Season of Migration to
the North: Character Profile ¡V Hosna
Summary:
In
Season of Migration to the North, Hosna Bint Mahmoud is the wife (or
widow) of Mustafa Sa¡¦eed. Her role in the novel stems
from the various threads about/of the cultural distinction between the Eastern
World and Western World (as this also touches base on one of the biggest
overall theme prevalent in the novel), the representation of newfound growing
modernization in women in those times, which contrast against the belief and
principles of the primitive nature and culture in Sudan, but additionally displays
the struggle of patriarchy within.
Quotations & Analysis:
Page |
Quotation |
Analysis |
89 |
¡§. . . while she used no henna on her feet or hands a slight
smell of perfume hung about her. Her lips were naturally dark red and her
teeth strong, white and even. She had a handsome face with wide black eyes in
which sadness mingled with shyness. When I greeted her I felt her hand soft
and warm in mine. ¡§She was a woman of noble carriage and of a foreign type of
beauty.¡¨ |
The narrator describes Hosna as a woman who possess a foreign type of beauty
where her lips are dark with white teeth and she doesn¡¦t have henna on her
hands. The initial impression the reader has is that Hosna
possess a type of physical beauty that is unknown in |
90 |
¡§Did you love Mustafa Sa¡¦eed¡¨ She did not answer ¡§He was a generous
husband and a generous father. He never let us want for anything in his whole
life¡¨ |
When the narrator asked
Hosna whether she loved Mustafa Sa¡¦eed,
Hosna did not answer but instead asserts that Sa¡¦eed was a generous husband and father. The desire for
independence and individual rights is definitely evident in Hosna¡¦s character. She trusted men who gave her rights
and respected her as an individual with equal rights. Hosna
was also portrayed as a wild girl who fought against boys in her childhood.
The mentality of a man from young age ultimately shaped her unique character.
There is a strong desire within her to create her own path and life after Sa¡¦eed¡¦s death. |
96 |
At last, though, I
became aware of her boice in the darkness like the
blade of a knife ¡§If they for me to
marry, I¡¦ll kill him and kill myself.¡¨ |
The quotation clearly
shows Hosna Bint Mahmoud¡¦s defiance against Islamic tradition in which she
was brought up under. It is unusual to find a person who cannot possibly
adapt to a culture she is accustomed to for most of her life. |
100 |
¡§Do you remember her as
a wild young girl climbing trees and fighting with boys? As a child she used
to swim naked with us in the river. What¡¦s happened to change that now?¡¨ |
Mahjoub reflects over Hosna Bint Mamoud¡¦s
past in which the reader gets a rare insight towards the young Hosna Bint Mahmoud.
She was a wild girl who climbed trees, fight with boys and swim naked in the
river. The exotic primitive form of Hosna Bint Mahmoud is completely
absent in her contemporary form. It clearly shows she has been through a
development after meeting Mustafa Sa¡¦eed. She has
developed into a much more modern and rational woman with a Western approach
towards marriage. |
Key Moment:
The key moment in the for Hosna Bint
Mahmoud is without doubt the point when she decided
to kill Wad Rayyes and herself. On the surface, it
may seem her ambition to commit suicide with Wad Rayyes
was caused from anger, hatred and intolerance. Yet this mentality is somewhat
similar to the final stages of Mustafa Sa¡¦eed. From
the existentialist perspective, Mustafa Sa¡¦eed chose
the path of ending his life as he could not shake off and leave behind the
infection. Hosna Bint Mahmoud, after forced to marry Wad Rayyes,
found it meaningless to continue and pursue another section of life with a man
whom she has no feelings for. Her desire to construct an individual path for
herself is completely undermined by the marriage, and it was obvious that she
would not abide to this tradition. Perhaps this was the strongest influence
Mustafa had on Hosna, this existentialist mentality is evident in both
characters.