoy the
experience or because he is repulsed by the idea of being with another man and
wants to imagine that it isn’t happening. The silences from Valentin
may also show his awkwardness and discomfort about what he is doing. This leads
readers to also question whether Valentin is doing
this solely to get his way as he initiates the sex (gives M a massage) and does
something that may not want to, as he is not a homosexual.
Chpt.14
This is
also another important moment for gaps and silences as this is when M and V
have sex for the second time. On pages 250-257, the silences present may be
interpreted in many ways. For instance, it may be seen as V’s disappointment in
hearing that M is leaving. Or, it could be seen as contained happiness for V,
as his plans are finally coming into motion and the sex that he has been having
with another man wasn’t a waste. On pg.253, the silences are used to show
tension between the two characters and embarrassment and the reluctance to comply
with requests. On pages 261-263, where
they are having sex, the gaps and silences are used to signify the sex, the
intensity of it and their emotions. The silences also show M’s abdication of
power and V becoming dominant. Also, the silences show their kiss.