Season of Migration to the
North: Motif Tracking ¡V Violence & Invasion
Summary:
Violent language in
Season of Migration to the North is used to characterize Mustafa Sa¡¦eed, introduce and expand on major themes of the book such
as colonization. In relation to characterization, violent language early on
highlights the emotional detachment that Sa¡¦eed has
while also setting the stage for the introduction of Mustafa Sa¡¦eed¡¦s more predatory side. We see through the
descriptions of his actions a strong connection to colonialism, especially
through his active ¡§conquests¡¨ of women. Through this idea of colonization, we
also see the disparities between the North and the South, and this yearning for
the Other.
Quotations & Analysis:
Page |
Quotation |
Analysis |
6 |
¡§My Grandfather was
talking to me of a tyrant who had ruled over the district in the days of the
Turks¡¨¡K¡¨I do not know what it was that brought Mustafa to mind¡¨ |
Foreshadow the violence
that Mustafa will cause in his lifetime. At the time of this
quotation, Mustafa was still a very mysterious entity, but the narrator
subconsciously relates him to a colonizer. |
14-15 |
I¡¨I tell you that had
the ground suddenly spit open and revealed an afreet
standing before me, his eyes shooting out flames, I would have not been more
terrified. All of a sudden there came to me the ghastly, nightmarish feeling
that we ¡V the men grouped together in that room ¡V were not a reality but
merely some illusion. Leaping up, I stood above the man and shouted at him:
what¡¦s this you¡¦re saying?¡¨¡K¡¨Pushing me violently aside, he dumped to his
feet and went out of the room with a firm tread.¡¨ |
This is the narrator¡¦s
reaction to Mustafa¡¦s recitation of the poem. He becomes irrational for his
action and takes what Mustafa says to be reality, thus he begins to react
irrationally. This also shows a parralell to the narrator and Mustafa Sa¡¦eed
in relation to believing that their lives are a lie, and that life is not
reality. This is the first point
in the book that we see the narrator questioning whether life is worth living
or not. |
20 |
¡§ I didn¡¦t cry when
hit, wasn¡¦t glad if the teacher praised me in class, didn¡¦t suffer from the
things the rest did¡¨ |
This shows
characterization of Mustafa SA¡¦eed and demonstrates
his emotional detachment from the rest of his peers. |
22 |
¡§My mind was like a
sharp knife, cutting with cold effectiveness.¡¨ |
This leads to the
calculating manipulative side of Mustafa Sa¡¦eed.
This is also a foreshadowing his education that he will soon get from the
North. |
34 |
My bedroom became a
theater of war; my bed a patch of hell. When I grasped her it was like
grasping at the clouds, like bedding a shooting-star, like mounting the back
of a Prussian military march. I would stay awake all night warring with bow
and sword and spear and arrows, and in the morning I would see the smile
unchanged and would know that once again I had lost the combat.¡¨ |
Jean Morris and Mustafa
Sa¡¦eed both come to their relationship with ideals
and culture from their respective geographical locations ¡V The north and the
south. When they are in bed with each other, it is no longer a simple
physical act, but also a political act of colonizing each other. |
41 |
¡§But until the meek
inherit the earth, until the armies are disbanded, the lamb grazes in peace
beside the wolf and child plays water-polo in the river with the crocodile,
until that time of happiness and love comes along, I for one shall continue
to express myself in this twisted manner. And when, puffing I reach the
mountain peak and implant the banner, collect my breath and rest ¡V that, my
lady, is an ecstasy greater to me than love, than happiness.¡¨ |
This quotation evokes
the idea of colonization in relation to Mustafa Sa¡¦eed.
We have seen that Mustafa acknowledges his predatory nature, and here it is
highlighted again as he essentially says that until all is peaceful and
harmonious (which will never happen) he will ¡§continue to express [himself]
in this twisted manner¡¨. The colonization aspect of this quotation appears
with his description of ¡§reach[ing] the mountain
peak and implant[ing] the banner¡¨, essentially
sexually colonizing the women he charms, and this act of colonization is his
greatest pleasure. |
140 |
¡§Why did Hosna Bint Mahmoud
kill the old man Wad Rayyes and then kill herself
in this village in which no one ever kills anyone?¡¨ |
|
160 |
¡§I was the invader who
had come from the South, and this was the icy battlefield from which I would
not make a safe return. I was the pirate sailor and Jean Morris the shore of
destruction. And yet, I did not care.¡¨ |
Reverse colonization Coming in to colonize,
but it is destructive. He is feeling a pull to wonderlust
but he has a constant call to his doom. |
161 |
¡§Had I exerted just
that little bit more pressure I would have put an end to the war. Sometimes
the war would take us out.¡¨ |
|
Key Moment:
The key moment for the
motif of violence, war, and confrontation is definitely from page 153 to 165
because this is the section where Mustafa Sa¡¦eed
kills Jean Morris. This section starts from the point where Mustafa meets Jean
Morris, to the point where he kills her. This section is the section that shows
Mustafaís weakness, which is not seen anywhere else
in the novel.