Kiss of the Spider Woman: Motif
Tracking – Revolutions
Brainstorm:
Quotations
& Explanations:
Pg |
Quotation |
Explanation
|
27-28 |
“I put up with all of it…because
there’s a purpose behind it. Social revolution, that’s what’s important, and gratifying
the senses is only secondary. While the struggle goes on, and it’ll probably
go on for the rest of my life…” |
This demonstrates how he’s all
dedicated to the political action and is willing to form some kind of
revolution to challenge society with the social rules, communism etc. This is
what makes him an outsider because his views and values are not accepted, and
that is why he is undergoing this political struggle. |
28 |
“My ideals…Marxism, if you want me
to spell it out in only one word. And I can get that pleasure anywhere, right
here in this cell, and even in torture. And that’s my real strength.” |
This emphasizes the previous point
made; to challenge the idea of communism to the society. Additionally, it
points out that this is where his true strength lies thus establishing his
identity as a ‘fighter’. |
28 |
“I don’t believe in that business
of living for the moment, Molina… There’s no way I can live for the moment
because my life is dedicated to political struggle…” |
This shows how his strong devotion
as a political activist goes against Molina’s light perception of ‘living for
the moment’. As an individual struggling in society where socialism is not
accepted, he cannot remain still because he feels the need to be involved in
the movement of fighting for his own rights and values. |
134 |
“It’s all in code, could you tell?
When she says ‘growing old’, that means becoming part of the movement. And
when she says ‘life and its trials’, that’s fighting for the cause…” |
This quote brings awareness that a
real revolutionary scheme/action is actually being secretly conducted by the
activist group that Valentin belongs to, and the
political officials have managed to remain oblivious to this. That is why
they conducted this plan on abducting this information from Valentin, by means of Molina, which turned out
unsuccessful in the end. The idea of two ‘planned actions’ running parallel
with each other emphasizes that a revolution is determined to happen. |
134 |
“We commit ourselves, as comrades,
to avoid intense relationships of that kind because they can only be a
hindrance when it comes time to act.” |
This, again, emphasizes his
dedication to the political act, demonstrating the toughness and manliness he
incorporates in himself, and how it conceals the soft, sensitive side of him
(which actually reflects his true self), which is eventually revealed later.
Ultimately his dedication is a drive that sets forward the anticipation of a
revolution. |
29 |
“And what’s so bad about being a
woman? Why is it men or whoever, some poor bastard, some queen, can’t be
sensitive, too, if he’s got a mind to?” |
Molina represents himself to
challenge the stereotypes of masculine and feminine roles, conveying to
society that in reality, perception towards gender roles is just as common as
what we would expect, therefore the abnormality in gender behavior that
Molina displays is viewed as unconventional and perhaps immoral, but this is
seen as a normal and acceptable practice in the society that Molina belongs
to. This can be acceptable in society as a whole if society is willing to
acknowledge the nature of it. Perhaps Puig is
attempting to ‘revolt’ against society’s perception. |
19 |
“And since a woman’s the best
there is, I want to be one.” |
This quote illustrates the idea of
how Molina desires to possess women traits. Reinforcing the previous points
made, he represents himself as the icon of ‘nonconformity’ which goes against
society’s acceptance. This conflict is the revolution itself. |
261-3 |
“…” |
These pauses indicate Valentin’s subtle sexual approaches towards Molina. This
part of the scene is not conveyed explicitly to allow readers to fill in the
gap with their imagination, and fundamentally, what is to be depicted here is
the idea that Valentin is revolting against himself
as he makes the sexual moves towards Molina and eventually agrees on having
an intercourse in order to manipulatively convince Molina to carry out his
deeds. The kiss, as well, demonstrates this idea. |
244 |
“If it weren’t for the fact that
it must hurt a hell of a lot, I’d tell you to do it to me, to demonstrate
that this business of being a man, it doesn’t give any special rights to
anyone.” |
Valentin expresses the
socialist view of gender equality, reinforcing the determination to revolt
with regards to that idea. ‘I’d tell you to do it to me’ also implies that he
is almost sacrificing himself to Molina, for reasons mentioned in the
previous point above. |
247 |
“Arregui
is like a tomb, sir, and suspicious of everything…I don’t know, he’s
impossible, he’s not… he’s not human.” |
This quote illustrates how Molina
is taking on the heroic role by defending Valentin
as he refuses to give the warden any information at all. This suggests the
foreshadowing of a revolution that Molina sets upon himself; that he is
putting himself in a dangerous position that he never imagined himself to be
in. |
266 |
“…it should be stressed that the
tone of the conversations was continually bantering and the conversations
themselves extremely disordered. Nevertheless, the matter will be watched
further.” |
The political officials are shown
to be suspicious of Molina’s actions that they had to take on watchful vigil.
This marks the impression that Molina has already embarked upon carrying out Valentin’s plans, engaging himself after fully revolting
against his own nature. The heroic role is then reinforced, determining a
pivotal, changing moment where he surrenders most of his life. |
Key Moment:
As there are most definitely two
types of revolution present throughout the novel, there are two key moments,
one for each of the two types of revolution. There is of course, the political
revolution, and I think a key moment for this part of the motif occurs towards
the end of chapter 15. Molina is making a huge effort to do things secretly
(albeit failing miserably) and to meet the group in secret. This highlights the
political tension in
The second form of revolution which
is dominant in the text is sexual revolution. A key moment for this part of the
motif is the first time that Valentin and Molina have
sex, at the end of Chapter 11. The fact that a stereotypical macho man who is
undoubtedly straight can have gay sex with a gay man is a massive sexual
revolution, especially in periodic