It’s
Not Real!
When you write about novels, plays or poems, it is very important to
make it cleat that you are not writing about real people or real events.
Imagine two candidates, one average and one good, writing about Orwell’s 1984,
this is what the first one might say:
In 1984 society is ruled by Big
Brother. There are posters of him everywhere, and pictures of him are
frequently shown on the telescreen. Big Brother is a
dictator who wants to control everything, even the thoughts inside people’s
heads. One man, Winston Smith, tries to rebel against this society.
What is wrong with this first piece? The answer is that nothing suggests
that it is a book that is being written about; Big Brother and Winston Smith
could be real people living in a real society. Moreover, the piece is
essentially a discussion of plot and elements without any attempts at analysis.
In contrast, this is what a good student might write:
In 1984 Orwell creates a futuristic
totalitarian society ruled by Big Brother. In order to emphasise the control
Big Brother has, Orwell describes the huge poster of him that seem to be
everywhere and the thousands of telescreens on which
he so frequently appears. Orwell also shows that Big Brother’s aim is complete
control over every aspect of society, even over the thoughts inside people’s
heads, and embodies the reader’s outrage at such a society in the character of
Winston Smith who tries to rebel against it.
The good candidate’s piece recognizes that Orwell has created this
fictional society for a purpose and gives a reason why Orwell says that posters
of Big Brother and telescreens are everywhere. In the
final sentence, the good candidate suggests that Orwell wants the reader to
take a very negative attitude to the events and that he accomplishes this
purpose by creating Winston Smith, In addition to mentioning plot elements, the
writer has also drawn some conclusions about why these elements are important
in the novel.
The good candidate has recognized three essential things about a literary
work: the events of the work, the author who has created them, and the reader
for whom the work is created. In any good essay about literature all three
should be mentioned. They are, however, not separable; for the events of a
novel are only there because the author has put them there, and they are only
recognized as events when read by a reader. The author, of course, is the most
important of these elements; the events of the work and the reactions of the
reader depend upon what choices he or she has made.